interesting track, wouldn't imagine the more electronic take but it really works here

Yoo this beat got some pressure to it👍

I cant focus my love on somebody im not in love with. 
…but we can f*ck though😏

Deal with

Wreckless

Wreckless - (feat. Grafezzy)

What can I do? feat Cath Courtley

Was Chart Topper #11 Hip Hop/Urban Top 40 & #22 Re-Ex Top 40

Use headphones or a speaker for the best listening experience!!

FREE DOWNLOAD!!!

What You Take Me For - Prod. Anarky

- Rich

Worship Me

New single. Visit YT for music video.
Produced by J.Lee Mezus

Road (Prod by J.Lee Mezus)

So Nice (Girls Dem Suga Freestyle)

Join us for the final Kylie Remixes, covering the period from X through to Disco. Come for another exciting adventure in Kylie's remixes!! 

Outrageous Intro 
The One (Bitrocha mix) 
In My Arms (Sebastien Leger mix) 
All The Lovers (WAWA + Mmb Anthem mix) 
Get Outta Way Way (Paul Harris Vocal mix) 
Cupid Boy (Stereogamous Vocal mix) 
Put Your Hands Up (Pete Hammond mix) 
Timebomb (Peter Rauhoffer mix) 
100 Degrees with Dannii Minogue (7th Heaven Club mix) 
Right Here Right Now with Giorgio Moroder (Felix Da Housecat mix) 
Into The Blue (Patrick Hagenaar Colour Code mix) 
I Was Gonna Cancel (The Presets mix) 
Magic (Extended) 
Supernova (Extended) 
Real Groove (Extended) 
Where Does The Dj Go (Extended) 
Last Chance (Extended) 
Say Something (Extended) 
Outrageous Outro

Kylie Remixes 3

Spotify Link - https://ffm.link/lauren-lewis

Not Strong Enough

Last Nite

East–West Seduction은 결코 만날 수 없었을 두 목소리가 만들어내는 소리의 사랑 이야기입니다. 그러나 이 곡을 듣다 보면, 마치 서로를 오래전부터 갈망해 온 듯 느껴집니다. 이 작품의 중심에는 동양의 아픈 숨결을 담은 얼후와 서양의 어둡고 공명하는 맥박인 베이스 첼로 사이의 욕망의 대화가 있습니다. 억지로 융합하지 않고, 끌림 그 자체에 맡깁니다. 한 목소리가 부르면, 다른 하나가 응답하고, 그렇게 세계 사이의 거리는 서서히 사라집니다.

얼후는 전통적인 중국 활현 악기로, 완벽하지는 않지만 애정 어린 표현으로 흔히 ‘중국의 바이올린’이라 불립니다. 그 기원은 천 년 이상 거슬러 올라가며, 당나라와 송나라 시기에 초기 형태가 등장했고, 19세기 이전 청나라 시대에 현대적인 형태가 확립되었습니다. 두 개의 현과 지판이 없는 구조 덕분에, 얼후는 인간의 목소리와도 같은 독특한 음색을 만들어냅니다. 울고, 속삭이고, 애원하며, 놀라울 정도로 친밀하게 유혹할 수 있습니다. 오랫동안 사랑, 그리움, 상실, 향수, 욕망을 표현하는 데 사용되어 왔으며, 종종 인간의 목소리를 대신해 왔습니다. East–West Seduction에서 얼후는 유혹자의 역할을 맡아, 부드럽게 부르고, 숨결처럼 음을 굽히며, 매 울림마다 상대와 청자를 더 가까이 끌어당깁니다.

그녀에게 응답하는 것은 베이스 첼로입니다. 이는 유럽 고전 음악 전통에 뿌리를 둔 서양의 저음 활현 악기로, 깊고 무게감 있는 소리를 냅니다. 깊은 첼로의 변형이든, 베이스 음역의 사촌이든, 그 계보는 16세기부터 19세기에 걸쳐 성숙한 활현 베이스 악기의 진화 속에 있습니다. 얼후가 애원하고 울부짖는다면, 베이스 첼로는 울리고, 뜯고, 으르렁거리며, 안심시킵니다. 그 힘은 속도가 아니라 깊이에 있습니다. 느린 활의 움직임, 뜯어내는 공명, 그리고 거의 원초적으로 느껴지는 물리적 존재감입니다. 이 곡에서 베이스 첼로는 응답하는 힘이 되어, 눈물이 아닌 천둥으로 열정을 붙잡고, 안정된 유혹으로 감싸 안습니다.

