All tracks written, mixed and produced by Dawuna

All Tracks Mastered by Amir Shoat 
*Track 9 by Engine-Earz

Music Videos by Diamond Stingily & Josiane M.H Pozi

Executive Production & Creative Direction by KO___OL

Parable II

Reframing the mundane

Straws

upsammy - Germs in a Population of Buildings
Label: PAN
Cat.No.: PAN 132
Release Date: 05 May 2023
Purchase: pan.lnk.to/GerminaPopulationofBuildings

On her sophomore album "Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.

upsammy's debut album, 2020's critically-acclaimed "Zoom", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On "Germ in a Population of Buildings" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.

On the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.

Mastered by Rashad Becker
Mixed by James Ginzburg
Artwork by Jonathan Castro Alejos and Tharim Cornelisse

Germ in a Population of Buildings

upsammy - Patterning (PAN 132)

What Stays In Vegas

Rat Lifestyle

'Boost'

Final single from forthcoming album 'Great Doubt' out on Escho Jan 26, 2024

Listen here:
https://astridsonne.lnk.to/boost

Preorder vinyl:
www.escho.net/shop/esc192-astrid…eat-doubt-preorder
astridsonne.bandcamp.com/album/great-doubt

Boost

The Precision Of Infinity (ft. Philip Glass)

Requisit - Also With Each Other

WHAT DO I GOT

DEEP FOCUS is a collection of atmospheric electronic tracks designed for deep concentration, calm reflection, and late-night focus.

Blending chillout, downtempo, and subtle future garage textures, this album creates a smooth, immersive soundscape ideal for studying, working, coding, or unwinding after a long day.

Minimal rhythms, deep bass, soft melodies, and spacious atmospheres guide the listener into a state of mental clarity and tranquility.

Best experienced with headphones.

Echo District

RIFT One is the first instalment in a series of releases curated by YEAR0001, featuring contributions and commissions by a variety of highly innovative and influential artists.

By releasing this compilation ahead of schedule and donating all proceeds from purchases directly to community bail funds, mutual aid funds, and racial justice organisers we hope to make a small contribution towards awareness and change, and encourage our community to act against injustice and stand together in solidarity. 

Racial injustice, white supremacy and all forms of discrimination simply has no place in the culture we represent; we will continue to educate ourselves, listen, learn and find more ways to support both in a short and long term perspective.

All future entries of the RIFT compilation series will also donate to humanitarian organisations and funds.

Please also consider to donate further & educate yourself through the link below

https://blacklivesmatters.carrd.co

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Toxe - Be By The Sea

Label based in Berlin, est. 2008. http://www.p-a-n.org