Myth

RONCE - CRÈVE
(DAWN020)
50 limited copies
CD
@itsronce
Produced by Zoë Villerd
Mastered by @lastrackqlf
Photos by Gabriel Cautain
Design by @hadji-hajj
Dawn 2023

CRÈVE

CRÈVE OR PAY

Ronce - Fièvre (ft Exploited Body)

Ship Sket and seychelles drop their first collaborative release "Diode Lockpick" on Unguarded.

Made up of four heavy, skull-drilling, sonically maximalist club tracks drawing heavy influence from drill and footwork patterns, "Diode Lockpick" distills chaos and auditive overload into both producers' precise understanding of form. A breakcore and drill-influenced sonic vessel brimming with ideas, engineered with a toolbox of cursed hammers, crooked nails and sacred wrenches.

buy here:
https://unguarded.bandcamp.com/album/diode-lockpick

Got Me

Ship Sket & seychelles - Got Me

What happens when dubby drum & bass meets Dischord’s post-punk colossus Black Eyes? “Break” is the new EP from NY’s Relaxer, the long running alias of Daniel Martin-McCormick (Black Eyes, Ital and co-founder of Dripping), and it signals a decisive shift in his music. 

Prompted by friends to write a drum & bass live set just as Black Eyes was reuniting, the results didn’t quite fit the d&b genre. But it felt right. Quick, nimble, with room for the ferocity of his favorite post punk and some of the spaciousness of dub. Evergreen vibes, really, but seen from a fresh perspective.
 
Honed over a period of two years, the five tracks on “Break” fuse Relaxer’s careening, technoid sounds with free jazz-tinted drum programming, snarling sound design and spacious echo trails. It’s a perfect fit for 29 Speedway’s future-facing, exploratory anti-genre approach to electronics. The tape features two remixes by the singular DJ Marcelle and mastering by Dubplates & Mastering. Daniel tells his side of the story below:

“Two years ago my friends who run the drum ‘n’ bass party Headznite asked me to write a live set for a Ukraine fundraiser they were putting on. Right at the same time, my punk band Black Eyes was having our first practices in 20 years, which meant I was re-training my body to scream at top volume and high registers and to lay into my guitar at full force. In those same months, Dripping was forming and ideas were flying for crazy, boundary-pushing lineups. I had just finished writing the meditative composition suite “In Softening Air” and was feeling the call; it was time to let it rip. 

Everything poured into that live set for Headznite, and a new style was born. Relaxer had begun as a decisively techno project, but pushing the BPMs and working in drum breaks tweaked the formula enough to cut any lingering ties with that ethos. 

Over the next two years I kept on it, writing more, recording, pushing the technique and exploring the sound. “Break” is the first time any of this work has been made public. Sometimes a  detour can hack your brain. My first dance 12” as Ital was supposed to be a one-off side project to my punk band and it ended up taking over my life. Now punk music is calling asking for the debt to be repaid. Fuck it.”


Burning Spear

Hesaitix - Noctian Airgap (PAN 152)
Label: PAN
Cat.No.: PAN 152
Release Date: 06 December 2024
Purchase: pan.lnk.to/NoctianAirgap

Through the haze we could make out hardly anything. Just the black line of the horizon. And in the distance the faint glimmering of the sea.

James Whipple returns from a long period of musical dormancy with his first full length LP for PAN since 2017.

As M.E.S.H., he honed a singular and unpredictable sonic identity on his debut album Piteous Gate. Re-emerging as Hesaitix, the now-familiar motifs have become streamlined, the sound palette both more refined and more elaborate. Even at its most abstract, there is an uncanny presence permeating the record, a convincing emotional reality with its own narrative and spatial logic.

Opener ‘Cusp of Unknowing’ announces itself with crushing low end synths feathered with delicate chimes before dissolving into the oceanic din of a data center. Rolling, engine-like subs mark the start of ‘Taurian Shade,’ a low- tempo percussive drive past iced-over chords and angular synth lines. ‘Geflatnet’ and ‘Volunteer’ dip into grooves bordering on nostalgic, referencing a misremembered golden era of electronica long-players. On ‘Santarosae (Black Dolphin),’ a sense of primordial awe comes to the fore, while ‘Black Line,’ originally presented as an audio installation in 2022, uses the human voice to explore a narrative approach to sound. ‘Noctian Airgap’ and ‘Anticrime’ return to syncopation and its complex moods, while ‘Subdermal’ and ‘Hypersea’ embrace repetition in service to atmosphere.

Hesaitix - Anticrime

https://fridgest2e.bandcamp.com/track/tweaker

Tweaker

Happy to present you a new track by Félicette en stine sampers!

It's the first post-'EP 1' track we're releasing by Félicette, but this is not a part of a new project. Work on that however, is underway. :) 

Félicette wanted to share this about the song: "Stine is a poet and multi-talented artist I met for the most part online, even while living in the same city at the moment. I’m very grateful for their gift of words and voice that completed this song.".  

Cover by stine sampers

Félicette, stine sampers - Headache

Title track from the 4-track EP "Nested Skins" by ltfll (@georgeadelmusik).

Four deceptively complex, bass-heavy dancefloor deviations that challenge any preconceptions about the Arabian peninsula's distinctive rhythms.

[IRSH002]
Written produced & mixed by George Farid
Mastered by Beau at Ten Eight Seven
Artwork by George Farid

ltfll - Nested Skins

Pre-order: https://hdmurder.bandcamp.com/album/initiatrix

Arriving on @planetmurecords with debut 12-tracker 'InitiatriX', Manchester-based producer Ship Sket (@hdmurder) pays homage to UK styles like dubstep, grime, drill and rap, but on an emotional level, it’s about spirituality, fetish, and latent darkness hidden by outward appearances.

“I like happy accidents, messing around and resampling, and kind of seeing how far I can push stuff before it disintegrates in front of me," Ship Sket says. "I’ve heard my tunes on a club system and gone, 'wow that mix sounds bad', but the tune is still popping. My approach is a lot more stylistic than it is technical."