from "devotchka.s conundrum museum" rescued files, appearing on Black Sun Productions " The Milky Smell Of Phantom Sperm".

A Hole Of One's Own from 'the milky smell of phantom sperm' by Black Sun Productions

contact: hownoizeberlin@gmail.com

HOW is the solo project of Alessia D'Artino aka A/Ona, curator and Dj resident of the queer party Poopsy Club, the electro/techno/industrial events Drone and Kerosene; she is co-founder of the experimental project TOISE.

Bartholins Glands has woken up from its limbo and wet hibernation.  Since then smartphones and streaming platforms have become a reality. Streaming platforms and playlists the norm of music listening...AI tells us what to hear now. Soundcloud has been sold but underneath the "music industry" gimmicks and lingo to deceive wannabe starts, DIY culture brews. And brthlns glnds is back to lubricate some noise into your VEGinas. BR-IT-WORLDWIDE

Are you ready?

These new tracks are #soundtracks of videos recently published on youtube. 
At the moment, the human behind brthlns glnds is creating sonic fictions in the format of audiovisual works that combine sound and text, delving deeper into another chapter of the story of HeLa, started back in 2017. 

The sonic fictions follow the life of a character who inhabits an Exu-like crossroads, moving through time and space in the context of late capitalism mediated by artificial intelligence. ShE carries with hur, crioula records of humanity’s sounds — sounds that have never been touched by AI.

The narrative follows the struggles of He.La, a character descendent of the cells of Henrietta Lacks, and hur fight to prevent the sound of Earth and of humanity from being entirely captured and reprogrammed by artificial intelligences that simulate and colonize sonic landscapes.

HeLa recordings in hur evergrowing sample pack are available for download in soulseek with nickname HeLa. If you know, you know.
You can listen to the other programs in the links below, in order of release.
1___https://soundcloud.com/aben-oada666/countryside-data_grass
2___https://soundcloud.com/novasfrequencias/abenc0ada-viver-no-mundo-exige-que-se-de-partes-de-sua-confianca-as-outres
----------------------------------------------------------------------------


Past work

Free DL complete EP immersed in p(o)op here 
https://archive.org/details/BrthlnsGlndsimmersedinpoop


Featured in São Paulo based Al Revés 10 years compilation. Free DL here:
http://alreves.org/releases/alr33
Free download link of live recording release in @alreves

http://alreves.org/releases/alr21

digital artist, experimental musician, radio program maker, big city noise pixie,  located in the bay area CA-USA

Women Take Back the Noise
http://ubuibi.org/wtbtn

Big City Orchestra
http://ubuibi.org/

SoundCloud:
http://soundcloud.com/ninahpixie

2 live radio shows weekly on DFM RTV INT (Amsterdam NL)
http://dfm.nu
uBradio salon / sundays 5-7pm US Pacific
radio troUBle / tuesdays 9pm-Midnight US Pacific

Jose Macabra, is an artist, sound designer, producer, video director, radio DJ/podcast maker and curator. 

Jose teaches Sound Arts and Music Production at the London College of Communications, UAL and other educational establishments. His work nourishes many influences, from the industrial and noise panoramas, together with a legion of related genres such as ritual and the darker flavours of techno, blended with sound art, soundscape, art brut and experimental music.
 
Jose has worked with and for Kimatica Studio, Persona Collective, Ernesto Tomasini, Ron Athey, HR. Giger, Sally Mann, J. Milo Taylor, Nicola Serra, Christian Duka, Martin Delaney, Eraldo Bernocchi, FFIN DANCE Company, Rum Luck Theatre Company, Persona Collective, UCL, UAL, SAE Institute, HMPPS Belmarsh and Unite the Union, to name a few.
 
Jose Macabra has performed in art establishment venues, including Barbican, Tate Modern, National Gallery X, Oxford University, Tate Liverpool, BFI, The Photographer's Gallery, Waterman's Centre, The Museum of Consciousness, Camberwell College of Arts, London College of Communication and Kent University. Works involving Jose's music and sound design have toured significant festivals in London, Madrid, Barcelona, Berlin, Hamburg, Athens, Brussels, Milan, Barcelona, Lisbon, Manchester, Liverpool and other cultural centres.
 
Jose's research interests include Electronic Music, Field Recording, Noise Music, Industrial Music, Improvisation, Sound Art, Performance Art, Queer Studies, Ritual Art Practice, Collaborative Practice, Altered States of Consciousness through Sound, Horror, Darkness, Film, Surrealism, Automatic Writing and  Spatial Audio.

