Aloha amigos!

First off, a huge thanks for all the love! Honestly, I shouldn’t have been this shy about sharing my music here, but hey—it took me years to get to this point.

Today, I’ve got a special one for you. Weapon of Judgement—a track that’s been blasted at Ozora, Tribal Gathering, ZNA—you name it! Made back in 2015, but for some reason, it never got released… so here you go! It’s been in my arsenal for a decade now—crazy how fast time flies.

Hope you enjoy the music, and as always, thanks a ton for your support and positive energy! 🙌

Get it here 🔥

Anyer Quantum - Weapon of Judgement

There Ain't No Foothold

Aloha amigos! Guess who's back?

Today, I bring you a track that’s bittersweet to talk about—Unlimited Midnight of the Soul. Part of my first album, released five years ago, this one sounds like it came straight out of 1999—not exactly what I was aiming for when it dropped in 2020.

I busted my ass for nine months to finish this album, only for the label to force me into a contract they didn’t even respect. After watching it sell like hotcakes, they refused to pay me a cent in royalties. To make things worse, I was forced to use their "mastering engineer," who drained the life out of the music. Every track ended up sounding worse than stuff I made in 2015—a massive step backward.

That said, I still love the bold ideas I explored here. This album meant a lot to me, but the mastering wrecked all that hard work, it feels like the high end is weak, and the volume is just not there. If there’s a lesson in all this, it’s one I want to share:

Producers, if your track sounds like crap after mastering (and you know it’s not on you), then the engineer is doing a terrible job. Don’t settle for subpar quality, or you’ll be pissed eternally. Work with real professionals—people who enhance your vision, not kill it. A great master—and of course, a solid mix—will make your music last.

For me, this release felt like a setback, because I know it could sound much better.

Sorry for the rant, but I figured you’d appreciate a slice of sincerity. Making music is a wild ride, and frustrations are real—especially when dealing with people who only want to exploit your work. Sadly, there are too many crooks in this industry who will sweet-talk you, take your music, and abuse your enthusiasm. This isn’t an isolated case—it’s a real problem that needs to be addressed.

Hope you enjoy the music, and as always, thanks a ton for your support and positive energy! 🙌

Get it here🔥

Anyer Quantum - Unlimited Midnight of the Soul (Kiss in a Bandage)

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@nino-blink
@nightlightrecords

► Release Info:

Scottish DJ and producer Nino Blink makes his debut on Night Light Records with a blistering four-track release that embodies his hypnotic and energetic approach to techno.

Having built a strong reputation through his BLINK parties at the legendary Club 69 and sharing the stage with some of the biggest names in the industry, Nino brings his finely tuned production skills to the forefront with this dynamic new EP.

Each track is a testament to his ability to craft immersive soundscapes, blending pulsating rhythms, driving basslines, and eerie, atmospheric textures. Having earned recognition from industry heavyweights with a track record of productions and remixes that have consistently caught the attention of top-tier DJs, Nino Blink proves once again why he is a name to watch.

PREMIERE: Nino Blink - Tuff Enuff (Original Mix) [NIGHT LIGHT RECORDS]

MokuJem - Complexion [F# 132] preview

WOOF12

Descending through layers of space and self, this track fuses heavy techno kicks with spiralling melodies that drift like stars across the cosmos. A lone voice beckons from beyond… a cryptic mantra, more warning than invitation. With every drop, you’re drawn deeper, not just into sound, but into a lucid dream where waking feels impossible. For those who dance on the edge of consciousness.

Buy Now

Into The Void - Remastered

Eternity Hole

'As I Said', a hypnotic drive symbolizing tension and release. Rushing forward yet lifting higher, elegance tangled with the grit of the underground. Echo, memory, persistence, and the cyclical nature of thoughts. The idea that something keeps surfacing until it’s acknowledged. 

Artwork Cover: Troy Thijs Mooijekind
Mastering Engineer: CLAESSENS

There Ain't No Foothold

Midcheif