The Steps Of Nataraja

Space Temple  (☪ ELEMENTAL RECORDS CREW) - Tandava Set - Setembro 2013

An ancient shamanic voice calls to those with remembering ears. Indigenous cultures from around the world have rich and detailed stories of the ancient visitors from the stars. This song remembers the Human race's hidden history and pays respect to the people of the sky. 

http://music.deyadova.com/track/footsteps-in-the-stars
http://www.deyadova.com

Symbiotic

Footsteps in the Stars

Footsteps In The Stars

Adam Szabo & Willem de Roo - Lego-Original Mix
Mr FijiWiji & Soulero - Nebula-Original Mix
Paris Blohm feat. Mimi Page - Lost In Me-Original Mix
Hellberg, Teqq & Taylr Renee - Air-Original Mix
Funabashi - The Legacy - Stoneface & Terminal Remix
Steve Brian, David Berkeley - Fallen For You-Original Mix
Eximinds - Main Beat-Original Mix
LTN - Electric Nature-Original Mix
FonLeman - Lynx Eye - Jaytech Remix

BT - Skylarking - Episode 108

les rumeurs de la montagne rouge, en chœur, convergent 2

7arrir 3aqlak / Asli Ana

7arrir 3aqlak - حرر عقلك

A remix of the song  " Get Up Now " from CloZee ! Just for fun !

CloZee - Get up now (Lil Fish Remix)

FREE DL

CloZee  -  Get Up Now  (LIL FISH Remix)- FREE DL

Coming in January 2017: Ten brand new episodes in The Signature Series, inspired by the instruments of the orchestra.
http://cbcmusic.ca/signatureseries

The Signature Series Season 3 Trailer: The Orchestral Tales

Orchestral Tales, Episode 1: The Flute's Tale
read more: http://bit.ly/flutetale

If you take all the most famous solos for a given instrument in the orchestra, you’ll find a vivid character emerges – a character with a magical story to tell. That’s the idea behind Orchestral Tales.

Orchestral Tales is written and produced by Paolo Pietropaolo with Denise Ball

The Flute's Tale

Orchestral Tales, Episode 2: The Trumpet's Tale
read more: http://bit.ly/trumpettale

If you take all the most famous solos for a given instrument in the orchestra, you’ll find a vivid character emerges – a character with a magical story to tell. That’s the idea behind Orchestral Tales.

Orchestral Tales is written and produced by Paolo Pietropaolo with Denise Ball

The Trumpet's Tale

Orchestral Tales, Episode 3: The Viola's Tale
read more: http://bit.ly/violatale

If you take all the most famous solos for a given instrument in the orchestra, you’ll find a vivid character emerges – a character with a magical story to tell. That’s the idea behind Orchestral Tales.

Orchestral Tales is written and produced by Paolo Pietropaolo with Denise Ball

The Viola's Tale

Orchestral Tales, Episode 4: The Clarinet's Tale
read more: http://bit.ly/clartale

If you take all the most famous solos for a given instrument in the orchestra, you’ll find a vivid character emerges – a character with a magical story to tell. That’s the idea behind Orchestral Tales.

Orchestral Tales is written and produced by Paolo Pietropaolo with Denise Ball

The Clarinet's Tale

Orchestral Tales, Episode 5: The Horn's Tale

If you take all the most famous solos for a given instrument in the orchestra, you’ll find a vivid character emerges – a character with a magical story to tell. That’s the idea behind Orchestral Tales.

Orchestral Tales is written and produced by Paolo Pietropaolo with Denise Ball

The Horn's Tale

Pedro Meirelles - Celere

Orchestral Tales, Episode 6: The Oboe's Tale

If you take all the most famous solos for a given instrument in the orchestra, you’ll find a vivid character emerges – a character with a magical story to tell. That’s the idea behind Orchestral Tales.

Orchestral Tales is written and produced by Paolo Pietropaolo with Denise Ball

The Oboe's Tale

"The Origins of Rhythm"
by Paolo Pietropaolo, 2011

Anytime I take the bus these days I notice the unsynchronized wobble of nodding heads, the arrhythmic patter of tapping feet: an outward indication that many of my fellow passengers are locked into private worlds, captive to personal soundtracks.

It’s curious that we so often listen to music as a way to block out the world, since many scientists now believe that music evolved as a way to bring humans together and to help societies function harmoniously. In The Origins of Music, biologist Walter J. Freeman makes the case that “music together with dance have co-evolved biologically and culturally to serve as a technology of social bonding.”

In some cultures, there are no separate words for “dance” and “music”. They are one and the same. That’s always rung true to me, even when swaying and otherwise reacting with my body to classical music, in overbearing concert halls, while feeling the disapproving stares of my neighbours.

I recently produced a series of documentaries about Indian music called The Subcontinental. One of the things that struck me was how much Indian music ties itself to the body with its rhythms. And dance is a big part of Indian music, from folk music like bhangra to the great classical dance traditions like Bharatnatyam, to the modern Bollywood stage.

I’ve long loved Indian music, and one of the reasons is because it always reminds me how much music is of our bodies as well as our minds.

In seeking to understand the origins of music, scientists like Freeman are analyzing the activities of our brains as we sing, dance, play or listen. (Their fascinating search inspired another documentary series called The Nerve.)

But there are other stories, old stories about the origins of music - perhaps none older than the Hindu story of the dances of Shiva and Parvati.

In this sonic exploration of the origins of rhythm, the great tabla master Ustad Zakir Hussain tells that story.

I think of this piece as a “scored story”, somewhere between traditional audio storytelling, and a musical composition with lyrics. In addition to Ustad Hussain, you’ll hear the voices of filmmaker Deepa Mehta and Bollywood choreographer Shiamak Davar. As well, you’ll hear the sounds of Bollywood movie dance rehearsals led by Shiamak, and the sounds of the very first college-level Bhangra dance course offered in North America, underway right now at Vancouver’s Simon Fraser University and taught by Raakhi Sinha.

Taking these words and sounds, and adding others they suggest, I’ve attempted to celebrate the importance of dance - and its implication of people moving together - to the origins of music. 

-Paolo Pietropaolo


The Origins of Rhythm

          ** All things were, are, and will be out of ONE, through ONE, and to ONE. **
We are just an adeptus expanding Self through the substance of the one life. Manipulating and playing with the Expansive/Contractive light flowing out through the collective metafusion of our world's esoteric traditions, the shamanistic, the yogic and tantric, the clairvoyant and clauiraudient, the masonic and the victorian revolutionaries, The knowing and the silent one. The Kaabs and the Khus. I.A.O. The drama and the actor. The one that is all.
 We are an OLD SCHOOL raver. A mystic.  A shaman. A medicine man. A being of irridescent light radiating and enacting the 12 rays of love through sound and movement. We love the physics of sound, vibration, and resonant being. Join me on my experience.

 As above... through sound .... So below.


I'm a freelance writer, broadcaster, producer and composer based in Vancouver. My audio documentary work includes the series The Wire: the Impact of Electricity on Music, which won a Peabody Award and the Prix Italia.

I currently host a classical music program on CBC Radio 2 called In Concert. Wearing other hats, I created the CBC Radio 3 Bucky Awards, played taiko in the Kiyoshi Nagata Ensemble and was cultural correspondent for CBC TV’s coverage of the 2006 Winter Olympics.

Lately I've been really excited about a new series I'm working on called The Signature Series. Check it out right here on Soundcloud:

http://soundcloud.com/thesignatureseries

The Origins of Rhythm

Paolo Pietropaolo

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