얼후와 베이스 첼로는 함께 지리, 문화, 시간을 초월하는 음악적 유혹을 만들어냅니다. 하나는 한숨과 그리움으로 말하고, 다른 하나는 중력과 열기로 말합니다. 서로 얽힌 현은 동서양을 대립이 아닌 반영으로 드러내는 은유가 됩니다. 같은 인간적 갈망의 서로 다른 억양일 뿐입니다. East–West Seduction은 단순한 퓨전이 아닙니다. 그것은 끌림이 소리로 드러난 순간이며, 고대의 기억과 현대의 맥박이 만나는 자리, 그리고 두 개의 먼 세계가 같은 달빛 아래서 하나의 리듬으로 움직이는 이야기입니다.

East–West Seduction is a sonic love story told through two voices that should never have met — yet feel as if they’ve always been longing for each other. At its heart, the piece is a dialogue of desire between the Erhu, the aching voice of the East, and the Bass-Cello, the dark, resonant pulse of the West. Rather than forcing fusion, the track lets attraction do the work: one voice calls, the other answers, and slowly the distance between worlds disappears.

The Erhu is a traditional Chinese bowed string instrument, often described — imperfectly but affectionately — as a Chinese fiddle. Its origins trace back over a thousand years, with early forms emerging during the Tang and Song dynasties, and its modern shape becoming established by the Qing dynasty, well before the 19th century. With only two strings and no fingerboard, the Erhu produces a uniquely vocal tone — one that can sob, whisper, plead, and seduce with uncanny intimacy. It has long been used to express love, longing, heartbreak, nostalgia, and desire, often standing in for the human voice itself. In East–West Seduction, the Erhu takes the lead as the temptress: calling softly, bending notes like breath, pulling the listener — and her counterpart — closer with every cry.

Answering her is the Bass-Cello, a Western low-register bowed string voice rooted in European classical tradition. Whether imagined as a deep cello variant or a bass-range cousin, its lineage belongs to the evolution of bowed bass instruments that matured between the 16th and 19th centuries, forming the foundation of orchestral gravity. Where the Erhu pleads and weeps, the Bass-Cello rum­bles, plucks, growls, and reassures. Its power lies not in speed, but in depth — slow bow strokes, plucked resonance, and a physical presence that feels almost elemental. In this piece, the Bass-Cello becomes the answering force: protective, seductive in its steadiness, grounding passion with thunder rather than tears.

Together, the Erhu and Bass-Cello enact a musical seduction that transcends geography, culture, and time. One speaks in sighs and longing, the other in gravity and heat. Their entwined strings become a metaphor for East and West not as opposites, but as reflections — different accents of the same human yearning. East–West Seduction is not just fusion; it is attraction made audible, where ancient memory meets modern pulse, and two distant worlds fall into rhythm under the same moonlight.

East Meets West Seduction (Remix) - KO

Seattle singer-rapper Paradame has an alluring way about her, with music that deviates from the commercial sounds of the genres it bridges while still remaining accessible. As both a solo artist and one-half of the experimental hip hop group Active I , Paradame has been busy paving her own lane as an artist since her debut on Audiodose Records in 2011. Her blending of dark electronica and R&B laced with smooth but fiery vocals has continued to acuminate throughout the course of releasing three solo albums, in addition to two albums with Active I, and over 50 guest features on various mixtapes and EPs.

Paradame’s songwriting skill and live performances display an unmistakable uniqueness and attitude, coupled perfectly by producer J.Lee Mezus’ bass-heavy rhythms, which have been hailed by industry critics and fans alike. Altogether, her sound heavily rooted in hip hop, draws from various influences, fusing elements of dark wave, R&B, soul, and punk rock. With an energy often laced with darkness, yet wielding a message of light, she’s earned the meaning of her name – the paradoxical dame.

Road (Prod by J.Lee Mezus)

Paradame

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