Artist: Malcom Pardon (original) Peder Mannerfelt (rework)
EP: Death Revisited (The New Black)
Release date: 25th February 2022
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Death Revisited

Malcom Pardon - Peder Mannerfelt meets - The Blindspot - [PREMIERE]

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Label owner : ALIØM records

Katarsix / Parisian techno producer whose pure and analog sound material is made from modular synthesis, thrifted samples and dark, melodic sequences. His style can be described as a concentration of ecstasy, born in the purge of the Parisian warehouse scene, marked by intense feelings of these night theaters. An invitation to the deepest temptation of the passion, the freedom of body and mind.

Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

While he’s worked on many different projects over the years, there’s a common thread of cinematic poise linking Malcolm Pardon’s work together. His most prominent work has been as one half of Roll The Dice alongside Peder Mannerfelt. Their widescreen electronica combines orchestral sensibilities with a roughly textured, experimental edge, collaborating with artists such as Pole, Alessandro Cortini and Glasser, and finding a home on Digitalis, Leaf and their own label The New Black.
With a mixture of Scottish and Swedish heritage, Pardon’s earliest dalliances into music were in London in the 90s at the height of the Britpop era, even flirting with major label success playing bass in the band Kinky Machine. He eventually moved back to Stockholm and immersed himself into songwriting and production. As well as the many albums and tours with Roll The Dice, he established himself within the realm of soundtrack composition for TV and film, co-scoring projects such as Chernobyl director Johan Renck’s The Last Panthers series, and additional music for Hollywood projects Edge Of Tomorrow and Anon, to name but a few.
While his soundtrack work and Roll The Dice continue unabated, Pardon has also embarked on his own solo music projects with the release of Hello Death, a personal exploration of our relationship with mortality as expressed through plaintive, minimal piano pieces and atmospheric production (assisted by Peder Mannerfelt and Pär Grindvik as Aasthma).

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