Patrik Söderbom

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Electronica

patrik soderbom- king kong pills (Quinnero Remix)

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eriZOO's Hasta La DAga..pL40 "NUDO MIEL""

Minimale-Techno FU 04/13

House minimal

Vibestime

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

Lyrics to Trojans:
Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

Your trojan's in my head

It's ok if it's gone
The thoughts that you had that it was the one
And oh what is left?
For all those times is that what you get?
Oh regardless
The walls get painted anyway
Oh you're guarding
The gates, but it all got away

Your trojan's in my head

Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Trojans

Buy on iTunes

http://www.beatport.com/track/right-on-time-louie-cut-remix/3344621

Chris Lawyer - Right On Time (Louie Cut Remix)

Gaga - Harm's Way (Christian Cambas Remix)

“Bangarang” is available now. Support on:
Itunes: http://smarturl.it/S_Bangarang
Beatport: http://bgbe.at/S_BangarangBeatport
Spotifty: http://bgbe.at/S_BangarangSpotify
Amazon: http://bgbe.at/S_BangarangAmazon

Follow Skrillex:
fb.com/skrillex
twitter.com/skrillex
instagram.com/skrillex
youtube.com/theofficialskrillex
Https://skrillex.tumblr.com

Follow Sirah :
fb.com/Sirah
twitter.com/sirah
instagram.com/sirahsays
youtube.com/sirah
Https://sirah.tumblr.com/

Bangarang EP

Skrillex - Kyoto feat Sirah

HOT CHIP - How Do You Do (Todd Terje remix)

Patrik Soderbom - Capo (Original Mix) FREE DOWNLOAD

Glitter 6 Years

Religions Of This World

Glitter - Religions of this world OUT NOW GRAB YOUR COPY NOW ON BEATPORT.COM

Patrik Soderbom - And Some Skittles (Original Mix)

Lucent & Patrik Soderbom - Brainwasher (Original Mix)

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- http://bit.ly/W8yTQS
iTunes - http://www.smarturl.it/atlas
Facebook- http://facebook.com/atlasgenius
Twitter- http://twitter.com/atlasgenius
Tour Dates- http://atlasgenius.com/tour

About @AtlasGenius -
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls.  Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide. 

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them. 

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.  

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision. 

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year.  Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.   

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Centred on You

Patrik Soderbom - Ecstasy (Original Mix)

Full Length: 6:29min

Releasedate 15-04-2013

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<a href='https://theartistunion.com/tracks/1b0e57'>Download for free on The Artist Union</a>

Whitefly EP

Whitefly (Mouthy Raw Remix) 

Buy on Beatport

Waveback Luke - Whitefly (Mouthy Raw Remix)

Buy Link:
http://www.beatport.com/track/popping-original-mix/4258469

Patrik Soderbom - Popping (Original Mix)

#D4MN - EP Out Now: http://smarturl.it/D4MN

Ninja Nation Tour: http://ninjanationtour.com/

Some throwback shit for you 09 heads :) Forthcoming my next EP on Firepower.

Datsik - Scum

Buy Link:
http://www.beatport.com/track/boss-original-mix/4272274

Angelo Dore, Patrik Soderbom - Boss (Original Mix)

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www.facebook.com/TheRealDanielPortman

  1 ) Chris Ojeda	 - 		I’m a geek 	( Fritz Fridulin RMX )
			  2 ) Julio Leal, Daniel Aguayo - 	La mamada	( J&D Formation RMX )
			  3 ) Droplex - 			Killer		( Original Mix)
			  4 ) Aiho, UP47, Shiels - 		The beast	( Original Mix )
			  5 ) DJ Farouche - 			Your all i want	( Daniel Portman RMX )
			  6 ) Glitter	 - 		Format it	( Original )
			  7 ) Good Intention - 		Chicks		( Original )
			  8 ) Stefan F - 			Break		( Original )
  8 ) Dgtalsystem - 			Funk		( Original )
			  9 ) Michel Clar - 		Heineken	( Original )
			10 ) Rushet - 			Don’t fear	( Alessandro Grops RMX )
			11 ) Steven Bullex, Eduardo F. - 	Relax your body	( Original Mix )
			12 ) Corner - 			Evil dead	( Original )
13 ) Daniel Portman - 		On purpose	( Phunk Investigation RMX )


Daniel Portman presents Demask Episode 10

Buy Link:
http://www.beatport.com/track/check-this-out-original-mix/4287827

Patrik Soderbom - Check This Out (Original Mix)

Booking Wordwide : SirupArtistAgency | Daniel Caruso
daniel@sirupartistagency.com



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Title track MANTENIDO digresses from the dark synth-laden sound scope that has pervaded his two previous Unreleased Digital releases for a summerish but still hard-hitting track of glitchy and grainy Progressive House. Breakdowns convince with latin influenced melodic parts that lift the track onto an even higher base, and is a sure guarantee to get your crowd on fire and sing along, instantly.
Jumping between minimalistic beats and toe-tapping percussion melodies.
iTunes exclusively contains radio edits.

