They say that far beyond the city walls, in an abandoned server room buried in a glass desert, stands an ancient bass lamp. Touch its circular button and a djinn bursts out—formed not of smoke and fire, but of spring-loaded sub-bass. His name is D.Komin, and his tracks shout so loud that the sand beneath the microchips begins to dance.

The first wish he grants anyone brave enough to press play is the velvet laugh of the low end: it leaps as if trying to reach orbit, each jump punching a crater in your chest. The second wish is a whirl of hi-hats, whistling between steel dunes like couriers spreading word of the coming dawn. The third is a volley of bright snares, clapping louder than camel hooves when the rhythm caravan changes course.

Yet every wish has its price: the djinn demands freedom on the dance floor. Release him and the club shatters into mirror shards, reflecting a thousand tiny desert suns. Keep him captive and the tracks will circle your mind like an endless mirage until you fish, from the sand-roar, the final spark of the sub-storm where the D.Komin seal glows.

Djinn arrives on DEEPNAS not as a mere release, but as a pact between human and bass: three minutes of courage, and you gain a personal guardian of the groove. So break the safety seals, rub the lamp, and watch as the jump-up djinn writes a golden tag on every down-beat. The truth is simple: anyone who believes in the miracles of the bass desert will be carried by the djinn straight to the catharsis of the dance floor.

D.Komin - Djinn

D.Komin - Hand Clap

D.Komin - Horse Racing

Somewhere beyond the last rapids of the northern rivers, the goose-guides still cast light between worlds. On his new DEEPNAS release Geese, Malinoviy John turns that ancient flight into a trembling, bottom-heavy bassline.

A half-erased folk chant—sung in a vanishing Komi-Permyak dialect—rises through the mist of sub-frequencies. Sourced from a dusty field recording, stretched until every grain shows, the vocal splinters into syncopations like a wedge of geese cleaving the clouds. Each broken syllable dissolves inside a massive low end, making the air quiver like the hide of an old shamanic drum.

Threading above the abyss is the wooden umra flute: its icy whistle slashes the mix, flaring over metallic breaks the way an aurora flares above the dark tundra. Meanwhile the bass dives so deep it feels bottomless, dragging the echo of a primordial ocean—the one from which, legend says, the first birds surfaced with a single grain of earth on their beaks.

Geese is no mere collection of tracks. It’s a migration cycle where clubland’s undercurrent meets an archaic cosmos. Deep DnB becomes the tongue of ancient spirits, and every hi-hat spark recalls the wing-beat that once lifted a new world out of the void.

Step into the flight: let the bass steer you through the night, and trust the old northern song to point the way beyond the horizon.



Malinoviy John - Quant

Malinoviy John - Resonans

Malinoviy John - Rift

Malinoviy John feat. Dasha Kalina - Geese

Malinoviy John - Entrance

Summer scorched the calendar to transparency, and what’s left in the body is a warm aftertaste you don’t want to smother, but slowly cool—carefully, without drama. “Songularity / Come True” by Distant Future & Krot arrives exactly in that moment: when the heat still lingers under the skin, yet you already sense a cold storm of thoughts, discipline, and new creative victories on the horizon. Here, DEEPNAS reads less like a label and more like a breathing technique: the low end becomes an internal metronome that pulls focus back, and the space between the hits is where plans quietly take shape.

This is deep dnb where the bass doesn’t crush but lines up your spine; the breaks aren’t about haste, they’re about measured breathing; the synth planes are windows thrown open into the night, where freshness doesn’t sting—it clarifies. The music functions as the thermoregulation of consciousness: you feel heat turning into concentration, emotion into formula, impulse into a schedule. No farewells to summer—just a correct change of state.

“Songularity / Come True” is that balance point where you stop melting and start shining with intention. DEEPNAS here isn’t a logo in the credits, it’s the depth your attention sinks into so it can surface precise. Music for those who know: cooling down doesn’t mean dimming—it means choosing the temperature at which thoughts cut cleaner and victories arrive more often.

Distant Future & KROT - Come True

Distant Future & KROT - Songularity

This tune will be released on Paperfunk Recordings - PPRFNK 001

Paperclip - Blueprints cut

PAPERFUNK RECORDINGS – is a dark drum&bass label which sound will be based on the hard and metallic techstep and neurofunk sound. There’s no place for popular sound. The label’s main goal is to flood cities and towns with the special mixtures containing nano-robots that supposed to get inside people’s brains and plunge them down in the deepest adolescent memories and show them the unrealized future. The hardness of the mix, the steel of the drums, the oil of the bass and the rust of the effects – are the main and crucial keywords of the PAPERFUNK label.


Officially speaking, our tracks will be selling out on the majority of the online music stores that’s why it’ll always be easy to find them available on the most popular online shops such as Beatport, TrackitDown, Digital-Tunes, etc.


We’d like to pay special attention to the concept of our label as an engine of progress. New talents will be expressing themselves right before your eyes and soon, behind the battle embrasures the fearless robots who, with the help of lasers and magnetic impulses, are able to bring you the meaning of the Neurofunk and Techstep’s existence, will arise. 

Paperclip - Blueprints cut

paperfunk recordings