Yoro (pt. I & II)

Eager Buyers

Sand Wrists

It’s A Hole

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Klahrk - Sent Spinning

Is Love Knowing

Control/Damage

Blueprints in sounds, stones to sparks, lead to gold, with Hong-Kong-born, Utrecht-based electronic musician gyrofield.
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/gyrofield/episodes/gyrofield-22nd-september-2025

Field Research w/ Gyrofield 220925

Drowned By Locals in collaboration with Rhizome Parking Garage presents music made to be listened to in parking garages. Inspired by the parking garage as a symbol of “the inferno of the same” and the agony of uniformity. 

 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/drowned-by-locals/episodes/drowned-by-locals-7th-october-2025

DROWNED BY LOCALS PRESENTS: MUSIC FOR PARKING GARAGES, HEAVY CLOUD SICK WITH LIGHT W/ IAN... 071025

From 'Hyperobject', out October 17th on All Centre.

TIME NOW TO BUY: https://riziorizio.bandcamp.com/album/hyperobject

Do you want this forever, forevermore even? To experience this into perpetuity? To extend what this is into and over and beyond the infinite horizon ahead? Hubris will be your undoing. But then again you always were given to it, alongside your established weakness for Rizio's 'Channel Code', out via All Centre, premiered by Madjestic Kasual. It's here, now, forever, for you.

@riziomaurizio
@all-centre-504822953

time now to buy

Rizio - Channel Code [MK PREMIERE]

How much time do we truly have with the ones we love?
We often have the feeling that our caretakers are eternal, that their voices will always answer on the other end of the line. This mix is a personal meditation on familial ties: on presence and absence, on avoidance, longing, and the weight of unspoken guilt. It is a sonic exploration of the invisible threads that connect us, and a gentle reminder that life is too short not to answer the call. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/roots-2025/episodes/roots-2025-missed-calls-w-seamless-9th-october-2025

MISSED CALLS W/ SEAMLESS 091025

Stine Janvin — Fake Synthetic Music
Format: Digital (vinyl out November)
Cat.No. PAN 84
Release Date: 12 October 2018 
Buy digital: https://bit.ly/2OjxCLs / https://bit.ly/2Cb1guQ

Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from its natural, human connotations. Created for variable spaces from theatres, to clubs and galleries, the backbone of Janvin’s projects focus on the physical aspects of sound, and potential dualities of the natural versus artificial, organic/synthetic, and minimal/dramatic. 

Fake Synthetic Music is Stine Janvin’s latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. 

The release introduces a recorded version of her ‘fake synthetic material’, and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. 

The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. “…I wanted to explore how I could vocalise in a way that would combine architectural sound with dance floor sequences.” she says. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached. Tracks, such as ‘Like Right Now’ and ‘Like Last Night’ are examples of live material converted to a recorded format, keeping the simplicity of the direct voice signal through a digital delay effect with no post-production processing.

The album is mastered by Rashad Becker, featuring photography by Camille Blake and artwork by Bill Kouligas.

@stinejanvin
http://p-a-n.org

Fake Synthetic Music

Stine Janvin - LIPS (PAN 84)

Label based in Berlin, est. 2008. http://www.p-a-n.org