Temperamental: Sound Scapes, Shapes, Shadows.

stolen, created, self assembled, re-produced

sound collector, sonick wizard, sound worshipper.

theres no earthly way of knowing+which direction we are going

"Pardon my early exit; Hope you survive!" is an open multimedia platform existing as a solitary experiment at times, at others as a shared journey along fellow creators equipped with a mis//matched approach and fascination towards sound.
I also utilise it as a cathartic self help tool for finding semi-sanity.

an obsessive/compulsive collector interested in what others reject/can't find use for.
to give it a new life, name, identity, a different meaning.
mixing analogue/digital equipment, electroacoustic techniques with electronics, percussive vocals, real life samples and broken melodies.
loud or quiet, clean or distorted, rhythm without beats, a bit of rhythm,thinking of dancing, dancing without thinking, no preconceptions, maximalist sometimes, other times using restraint and limitations as a tool to reach further, sink deeper, spread out wider and then again shrink.
in the world I inhabit sound and image work together or against each other.
hearing becomes a spiderweb to capture the other senses.to alter dimensions.
sometimes a guess,all ways a bet, never ready.

"Pardon my early exit; Hope you survive!" shapes  up near the end of the first decade of the new millennium, as a continuation, expansion and  'memento mori' of "Devotchka.s Conundrum", the masked duet sound project which had started this sonic exploration in Londons underground noise scene experimental underbelly a few years earlier, fast living and young dieing.

My search takes many disguises, such as site specific installations, especially in places other than art galleries, creation of other spaces through soundscapes, sonic walks and interventions, live performances, often collaborative efforts inviting the destruction of the divide between audience and performer, calling for a more participant interaction of the former,  alternative realities via sonic illusions and sensory deprivation, random sound chaos rituals, collective  invocations of the aural gods, goddesses and sonic daemons... 

Since its researching and wandering started, "Pardon my early exit: hope you survive!" got involved with beHind bars Collective in london and barcelona, blew up schwarzer Kanal's sound system In Berlin,  playing along  experi-mentalists of sound from all corners, such as Big City Orchestrae, Meira Asher, Yann Keller & Jan Schlaeger, Hermann Kopp, before almost killing itself while setting up its own funeral waves at Milk and Lead Art Gallery. Further actions happened at Interzone and KaosLondon by Lee Adams, Cafe Oto, Abattoir,  London Underground Film Festival, Undogmatisch in Berlin, on the Ms Stubnitz German ship... invites to participate remain open.

Influenced by: +in a wild order and as far as i recall+ 
viruses and bacteria, infrasound, fairground and funeral music, toys,extremism,tecknokolor, haruki murakami, melancholy, medical equipment, MILKandLEAD, jose' macabra, chorozon chaos, ron athey, nurvuss, petra flurr, black sun productions, sudden infant, patricide, othon mataragas & ernesto tomasini, vulkan, mary & the boy, symbols, optical illusions, the circus, martyrs, zen, evolution, conspiracy theories, lunatics, taxidermy, fairy tales, matthew barney's cremaster cycle, completely white rooms, georges méliès, electricity, tim burton, genesis breyer p-orridge,noise, dead trees, alejandro jodorowsky, anechoic chambers, feral children, saints, natural disasters, circa-industrial music, dust, pirates, sadness, lukas moodysson, coil. wolves, pipe organs, delicatessen and the city of lost children, snow and ice, danny elfman, cabaret music, anatomy, the apocalypse, decadence, altered states, numbers, david lynch, bulgakov's master and margarita, the pioneers of electroacoustic music, children drawings, bjork gudmundsdottir, deep sea creatures, aliens.

screamo/digital skramz/emo
south phx plugg dj/producer
https://linktr.ee/4everhome

Formerly known as The Ruper McManus Benevolent Pre-Fabricated RocknRoll Conurbation Project
NEW ALBUM AVAILABLE - https://frenchradioconstellation.bandcamp.com/

A/Ona is a musician, DJ and party promoter. Since moving to Berlin in  2006 she has developed diverse projects, including the launch of Poopsy  Club, an underground party that formed and inspired queer identities and  experiences in Berlin, and the techno-industrial events Drone and Kerosene.

As a drummer and bassist she played in the bands Fucking Barbies (Rome) - Dark Skies Association (with Molly Nilsson) and Mary and the Baby Cheeses (with  Mary Ocher), in Berlin. In 2012 A/Ona created the event Drone-Techno Industrial Injektion of which she was the artistic curator and DJ resident. A/Ona is the head chef of the musical project HOW, as well as the co-founder of the no longer active experimental duo TOISE.

bookings: aleziona@gmail.com
cover pic: Jonah Samson collection

A Hole Of One's Own from 'the milky smell of phantom sperm' by Black Sun Productions

pardon my early exit; hope you survive!