Atom III (2021) for flute and live electronics (feat. Tiziano Teodori)

Léo Margue, direction

Flûte, Emmanuelle Ophèle
Clarinette, Jérôme Comte
Percussion 1, Gilles Durot
Percussion 2, Samuel Favre
Harpe,  Valeria Kafelnikov
Piano, Fernando Palomeque
Violon, Diégo Tosi
Alto,  Odile Auboin
Violoncelle, Éric-Maria Couturier
Contrebasse, Jules Bauer

Heterotopia I - Ensemble Intercontemporain

Performed by Kali Ensemble and commissioned by Lichtbogen Neue Musik festival at the Robert Schumann Hochschule in Düsseldorf (Germany).

Kali ensemble:
 İdil Yunkuş (violin), Beste Yıldız (cello), and Nirantar Yakthumba (piano)

About:
The piece was written in spring of 2022, and it is dedicated to Idil, Beste and Nirantar. It is inspired by Zoe Karelli’s poem, “The tree” (1955) and the way the poet approaches the flux of time. Without defining a beginning or an end, the poem describes the constant transformations that derive from episodic time events.

The branches look the same, for piano trio

Performance of "(almost always is nearly enough)" by earspace on November 5, 2022.

Ledah Finck, violin
Lena Vidulich, viola
Erin Murphy Snedecor, cello
Philip Snyder, flute

(almost always is nearly enough) [live] // earspace // 2022

Apprendere dal fango, d'après Volodine 

Acousmatic, stereo version

Apprendere dal fango

quick experiments 2023
Acknowledgements: Sigrid Sand Angelsen (cello), Andrejs Poikaans (supercollider)

Panting

Recorded on 4.15.2016

Luciano Berio, Sequenza VIII for solo violin
William Overcash, violin

Masters Recital I

Berio - Sequenza VIII

dep . R(i)e . viv . al . a . tion (2019)
for ensemble

March 10, 2019, performed by Hezarfen Ensemble in Bilkent Concert Hall, Ankara

Orhun Orhon, conductor
Cem Önertürk - Flute
Kıvanç Fındıklı - Bass Clarinet
Kerem Öktem - Percussion
Müge Hendekli - Piano
Özcan Ulucan - Violin
Ulrich Mertin - Viola
Gökhan Bağcı - Violoncello

Recording and mastering by Engin Dağlık

Art: Limm by Christoph Bader
 
dep . R(i)e . viv . al . a . tion (2019) for ensemble

"unhappy that i am, i cannot heave 
my heart into my mouth: i love your majesty 
according to my bond; nor more nor less."
			King Lear, I.1: 91-93, Cordelia.

dep . R(i)e . viv . al . a . tion, is an artificial word that was created as considering the phonetic features of both deprivation and revival words.
Just like King Lear's little daughter, Cordelia, many people have organic bonds of pure love. The most bitter of this situation is that they cannot leave these ties behind, and over time they become a cyclic deprivation. These types of situations that cannot be left behind and are transformed again, avoiding the progression of the timeline which creates loops. The deprivations that occur in these repeated cycles with particular or unknown periods inform their endings; in fact, every ending is the cause of a new revival. As Shams- i Tabriz says, ’The end is to return to the beginning.’ 
I have observed that this psychological process, which people have to experience from time to time, has an actual physical reaction on our own bodies. The harmonic cycle of music refers to the psychological process; the music, beginning in the “E” harmonic area, that completes its harmonic cycle by achieving different center tones and ends at the “E” center just like in the beginning. The harmonic function of music also serves the formal structure of itself. Transformed small structures texturally reach up in each center tone during the procedure, which is a reflection of the observed physical results.

dep . R(i)e . viv . al . a . tion

Laura Murineddu - Saline

YA NO HAY FORMA Emepe3

A miniature for 'Écouter le monde', a project ideated by Monica Fantini. For RFI the series 'Les sons de la terre', for which I compose 'Les sons de la terre dans la lagune vénitienne'.

Special thanks to Luca, Tommaso and their parents, for their enthusiastic support and kindness, and for accepting me in their fields during 2020 september evenings. The smells, lights and laughs will always be part of me, in those places that -by now-, in addition to those of my youth, I call home.
Al cuor non si comanda.

Les sons de la terre dans la lagune vénitienne

Paolo Piaser

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