Local 27 World upsammy
2024/04/18 THU 24:00 at WWWβ
U23 ¥2,300 / ADV ¥2,800 / DOOR ¥3,300 (+1D)
🎫https://t.livepocket.jp/e/20240418wwwb

upsammy [NL / PAN] 

c2056 
Dr. Nishimura (悪魔の沼)
Dju Bumba
imus [eulb]
Rench Kee
olevv [Drone屋敷]
Toner [liminal dreams]
野流
yuha

artwork & space direction: yoh murata 

Local World 2016 - 2024 https://shorturl.at/fgyW0 

Local 1 World EQUIKNOXX
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Local XX7 World upsammy

Local 27 World upsammy 2024/04/18 at WWWβ

Idm glitch

Sesh Gremlins 6

2024 Summer 🐉🐲 1

precise, clear, resonating

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com every Thursday and Friday — from 20:00 till 23:00.

upsammy ╚═ Dekmantel X Future Intel ═╗ 04 09 2021

Buy → https://l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters —  to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality. 

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year.  Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Icons

The Accident

Pre Order The Album

Eli Keszler - The Accident

Are You Still a Lover

Bend

Flutter

Butterfly

01- Tales From The Real World |Feat. Alan Watts] (CD Edit)

Common Land

upsammy - Being is a Stone
Label: PAN
Cat.No.: PAN 132S
Release Date: 02 March 2023
Purchase: https://pan.lnk.to/BeingisaStone

upsammy shares ‘Being is a Stone’, the first single from the upcoming full-length album ‘Germ in a Population of Buildings’ out via PAN on May 5th.

Mastered by Rashad Becker
Mixed by James Ginzburg
Artwork by Jonathan Castro Alejos and Tharim Cornelisse

upsammy - Being is a Stone (PAN 132S)

Imagine This Is A High Dimensional Space Of All Possibilities

Trust Your Feet

upsammy - Germs in a Population of Buildings
Label: PAN
Cat.No.: PAN 132
Release Date: 05 May 2023
Purchase: pan.lnk.to/GerminaPopulationofBuildings

On her sophomore album "Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.

upsammy's debut album, 2020's critically-acclaimed "Zoom", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On "Germ in a Population of Buildings" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.

On the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.

Mastered by Rashad Becker
Mixed by James Ginzburg
Artwork by Jonathan Castro Alejos and Tharim Cornelisse

Germ in a Population of Buildings

upsammy - Patterning (PAN 132)

upsammy - Green Lung (PAN 132)

upsammy - Constructing (PAN 132)

For her Crack Mix, upsammy’s architectural and shape-shifting approach to sound is in full force. “This mix is more on the percussive and clubby side of my sound,” she tells us, “focussing on a flow between adventurous rhythms with playful high frequencies, eccentric kicks and ambiguous tones”.

Check out the tracklist on crackaud.io: crackm.ag/45wnzX3
Still Independent. Help us keep it that way: crackmagazine.net/subscriptions

Crack Mix 499: upsammy

upsammy and Jonathan Castro present 'Dwell,' which maps the emotional resonance of space through sound.

https://www.factmag.com/2023/10/16/fact-mix-upsammy-jonathan-castro/

Fact Mixes

Fact Mix 930: upsammy & Jonathan Casto (Oct '23)

Red Axes - Papa Sooma

Pre-order: https://maloca.bandcamp.com/album/siiix-vol-1

Brussels-based label @malocarecords presents 'SIIIX, Vol.1', a compilation-turned-collaborative EP showcasing a dialogue between HIIIT (fka percussion ensemble Slagwerk Den Haag) and six producers - shimmering between footwork, IDM, UK bass and ambient.

The final result is six wildly different sonic outcomes, from the high-energy workouts of @upsammy’s ‘Embrytone’ to Julian Satorius’s warped rhythms in ‘Klutsel-Klötzli’.

More exclusive music

Premiere: upsammy 'Embrytone'

Grey Scale

I’ve made a track and AGENDA⋮ has made a song out of it.

“Paradigms” out in 3 versions.

Ikävä Pii - Paradigms -++
Ikävä Pii - Paradigms --
AGENDA⋮ - Paradigms +-

A fancy press release text here. A big concept. The usual tags, buzzwords, adjectives. Post-facto meaning, retroactive motives. Tropes for easy consumption, categories for easy detection. Some big DJ played it out! It's forward-thinking - yet the usual.
Or, left turns, fuckups, new experiments, old loves.
Lyrics, words, good ideas, desires, tea, fears, memes, questions, wrong answers, bad ideas.
No interesting sound was ever made by playing it safe.
Have fun you coward :)

҉p҉҉a҉҉r҉҉a҉҉d҉҉i҉҉g҉҉m҉҉s҉ ҉l҉҉o҉҉r҉҉e҉҉c҉҉o҉҉r҉҉e҉ ҉d҉҉e҉҉e҉҉p҉҉f҉҉a҉҉k҉҉e҉҉s҉ ҉s҉҉t҉҉e҉҉r҉҉e҉҉o҉҉t҉҉y҉҉p҉҉e҉҉s҉ ҉c҉҉l҉҉i҉҉c҉҉h҉҉e҉҉s҉ ҉c҉҉o҉҉s҉҉p҉҉l҉҉a҉҉y҉҉s҉ ҉d҉҉r҉҉a҉҉w҉ ҉t҉҉h҉҉e҉ ҉l҉҉i҉҉n҉҉e҉ ҉f҉҉u҉҉c҉҉k҉ ҉u҉҉p҉ ҉b҉҉u҉҉t҉ ҉w҉҉i҉҉t҉҉h҉ ҉g҉҉r҉҉a҉҉c҉҉e҉

Ikävä Pii - Paradigms --

10 Afternoon Love-In - Prefuse 73

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Nick Curly - Underground (Raxon Remix) Cecille [PREVIEW]

▶ Soulection ~ The Sound of Tomorrow  
▶ Discover: @mansur-brown
▶ Stream/Download: lnk.to/tesuto

The rising 23-year-old Brixton artist, multi-instrumentalist, and producer's three-track project is an instrumental, beat-heavy search for zen and overcoming obstacles, both of the world and trials that are deeply personal. 

From Mansur:
“The name of the EP is Tesuto, which means Test in Japanese, which is representative of life and the struggles everyone universally goes through and looking at these obstacles and challenges as tests. The idea that no one is given an obstacle that they cannot overcome whether its a struggle that plagues a community or someone individually. This EP is my testament to God.”

Release Date: July 9, 2020
Label: Soulection
Artwork: Tom Noon