Many thanks to Orphx / Rich Oddie for the re-interpretation of my track... please check out more excellence from Orphx -

www.orphx.com
orphx.bandcamp.com
www.facebook.com/orphx

Circle With Hands (Polymorph) - Remixed by Orphx

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Founder and curator of @Sinergia-Utopica ✊🏽❤️

Listening profile.

Emigrant Celt surviving the neo-liberal nightmare by trying to re-imagine Irish trad / folk via Kraftwerk and all they subsequently inspired.

NEW ALBUM : DAIMYO[大名]
► https://open.spotify.com/album/5qvP6QOub0gOfMX880TGT7?si=hFcgnwP7RLGkbCp7Pahn8g
Official Released by @cursedcrown-music 
THANK YOU FOR FOLLOW LISTENING LIKE AND SHARING MY Tracks.
Guys, sorry for the mastering defects, I only listen to one ear, it's difficult to do this in mono xD I listen to the right side of the song and then the left side for the final master, so it doesn't come out that clean xD... anyway ... I hope you continue listening and sharing my tracks.
NEW ALBUM "Heiki" Official Released by @cursedcrown-music Label
 ► https://open.spotify.com/album/5VkLKvtXfJWx3D7xONEDxO?si=B_RYUFqXSdS19271U5Sdsg
NEW ALBUM "Yama" Official Released by @cursedcrown-music Label
  ► https://open.spotify.com/album/5gH4eyapsd9QnEzWpc4VQF?si=_EdTg_CuTxKspLomIWaeRA

Dark / horror / industrial / experimental roller coasters.

Primarily made with object / area recordings, arranged and manipulated with music software from 2002.

No AI.

⚔️⛓️✡  The tree is still growing  ✡⛓️⚔️

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

▪️▫️◼️◻️⬛️⬜️⬛️◻️◾️▫️▪️

Worldwide booking: clara@acheron-booking.com

www.orphx.com
www.orphx.bandcamp.com
www.facebook.com/orphx
www.residentadvisor.net/dj/orphx
www.last.fm/music/Orphx

One of the most highly respected acts in both techno and industrial circles, Orphx (Rich Oddie and Christina Sealey) have been refining their signature fusion of hypnotic rhythms and experimental noise for many years. They began in the early 90s with a raw sound inspired by old school industrial but soon began incorporating elements of dub, techno and electro into their work. Orphx built up an international following as one of the pioneering acts within the European "rhythmic noise" scene. More recently their work has come to the attention of techno fans through a series of acclaimed releases on the Sonic Groove label, collaborative work with the likes of Ancient Methods and Justin Broadrick, and remixes for many artists including Front Line Assembly, Oscar Mulero, Perc, and Conrad Schnitzler.

Oddie and Sealey have performed around the world at celebrated venues like Berghain and Tresor, and festivals such as Berlin Atonal, Movement, Mutek, and Unsound. They are renowned for their improvised performances, combining software with modular synthesizers and other hardware. Building on a sprawling back catalogue that stretches across industrial, ambient, and techno, their recent output has demonstrated that Orphx are both pioneers and innovators in the fusion of rhythm and noise.

Circle With Hands (Polymorph) - Remixed by Orphx

Palazzo's Monstrosity Coil