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Daniel Portman - Mantenido ( from the EP Mantenido )

Buy on Vinyl: http://tinyurl.com/l6gcy6a


Arts & Leni - El Barrido (Wolfgang Lohr Remix)

Dandi & Ugo - Alternative Way - original mix - Minus Label -2013
Release Date: 2013-05-27
http://www.m-nus.com/#data.pl?release=MINUSminMAX1mp3;MiddleAndRight

“Bridging the gap between the old & the NEW, the minimal & the MAXIMAL, minMAX represents a widening of scope as we explore the area between the sounds of classic MINUS & PLUS 8. As others subdivide and categorize we bring things back together, opening things up more freely and allow a closer connection to the music that I love and the sounds & textures that many of my DJ sets journey through.” Richie Hawtin.

Tracklist CD1 (minMAX compiled): 
1. Mathew Jonson “Metropolis” 
2. Heartthrob “Y2k2u” 
3. Tripmastaz “Tyree” 
4. Etapp Kyle “Yuma” 
5. 4Yo4U “Daily Faces” 
6. Gaiser “Trashbend” 
7. Jonni Darkko “Close” 
8. Justin James “Song So True” 
9. Joran Van Pol “Faded” 
10. Mitsuo Nakazato “Drive” 
11. Julian Jeweil “Yoko” 
12. Barem “Limbus” 

Tracklist CD2 (minMAX mixed by Hobo): 
1. Pots Of Gold “Rainbows” 
2. Joran Van Pol “Faded” 
3. Dandi & Ugo “Alternative Way” 
4. 4Yo4U “Daily Faces” 
5. Julian Jeweil “Yoko” 
6. Gaiser “Trashbend” 
7. Mitsuo Nakazato “Drive” 
8. Tripmastaz “Tyree” 
9. Hobo “Incise” 
10. Jonni Darkko “Close” 
11. Matador “51 Mexicans” 
12. Etapp Kyle “Yuma” 
13. Barem “Limbus” 
14. Nsound “Loe” 
15. Theorem “Formulate”


Dandi & Ugo - Alternative Way - original mix - Minus Label - 2013

The label boss The Advent teams up with Spiriakos and they deliver a great release for Kombination Research. The original mix of 'Point Of No Return' is a smooth techno production that builds early on with some nice beats and some subtle effects. Filterheadz deliver their remix on the flip and maintain some of the quirky vibe in the drum work.

The Advent & Spiriakos - Point Of No Return (Original Mix) [Kombination Research]

Patrick Oliwka- tränen der sonne

Layo & Bushwacka! - Born in the Backwoods (Nicole Moudaber Remix) [Olmeto Records]

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Third track on the EP is called SWISS ALPS. Using his signature offbeat minimal sound scope, Daniel Portman draws the track with a whirlwind of melodic leads in breakdowns, utilizing the folk-edged cowbell melody with a crescendo of caressing synth sweeps. When it comes back to the drop, he surprises with a juxtaposing low-end maneuver and warm synth work to the avail of another tempered track of club and festival proof grandeur.

Daniel Portman - Swiss Alps ( from the EP Mantenido )

Out on the 6th of May on my label Strict Recordings.

Louie Cut - The Player (Original Mix)

Suspect One - Now is the time - Glitter Remix Out now On Beatport

Buy Link:
http://www.beatport.com/release/king-kong-pills/1079016

Patrik Soderbom - King Kong Pills (Original Mix)

Get Clandestine Way (Tecknorio Bootleg)

Out to all the followers, just hit 12,000 likes on Facebook :D

Also Big Up to Drapez on the vocal sample in this one, BIG things to come from him this year ;)

ENiGMA Dubz - Imma Step It Up [FREE DONWLOAD]

5 of the most successful tracks from Balthazar & Jackrock's label Renesanz are now re-released on Beast Factory. This is the first of the "Renesanz Sampler" series and the featured artists include Dandi & Ugo, AnGy KoRe, Schuhmacher, Balthazar & JackRock, Tako, Aaron Cook, Lorenzo D'ianni, Truci and Kirill Mixer. A solid techno pack, ready for the dancefloor!