https://glassglassmusic.bandcamp.com/track/cry-klahrk-remix

Enhanced by remixes from artists such as Emma Dj, Katatonic Silentio and Klahrk, French duo @Glass relaunch their debut album ‘crY’ now for the first time in a physical format.

crY [Remixed]

crY (Emma DJ Remix)

Buy crY (Klahrk Remix)

3. Glass - crY (Klahrk Remix)

At the end, what will remain for them? Nothing, maybe. Violence, anger, debauchery most probably. Fear of others, an endless struggle to survive. No laws nor rules, For what purpose anyway? 
Will we at least be remembered? Worshipped or despised? And so what actually? You won't even be there to see, remember you are being chased.

'Songs for the Doom(ed) Generation' by Garguantuan Grief, to be published soon on Dawn records. More infos here:
https://dawnrecords.bandcamp.com/music

@gargantuang
@dawnrecords

℘ཞɛɱıɛཞɛ ≈ Gargantuan Grief - You Are Being Chased [Dawn Records]

‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Harry Wright) released on https://soundcloud.com/planetmurecords on 2nd June 2023

https://munsing.bandcamp.com/album/inflatable-gravestone

The motivating force of the album is the sudden loss of Harry’s father in 2020. Their father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for their own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. 

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by them and their father. Their father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and  apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism. 
credits
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Waiting In The Car

Current Bias - Stimming

Hollywood birders Harry and Tom deliver four DJ unfriendly tracks aimed squarely at the parish hall. Sonic forage-ables and contemporary barndance to storm cruck frames across the Tunbridge Wells - Pontypool connection.

‘Drum, Botany & the Brash’ is the product of six months of outings and studio sessions by Forest Casual, a collaborative project by Harry Murdoch and Thomas Morley. These songs assemble nocturnal field recordings, barely metric rhythms, the May Day dawn chorus, wilted bouzouki and wood-pigeon wub. Two heads colliding to create a third, completely distinct from its makers.The resulting four tracks are dub infused soundsystem folk for the funglist massive, just don’t call it Folktronica. Entrenched in the music are many musical tangents explored in Harry’s basement, anecdotes of work and play on the ropes, and memories of jumping fences and squinting at woodpeckers. 

Harry Murdoch makes music as hmurd and has released with TT Label, Gin & Platonic, All Centre and more. He co-runs the label Cherche Encore and is in the band Hard On Yarn Sourdonk Communion. Harry is chronically ill. He mostly makes music with code.
Thomas Morley is a free improviser currently exploring composition by experience and relationship. He is 1/2 of microband ‘mosspit’ and provides side-person duties for artists in need of pads and foley. Hailing from South Wales, Tom finds catharsis by abseiling on heritage buildings and playing 5-string banjo.

Written and Produced by Tom Morley and Harry Murdoch
Artwork by Sheonagh Baird

Forest Casual - Transients Cadw

Taken from SBKT067: 96 Back - tender, exit
Release date: 27th November 2024
Limited vinyl + digital

---

For his sixth 96 Back LP, Evan Majumdar-Swift found himself writing “a long form eulogy” to his years living in Manchester while preparing for an imminent move to London. Initially intended as a series of technical exercises, which saw the artist radically stripping back his established production setup, over the last two years tender, exit gradually took on the form of an emotional landscape, mapped in transit between two cities. “The overarching concept of the record is cycles, recognising them, loving them, and tearing yourself away from them,” he says. Heard together, the project takes on the pace and cadence of a passionate conversation with a loved one.

Full press release - https://svbkvlt.bandcamp.com/album/tender-exit

tender, exit

96 Back -  DUI2

Atoms

✱ SWINE PREMIERE ✱ "Flourish in the Ruins" by Chewlie @juicy_chewlie from the upcoming @isengard EP

'Friend' composed, mixed & produced by Kattie @kattiebeats + additional mix by KARAN! @karanzera
Remixes by Jana Rush @jaru-1 / Stacktrace & Knurx @Stacktrace @knurx

All tracks mastered by @d_viance
'Friend' additional mix by KARAN! @karanzera

Artwork by Becem Sdiri
A&R: Vinessett

[Swine Premiere] Chewlie - Flourish In The Ruins (Isengard)

orbital chime slowed down

Tzusing / M.E.S.H. — Split
Format: 12"
Cat.No: PAN 95
Release Date: 19 February 2019 
Purchase: https://bit.ly/2U0NNMw

Tzusing and PAN mainstay M.E.S.H. join forces for a club-ready split EP, the first white label in a new series.

Limited to 300 copies, hand stamped, no repress.

This EP is mastered by Jeremy Cox

@m-e-s-h @tzusing
p-a-n.org

B1. M.E.S.H. - Atemlos (PAN 95)

Copenhagen-based DJ and producer Ingrate is ready with his debut EP ‘With A System In Mind’ out 14th of February via Copenhagen label Anyines.

Buy here: https://anyines.bandcamp.com/album/with-a-system-in-mind

Having previously roamed the club scene as Kid Antoine, this EP kicks off the moniker Ingrate, presenting a more mysterious and playful world of sonics; radcool speaker stack music, designed “with a system in mind”. The four tracks of the EP continue in the path of the only Ingrate release so far - 2018’s “Crypto Poser/The Enigma" out via Oli XL’s W-I (now Bloom) label. But it’s as if Ingrate is bringing an even quirkier funk to the club this time. Like a 2020 version of Mr. Oizo, if only a little sexier.

The connection to friend and collaborator Oli XL is clear in the sonics of the EP. Both of them masters of teasing the club - making you smile on the dancefloor. Touching on the the banalities and clichés of club music while still seeking new sound territories, the record is a slight tongue-in-cheek, but optimistic take on the dance music scene of the coming decade. Play it in the club, if you dare.

‘Imp’ takes point with it’s babbling percussion, hammering it’s beliefs firmly in steel against a backdrop of falling, redemptive pads. The jealous, hollow sounding cymbal voices of ‘Deceived’ counterpoint their own thoughts of despair. ‘Hoax’ is a sleight of hand spectacle; a svengali trick deck is conjured up and away again, as at the hand of a deception artist in the middle of a thick smoke screen. In the midst of it all, the listener’s only trustworthy companion becomes a mischievous “catch me if you can" synth; teasing, but still leading them, on their way through this world of mirages. 
The EP’s grand finale is ‘Yourself’ - a funhouse of the mind, full of blinding strobes, distorting mirrors and winking figures.

The world is strange, buckle up for the ride.

All music and visual art by Ingrate ---> @iiingrate
ANY14, Anyines, 2020.

Ingrate - Hoax

Label based in Berlin, est. 2008. http://www.p-a-n.org