New Music Unlisted - 7 (Kitaptan Sonra)

Recordings of some of my composed works are featured here. 

Works by Pia Palme

Electronic music

The piece was commissioned by the Jerusalem Symphony Orchestra and the Adele and John Gray Endowment Fund. Composed in 2022. Conductor - Yishai Steckler, Sopran - Tali Ketzef. Premired at the Henry Crown Symphony Hall, Jerusalem Theater, December 5, 2022. Recorded by Avi Elbaz
Dedicated to Peter Pohly

Riddle for the Symphony Orchestra, big choir and sopran

Garth Knox performing GIB SIE WIEDER HER a warning commentary on resonance I 
for viola d'amore, contrabass recorder & electronics. Resonant strings transduced into a wooden box on stage.

Sample from 2nd part, with written score and audio score. 
Live recorded at first performance, Huddersfield, St. Paul's Hall, 2014. 

GIB SIE WIEDER HER a warning / cut 1 (Pia Palme 2014)

This is the track transduced into the harp, from the piece GIB SIE WIEDER for harp and electronics composed by Pia Palme (2014). It contains vocals performed by Claudia Cervenka, and a harp score performed by Gabriela Mossyrsch, and feedback sounds & noises.

The piece centers around aspects of resonance.

There is a second score for the 'outside' harpist. The inside track is a piece in itself; transduced into the harp it will be 'equalized' by the resonance of the instrument. Text by Pia Palme.

Inside the harp / GIB SIE WIEDER (PP 2014)

The new piece was written for two incredible musicians - Yael Barolsky and Oded Gezhals,recording - Ronald Boersen.
The premiere was on 1.05.14 

Repercussion for violin and percussion by Hana Ajiashvili

The piece was commissioned by the Meitar Ensemble and with the support the Ernst von Siemens Music Foundation. The premiere was at the CEME festival on December 23. 2023.
 Conductor - Yuval Zorn, Meitar Ensemble, Studio Anette, Tel Aviv, 2023

Impossible sketches for ensemble and electronics

Composed from fieldrecordings, with sound material created with a contrabass recorder in C, my own voice using different microphones, and analogue synthesizers. The texts are written by myself. Stereo version, 2015.

In winter, no nose touching no blossom

The work MORDACIOUS LIPS, TO DUST for four singers (soprano, countertenor, tenor, bass) was performed at the EXAUDI EXPOSURE2015 in London 2015 by the ensemble EXAUDI and James Weeks, direction. Music and text composed by Pia Palme 2014/2015 for the Sound and Music Portfolio opportunity. Live Recording, EXPOSURE2015, 17 October 2015, The Warehouse, London.

Further information under http://piapalme.at/works/mordacious-lips-to-dust/


MORDACIOUS LIPS, TO DUST

Tslalei Or was written especially for two great musicians Yoni Gotlibovich and Yuval Zorn, the Premiere was on June 20, 2016 at Jerusalem Center for the Performing Arts

Tslalei Or (2016)

Pia Palme 2009, text by Toshio Nakae. For strings, subbass-recorder, synthesizer, inside-piano, electronics. Voice: Yoshie Maruoka. Live performed at Wiener Konzerthaus by Alexander J. Eberhard, Bernhard Ziegler, Margarethe Deppe, Judith Unterpertinger, Electric Indigo, Pia Palme.

AX.WHO.

The piece was written especially for trio Catch - clarinet, cello, piano, for the festival Tslil Meudcan - Tel Aviv, 2018

Blue by self titled painting by Kandinsky

LIP OF THE REAL II (Palme 2013)

for for a flutist/soprano using a throat-microphone with PTT-button,
percussion and live-electronic surrounding (4 channels/6 speakers),
with texts by Anne Waldman, Pia Palme and Margret Kreidl (translated fragments)

Live recorded at performance on Feb. 14th 2013, St. Paul's Hall Huddersfield:
Alice Teyssier/flute & voice, Jonathan Hepfer/percussion,
Pia Palme/live -electronics.

More and a text about the piece at: www.piapalme.at

LIP OF THE REAL II

Pia Palme is a composer and performer of contemporary music, experimentalist, producer and researcher.

Inside the harp / GIB SIE WIEDER (PP 2014)

palmeworks