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Music/art collective based out of Boston.
Bi-monthly podcast from residents & special guests across the globe.
Residents: Dimitri Diogo, Jorge Castellanos, Bruno Limma.
For more info: https://www.facebook.com/vyooart/

RADIO SHOW:
LATE NIGHT JAMS ON TWITCH 
Tune in here: Twitch.tv/djpatrickbarry
  
BOOKING INQUIRIES: djpatrickbarry@gmail.com

Bio:
Patrick's undying desire to obtain every track he could to help polish his sound, grew and grew landing club and warehouse gigs regularly at throughout Boston as well as New York, Montreal, Miami, Barcelona (ES), Philadelphia, Montego Bay (Jamaica), Ottawa, Portland (ME), Washington (D.C.), Providence, Portsmouth (NH), and Burlington (VT) alongside djs such as Danny Howells, Lee Burridge, Rødhad, Mr. C, Paul Woolford, Dj Three, YokoO, Matt Tolfrey, Culoe De Song, Till Von Sein, Ian Pooley, John Tejada, Chloe Harris, Will Saul, La Fleur, Funk D'Void, Juan MacLean, Ejeca, Phonique, Dance Spirit, Lazare Hoche, Jimpster, Pleasurekraft, John Debo, Francis Harris (Adultnapper), Blond:ish, Oliver $, Naveen G, David Scuba, Ejeca, Pete Moss, Jay Tripwire, Urulu, Pezzner, Fred Everything, Adam Shelton, Clive Henry, and Justin Martin.

In 2010, Patrick was named a resident at the famous Cambridge Wednesday night (now called Re:Set) @ The Phoenix Landing as well as Portsmouth's Red Door, regularly playing sets and helping to bring in top notch talent to the venues.

In 2012, Patrick and fellow Boston dj Tom Bartlett formed the duo "SITH" bringing their brand of deep and funky tech and house to dance floors everywhere. 

2013 saw the creation of Dusk Till Done, an underground events company, which hosted numerous forward thinking artists in the Boston area at clubs and other locations.

Mgmt: andres@paperclip.no
Booking: thomas.reade@allofloride.eu (World except), brent@good-direction.agency (US+CAN), watty@movidamusica.com (MX)

For over a decade now the name Satin Jackets has been synonymous with sublimely laidback Balearic house and sun kissed disco. The brainchild of German producer Tim Bernhardt who, following a successful career producing house music under a variety of different aliases, launched Satin Jackets as a vehicle to explore his lifelong love of disco and the clean, polished productions of artists like Chic and Trevor Horn.

“I had always been fascinated by just how glossy people like Nile Rodgers made their music,” Bernhardt explains. “It always sounded like the musical equivalent of a fashion magazine’s cover. I’d been making somewhat more underground music for a while but really wanted to go in totally the other direction and create this really smooth, polished sound.”

That first Satin Jackets release, the dreamlike You Make Me Feel Good, would set the tone for what was to come. Released on the iconic Belgian label Eskimo Recordings, which had previously helped launch the careers of artists like Aeroplane and Lindstrøm & Prins Thomas, it was an instant hit. Its graceful melodies, airy textures and yearning chorus became the soundtrack to the setting sun at parties worldwide.

With almost metronomic precision You Make Me Feel Good was followed by a string of acclaimed singles and remixes for some of the genre’s biggest names, including Goldroom and Blank & Jones, establishing Bernhardt as one of the most exciting new names in the nu-disco scene. While the face behind the mask may have remained a mystery, Satin Jackets’ warm, polished take on disco soon made the name familiar to music lovers around the world.

Taking things to the next level, 2016’s debut Satin Jackets album, Panorama Pacifico, firmly cemented Bernhardt’s position as both Eskimo’s flagship artist and as one of the biggest nu-disco producers around. Winning praise from the likes of Mixmag, DJ Mag and Groove, the album has gone on to click up over 75 million streams on Spotify alone, and Satin Jackets’ golden mask has become a regular fixture behind the decks at clubs and festivals from Mexico City to Seoul.

2019’s follow up, Solar Nights, would see Bernhardt further develop and refine the Satin Jackets sound. Rapturously received by fans, DJs and press alike, the album, propelled by singles like the global hit ‘Northern Lights’, proved that, much like the original disco artists that first inspired the project, Bernhardt was just as capable of crafting radio friendly pop hits as tracks for the dance floor.

