@domingaedomingae ⚧️ from @sacredbones 🧬

http://bleep.com
High Quality Music and Media

Lazy Days, Hazy Moments and Dancing to a Slower Groove. 

Daily music tips on the blog & socials; hand picked playlists; monthly radior show & the world's best record label.

Best way to support the artists & label: https://theslowmusicmovement.bandcamp.com/

If you don't want to purchase a release then stream on Napster, Tidal, Apple Music, Deezer, Spotify & Youtube (put in best-worst order of how much they pay the artist & label!). If you can't or dont to pay  (no judgement), then how about sharing the artist, label or release on your social media?

All support, in whatever form, is gratefully appreciated and helps us to continue releasing great music & supports the world of independent music.

www.acidjazz.co.uk

Formed back in the heady days of 1987 at the start of the ‘acieed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talkin' Loud…

Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.





By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world. The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.





By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.





In 1994, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties. Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.

Jumping forward to 2014 and we find the label firmly ensconced in their office at the top of Brick Lane and after celebrating their 25th Anniversary the label is as vibrant and vital as ever. The current roster includes the critically acclaimed, prog folk fusions of Matt Berry, new indie hopefuls Dexters, the soul meet the Streets stylings of New Street Adventure and ex Bluetones lead singer Mark Morriss, whilst the highly acclaimed Rare Mod series has discovered and released previously unknown works by everyone from The Riot Squad featuring David Bowie to the Small Faces Steve Marriott.

In short after over a quarter of a century Acid Jazz remains one of the UK’s most important independent labels.


FORTEAN ELECTRONICA - Songs about ghosts and witches, spirits and seances, haunted places and haunted people

silently i await the return of my robot friend
alternate account for radiophobicsherkpop

AI is sh*t and I do not want my music used to train it.
There is a clarification to the TOS but the damage has been done. I am seeking non-corporate alternatives.
my mind is going dave, i can feel it.
albums Bedsit Lofi Diy and Dream Themes on Bandcamp: https://radiophobicsherkpop.bandcamp.com
listen to https://theindiebeat.fm/
https://radiofreefedi.net/
mastodon: https://ravenation.club/@radiophobicsherkpop
pixelfed: https://pixey.org/i/web/profile/785643817201703981
https://www.twitch.tv/radiophobicsherkpop
genrefluid, but: I make cheesy retro synth, noise, and electroxotica, with a hint of lounge and easy

Old stuff on DaveTheSlain: https://soundcloud.com/tempww#:~:text=https%3A//soundcloud.com/tempww%3Futm_source%3Dclipboard%26utm_medium%3Dtext%26utm_campaign%3Dsocial_sharing

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