New Music Unlisted - 7 (Kitaptan Sonra)

roses sauvages

Recordings of some of my composed works are featured here. 

Works by Pia Palme

Part of a composition for a vocalist and a paper sculpture, feathers, percussion, analog electronics, flauto traverso, cembalo, viola da gamba. Total duration: 18 minutes. Performed Dec. 2013 at 'DUNKLE ZEITEN WIEN' by Lore Lixenberg/mezzosoprano, Berndt Thurner/perc., Pia Palme/elec., Sylvie Lacroix/fl. traverso, Sonja Leipold/cemb., Eva Neunhäuserer/viola d.gamba.

BUT STILL ATTACHED TO LIFE AT ALL FOUR CORNERS_cut2(Palme 12/2013)

BUT STILL ATTACHED TO LIFE AT ALL FOUR CORNERS_cut1(Palme 12/2013)

The piece was commissioned by the Jerusalem Symphony Orchestra and the Adele and John Gray Endowment Fund. Composed in 2022. Conductor - Yishai Steckler, Sopran - Tali Ketzef. Premired at the Henry Crown Symphony Hall, Jerusalem Theater, December 5, 2022. Recorded by Avi Elbaz
Dedicated to Peter Pohly

Riddle for the Symphony Orchestra, big choir and sopran

Garth Knox performing GIB SIE WIEDER HER a warning commentary on resonance I 
for viola d'amore, contrabass recorder & electronics. Resonant strings transduced into a wooden box on stage.

Sample from 2nd part, with written score and audio score. 
Live recorded at first performance, Huddersfield, St. Paul's Hall, 2014. 

GIB SIE WIEDER HER a warning / cut 1 (Pia Palme 2014)

This is the track transduced into the harp, from the piece GIB SIE WIEDER for harp and electronics composed by Pia Palme (2014). It contains vocals performed by Claudia Cervenka, and a harp score performed by Gabriela Mossyrsch, and feedback sounds & noises.

The piece centers around aspects of resonance.

There is a second score for the 'outside' harpist. The inside track is a piece in itself; transduced into the harp it will be 'equalized' by the resonance of the instrument. Text by Pia Palme.

Inside the harp / GIB SIE WIEDER (PP 2014)

The new piece was written for two incredible musicians - Yael Barolsky and Oded Gezhals,recording - Ronald Boersen.
The premiere was on 1.05.14 

Repercussion for violin and percussion by Hana Ajiashvili

The piece was commissioned by the Meitar Ensemble and with the support the Ernst von Siemens Music Foundation. The premiere was at the CEME festival on December 23. 2023.
 Conductor - Yuval Zorn, Meitar Ensemble, Studio Anette, Tel Aviv, 2023

Impossible sketches for ensemble and electronics

Elisabeth Jacquet de la Guerre (1665-1729, Paris)
Prélude non mesuré en re mineur
(aus „Pièces de Clavecin“, 1687)
Sonja Leipold, Cembalo

Elisabeth Jacquet de la Guerre:  Prélude non mesuré en re mineur

Caterina Benedetta Grazianini (Italien, Wien, frühes 18.Jhdt): Il mio cor ch'è cor amante, Rezitativ & Arie
aus: Oratorio Santa Teresa

les roses sauvages:
Oscar Verhaar, Altus; Katharina Humpel, Barockoboe; Eva Neunhäuserer, Viola da Gamba; Sonja Leipold, Cembalo

Aufnahme: Ivan Kitanović

Caterina Benedetta Grazianini: "Il mio cor ch'è cor amante"

Anna Bon (1739/49, St.Petersburg - Todesdatum unbekannt, Venedig/Bayreuth/Dresden/Eisenstadt) 
Sonata für Flöte &b.c., op.1 Nr 4. (Nürnberg 1756)
Allegro Moderato – Andante - Allegro assai


Anna Bon: Sonata für Flöte & b.c., op.1 Nr 4, 2.Satz: Andante

The work MORDACIOUS LIPS, TO DUST for four singers (soprano, countertenor, tenor, bass) was performed at the EXAUDI EXPOSURE2015 in London 2015 by the ensemble EXAUDI and James Weeks, direction. Music and text composed by Pia Palme 2014/2015 for the Sound and Music Portfolio opportunity. Live Recording, EXPOSURE2015, 17 October 2015, The Warehouse, London.

Further information under http://piapalme.at/works/mordacious-lips-to-dust/


MORDACIOUS LIPS, TO DUST

Tslalei Or was written especially for two great musicians Yoni Gotlibovich and Yuval Zorn, the Premiere was on June 20, 2016 at Jerusalem Center for the Performing Arts

Tslalei Or (2016)

Pia Palme 2009, text by Toshio Nakae. For strings, subbass-recorder, synthesizer, inside-piano, electronics. Voice: Yoshie Maruoka. Live performed at Wiener Konzerthaus by Alexander J. Eberhard, Bernhard Ziegler, Margarethe Deppe, Judith Unterpertinger, Electric Indigo, Pia Palme.

AX.WHO.

The piece was written especially for trio Catch - clarinet, cello, piano, for the festival Tslil Meudcan - Tel Aviv, 2018

Blue by self titled painting by Kandinsky

LIP OF THE REAL II (Palme 2013)

for for a flutist/soprano using a throat-microphone with PTT-button,
percussion and live-electronic surrounding (4 channels/6 speakers),
with texts by Anne Waldman, Pia Palme and Margret Kreidl (translated fragments)

Live recorded at performance on Feb. 14th 2013, St. Paul's Hall Huddersfield:
Alice Teyssier/flute & voice, Jonathan Hepfer/percussion,
Pia Palme/live -electronics.

More and a text about the piece at: www.piapalme.at

LIP OF THE REAL II

Pia Palme is a composer and performer of contemporary music, experimentalist, producer and researcher.

BUT STILL ATTACHED TO LIFE AT ALL FOUR CORNERS_cut2(Palme 12/2013)

palmeworks