While the pandemic may have put plans for global tours and festival appearances on hold, Bernhardt kept himself busy as clubland went into hibernation. Having relocated to Munich just before lockdown, a succession of singles that ranged from out-and-out pop collaborations to instrumental, chilled-out tracks as well as a series of live Lockdown Streams kept Bernhardt in touch with his ever growing legion of fans. Indeed, it was those Lockdown Streams and the response from his fans that allowed Bernhardt to rediscover, in his own words, “the connection between what I do and what people feel” and sow the seeds for what was to come.

Now as we emerge blinking into the new world, Bernhardt returns with Satin Jackets’ third album, the aptly titled Reunion. Where the first two Satin Jackets albums saw Bernhardt work to first develop his own sound and then elevate his productions to another level, Reunion reveals a musician and producer wholly at ease with both his abilities in the studio and artistic vision. 

From blissful instrumental tracks that seem to effortlessly float above the clouds, through to bittersweet wistful pop songs featuring the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up-and-coming British singer Tailor, Reunion is a strikingly confident album that layers new depths and dimensions to the Satin Jackets sound and sets the stage for the next exciting chapter of the Satin Jackets story.

New album "Dreamweaver" out now:
https://trentemoller.lnk.to/Dreamweaver

2025 Tour Dates:
https://tix.to/trentemoller

Copenhagen’s Anders Trentemøller has long been respected as a creator of extraordinarily memorable melodies and dark soundscapes. While many artists follow a pattern of invention and reinvention, Anders’ arc has been a series of points along the same curve, playing the long game with each release representing the next chapter in a constantly evolving series.

Dreamweaver continues on this track, combining elements of shoegaze, dark wave, motorik, noise rock and somber, introspective takes on electronic pop but in a considerably more psychedelic manner. The chronology of its 10 songs is an immersive experience that presents additional otic pleasures when headphones are strapped on.

John Dimas is a truly versatile artist.

Influenced by the underground clubs of Thessaloniki, where he started DJing as a teenager after moving from Albania, it was only a matter of a few natural steps, guided by his unique way of mixing different musical influences to be playing for big, music savvy crowds inside hotspots like DC10, Amnesia, Watergate, Rex Club and Fabric.

Dimas has established himself as a highly respected selector and producer known for his deep knowledge of music. His sets always include obscure cuts that even the most avid music fans have yet to discover. “I like the art of telling a story, and giving lots of different dynamics to keep things interesting,” he says. “I don’t like to be predictable with the records I play and love to surprise the crowd.”

On a release front, he’s maintained a steady output since his 2010 debut, pushing a futuristic fusion of techno and house that is clever, energetic and infectious. Based in Berlin since 2012, his eclectic taste in music is evident when we look at his productions released on established labels such as DJ Hell’s International Deejay Gigolo, Raresh’s Metereze and most recently on Francesco Del Garda’s Timeless imprint. Dimas also runs Elephant Moon, a record label with which he aims to support new talent. The label does not accept demos, instead Dimas searches for young, emerging artists himself and mentors them throughout the process. Here he also released his 14-track LP “One Against Time” in 2018, a well executed and varied album showcasing his full artistic range.

In 2020, he launched a second imprint SYNQ as well as Intermission Records with Voigtmann to release their debut album “Internal Transmission” for their collaboration VOIGT.MAS. 2020 also saw the revival of Dimas’ other pseudonym, Secret Universe, a cross-genre electronica project formed in 2016 for the release of his first album, an ambient expedition also titled Secret Universe.

French artist, multi-instrumentalist, and producer, deeply immersed in the underground electronic music scene.

From an early age, he explored music through guitar, piano, and drums, later channeling his passion into electronic music. Over the past decade, he has performed at some of the most renowned clubs worldwide, including City Hall (Barcelona), Space, Privilege & Underground (Ibiza), Bar25, Trésor, C.D.V, Wilde Renate, Kater Holzig & Watergate (Berlin), and many more. His journey has taken him across Europe, South America (D-EDGE, CROBAR, SALON AMADOR) and the Eastern Bloc, with notable stops in Bucharest and Moscow.

Sharing the decks with artists such as Sammy Dee, Sonja Moonear, Nicolas Lutz, Ion Ludwig, Praslea, and Apollonia, his sound blends deep textures, intricate rhythms, and hypnotic grooves. His discography includes releases on esteemed labels like R&S Records (London), Ultrastretch, Subtil, Normandy Rec, Body Parts (digital album & vinyl EP), Silver Network, Sleep is Commercial, and most recently, Brique Rouge.

While his productions have been well-established in the scene for years, his focus remains on pushing the boundaries of sound design and refining his vision for the dance floor. Whether in the studio or on stage, he approaches music with the tact and commitment of a true artist, continuously evolving his craft with an ultimate goal of transitioning into film scoring.

Paloma Beltran Fontes is following