20181113: Week 46 Tuesday 13/11 2018, Experimental, EDM, etc. female voice, Look Homeward My Angel

Perfect Life

from Noisekölln Tapes 006  Pan Daijing - Sex & Disease

https://noisekoelln.bandcamp.com

Pan Daijing - Disease 疾

47008

OAKE - "Anaximenes"

Rafiq Bhatia’s new album ‘Breaking English’ is out now via ANTI- Records. https://rafiqbhatia.com

Breaking English

Reshaped

Braid (Mmph Remix)

Stine Janvin — Fake Synthetic Music
Format: Digital (vinyl out November)
Cat.No. PAN 84
Release Date: 12 October 2018 
Buy digital: https://bit.ly/2OjxCLs / https://bit.ly/2Cb1guQ

Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from its natural, human connotations. Created for variable spaces from theatres, to clubs and galleries, the backbone of Janvin’s projects focus on the physical aspects of sound, and potential dualities of the natural versus artificial, organic/synthetic, and minimal/dramatic. 

Fake Synthetic Music is Stine Janvin’s latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. 

The release introduces a recorded version of her ‘fake synthetic material’, and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. 

The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. “…I wanted to explore how I could vocalise in a way that would combine architectural sound with dance floor sequences.” she says. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached. Tracks, such as ‘Like Right Now’ and ‘Like Last Night’ are examples of live material converted to a recorded format, keeping the simplicity of the direct voice signal through a digital delay effect with no post-production processing.

The album is mastered by Rashad Becker, featuring photography by Camille Blake and artwork by Bill Kouligas.

@stinejanvin
http://p-a-n.org

Fake Synthetic Music

Stine Janvin - LIPS (PAN 84)

from my "pop" album "post-fabricated"

Re’Post’Postfabricated
Richard Chartier + Various Artists
DSP Recordings [Italy] (dfrgcd85)
2xCD / edition of 1000
2005
http://www.3particles.com/discography/repostpostfabricated

CD1 Repostfabricated:
Postfabricated released in 1999 as a CDr edition of 222 (Microwave/Staalplaat, NL).The original version of Postfabricated, my third full length CD, was recorded between 1998 and 1999 via analog connections to minidisc and afterwards mastered at a studio. The minidisc compression, combined with a studio engineer not accustomed to this type of recorded material compromised the details of the sounds, noting the difference upon listerning to the source material files, I began to reconstruct the entire work digiatlly, utlizing the original components. Originally all the tracks where recorded in real time with no overdubs following a score for each piece arranged in adavnce. For this rerecording, having lost many of these notations, I diagramed each arrangement and have replicated the pieces as closely as possible. This reconstruction, Repostfabricated, can be viewed as how Postfabricated was intended to sound and how I, while composing it, heard it in 1998. However due to my technical restrictions at the time, the particular quality of sound was not reproduced.


CD2 PostPostfabricated: 
The artists on this CD were given sound source files to create new works. Inspiration for this project comes from a review by Roel Meelkop of Postfabricated in Vital Weekly suggesting that it would be perfect for sampling and remixing. Thus PostPostfabricated was born 5 years later. Thank you to my friends who have reworked my sounds for this project.

CD1
1-01 – Enter (0:10)
1-02 – Entershift (2:08)
1-03 – Chlorine (4:22)
1-04 – Notes (3:52)
1-05 – Articl (4:04)
1-06 – Puls (0:59)
1-07 – Lint (1:36)
1-08 – [.]#2 (4:29)
1-09 – Subscript (1:13)
1-10 – Intf B (0:59)
1-11 – [.]#3 (10:10)
1-12 – Hiwave (1:04)
1-13 – Pop (1:34)
1-14 – [.]#1 (2:42)
1-15 – Empti (0:27)
1-16 – Inter (2:21)
1-17 – 10env (2:02)
1-18 – Bit (1:13)
1-19 – Plic (0:24)
1-20 – Secint (1:39)
1-21 – [.]#4 (3:10)
1-22 – Fop (2:07)
1-23 – Endn (0:24)

CD2 
2-01 – CoH – Cereal Flux (3:42)
2-02 – Vend – Postf3.30.3 (3:34)
2-03 – Asmus Tietchens – S.17 (4:03)
2-04 – Frank Bretschneider – Throbbox (3:34)
2-05 – Goem – Chartier_Mix (3:35)
2-06 – Taylor Deupree – P-F [Night Version] (3:37)
2-07 – Alva Noto – Post-Remo (3:42)
2-08 – Freiband – Refabricated (3:36)
2-09 – Sogar – Metonymie (5:38)
2-10 – Byetone – Ps-6-12-15 (3:51)
2-11 – Matmos – Woofer Blower (4:37)
2-12 – Steve Roden – Building Buildings (4:20)
2-13 – Richard Chartier – Pfiler (6:17)

PostFabricated

Fop by Richard Chartier

Label based in Berlin, est. 2008. http://www.p-a-n.org