Austrian producer Fruhwerk delivers our 241st release. His 'No Silence' EP features 3 remarkable techno tracks, full of synhts and melodic vibes.

Buy it at: www.beatport.com/release/no-silence-ep/3496188

Follow Renesanz on Facebook: www.facebook.com/renesanz.records

Fruhwerk - No Silence (Original Mix)

Patrik Soderbom - Always High (Original Mix)

Artist: Gabs
Title: Maybeep 
Remixer : JSPR
Label: Faites leur des disques
Release number: FLDD06
Format: Digital
Release date: November 10th 2014
web: www.faitesleurdesdisques.com

Gabs - Maybeep (JSPR Remix)

J.Wheel, Emilio Centeno - Rainy Day Edit (FREE DOWNLOAD)

O novo mini-EP de Levi Lenzi, “Canti Dei Nostri Noni”, é um regresso e reinterpretação das próprias origens. A gênese da obra reside em um achado arqueológico pessoal: a descoberta de um disco abandonado na casa de seus pais, em Timbó, Santa Catarina.
O vinil em questão, traduzido do italiano, “Canções de Nossos Avós” (1984), é um compilado de canções tradicionais italianas executadas pelo Grupo Folclórico de Rodeio, cidade vizinha à terra natal do artista. Este material serviu não apenas de inspiração para o título do EP, mas como o sample de partida para a construção da faixa homônima, estabelecendo o alicerce para uma viagem sonora que conecta o passado familiar ao presente artístico.

A narrativa do EP espelha a trajetória do próprio Levi. Ecoando a história de seus antepassados imigrantes, Lenzi também traçou sua própria rota de migração. De um pequeno vale catarinense fortemente colono para Curitiba e, então, para a efervescente São Paulo, o clássico sentimento do emigrante interiorano pulsa: não caber mais no seu lugar de origem. Ao cruzar fronteiras estaduais, há uma imersão nos contrastes e na pluralidade cultural do nosso território. Essa vivência traz uma nova percepção, provocando uma expansão fundamental no entendimento do que significa ser brasileire.

É a cultura da música eletrônica que costura essa narrativa, estendendo a individualidade do produtor para além das fronteiras físicas. As duas faixas do EP traduzem esse complexo sentimento de pertencimento através de uma colagem audaciosa de samples multiculturais. Ao reinterpretar e adaptar esses materiais para a EDM, a obra instiga nossa percepção de identidade cultural através do ritmo e da textura.

Após a expansão e encontro com o que ressoa, o regresso se torna essencial para o entendimento de nosso indivíduo. “Canti Dei Nostri Noni” nos lembra que a identidade não se define apenas por onde nascemos ou crescemos, mas para onde migramos, com quem nos relacionamos e o que experienciamos. Ao fundir memórias ancestrais com a vivência cosmopolita e digital, o trabalho reafirma que a identidade brasileira se revela na vivência e na percepção única de cada indivíduo dentro do imenso coletivo que é o nosso país. 
créditos
lançado em 12 de dezembro de 2025

Produzido e mixado por Levi Lenzi
Master por Capetini

Bandcamp

Canti Dei Nostri Noni

Out now on Strict Recordings: http://www.beatport.com/release/double-trouble/680730

Avrosse & Louie Cut - Double Trouble (Original Mix)

Minimal Freaks

Crunch

CATALOG: Jannowitz 056
RELEASE DATE:   
- Pre Order  28.01.19
- Beatport Release  11.02.19   
- 25.02.19 ALL OTHER SHOPS  
 
— MAIN ARTIST — 
Touchtalk 
FB// https://www.facebook.com/touchtalkmusic/ 
SC// https://soundcloud.com/touchtalk 
 
— REMIXER — 
DJ Lion 
FB// https://www.facebook.com/DjLionOfficial/ 
SC// https://soundcloud.com/djlionofficial 
 
Christian Craken 
FB// https://www.facebook.com/christiancrakendj/ 
SC// https://soundcloud.com/christiancraken 
Mycell  
FB// https://www.facebook.com/officialpagemycell/ 
SC// https://soundcloud.com/mycellofficial 
 
LABEL INFO: 
Jannowitz Records 
FB// https://www.facebook.com/Jannowitzrecords/ 
SC// https://soundcloud.com/jawdroppingrec 
Homepage: https://www.jannowitz.com

Download

Touchtalk - Melody | Christian Craken Remix

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Patrik Soderbom - King Kong Pills (Original Mix)

Patrik Soderbom