there is something compelling about your melodies!

Out of reach

© 2021 Georges Bespalov . All rights reserved. SACEM 2021
VSL GREAT RIEGER ORGAN
https://www.vsl.co.at/en/Synchron_Package/Great_Rieger_Organ

OverTheTime

Tutto Da Capo

the last word

The breath of the forest

Sheet music can be found here:
https://drive.google.com/file/d/1cmvbkdMYs9_bYvgoyZELKgNvlhqnPmRy/view?usp=sharing

For Ilaria (Sheet music)

To see the full score and learn more about this composition, visit https://soundeagle.wordpress.com/2020/04/12/the-last-rag/

The videos are available at https://www.youtube.com/watch?v=T-acn3OZrKU and https://www.youtube.com/watch?v=DLkiJCzuM4k

🎼🎹—THE—🎹—LAST—🎹—RAG—🎹🎵🎶
The Last Virtue is empty like a hall
The Last Romance shunts lovers
The Last Work is never done at all
The Last Square has no corners
The Last Smile is a lifetime before
The Last Shout comes from whispers
The Last Memory is beyond recall
The Last Rag echoes the golden eras

Composed by SoundEagle🦅, The Last Rag comes in two versions as shown above: the 1996 Original Edition and the 2010 Special Edition.

The Last Rag can be performed or listened to as a self-contained work, though it is also the middle movement of the three-movement Second Piano Sonata entitled “The Time Beyond”.

The Last Rag was first performed by Professor Stephen Emmerson in a music recital at the Queensland Conservatorium Griffith University (formerly the Queensland Conservatorium of Music) in 1996, and was performed by David Pitman who played the Second Piano Sonata “The Time Beyond” on 9 October 1997 at the New Music Collective Concert held in the Recital Hall of Queensland Conservatorium Griffith University featuring SoundEagle🦅’s various compositions.

The Second Piano Sonata “The Time Beyond” (to which The Last Rag belongs) was also one of the major pieces featured at David Pitman’s final piano examination required for his Master’s Degree in Performance. The Last Rag was played by Professor Stephen Emmerson and recorded in the Orchestral Hall at Queensland Conservatorium by Daniel Fournier who, along with Peter Laughton, mastered all the edited tracks onto the CD entitled “The Rag Project” and released in 1998. More than a decade later, it had been fondly studied and played by Connie Stamatopoulou in 2009 and 2010.

The Last Rag had also been featured at least once on radio (in the vicinity of 2000 as the precise date is beyond recall) in one of the programmes hosted by Julian Day, an artist, composer and broadcaster who used to present the long-running experimental music programme called “New Music Up Late” as well as “Classic Breakfast and Afternoons” on ABC Classic FM.

The 2010 Special Edition of The Last Rag continues the salient features of the 1996 Original Edition further, including melodic angularity and atonality, contrapuntal textures, motivic extensions, thematic superpositions, harmonic piquancy, chromaticism, suspended tones, nuanced sonorities and dynamic expressiveness. Due to full-time filial commitments, both the score and the recording of the 2010 Special Edition are only just published by SoundEagle🦅 here in 2020.

Regardless of the degree to which the resulting composition may be regarded as an appropriation, reimagination or reinterpretation of classic Ragtime, The Last Rag has patently honoured the well-established tradition and true spirit of Ragtime in the process of sticking fairly closely to, whilst also deviating inventively from, the musical form of Ragtime.  As the accompanying poem indicates, apart from conveying certain personal and philosophical messages, The Last Rag also serves as a meta-commentary or meta-narrative to ragtime as a century-old genre, evoking nostalgia and contemplation, as well as simultaneously reflecting, acknowledging and transcending the eras and heritages of ragtime and related genres. Overall, SoundEagle🦅 has sought greater freedom, unity, sophistication and expressiveness in The Last Rag to reach beyond the stereotype and confined scope of this unique genre whilst exploring innovative techniques to decisively push the envelope of the Ragtime vernacular and its vocabularies.

Piano Sonata No. 2 by SoundEagle

The Last Rag [Piano Sonata No. 2 “The Time Beyond”, 2nd Movement]

WATCH THE VIDEO CLIP:  vimeo.com/431402165

Feel OST

Hi!
This is my eighth composition for solo piano!
I really appreciate the advice, but don't offend me, please.
I named this piece Awakeness only after I've heard the completed composition, so there isn't a story behind this piece, it's only inspiration ;P
I hope you like it, and if you liked it, check out my other scores!
Check out ALL my scores on Musescore!

Awakeness| Music For Piano Solo

So...
I'm at nine pieces, right?
Anyways, here's another original piece for piano solo!

After a year like that we need to relax, and here it is a relaxing piano piece! :D

I called it ''Under the rain'' simply because here, in Italy, there are storms everywhere, so I'm a bit depressed (that's not a sad piano solo tho) :/

It's more like a ''test'' to experiment how a piece in 12/8 sounds like :P

Tell me something that I can change because, I want to repeat it again, that's a test (in spite of everything I like it) .-.

I hope you like it, and check out my other scores! :D

Under The Rain| Music For Piano Solo

Welcome to my music library and thank you for visiting my profile. Here I store the melodies that come to my mind. I do hope they will appeal to you.

I improvise on prepared themes while recording as a way of practising, and I upload my pieces straight away with no post-production. This way I can listen back to them and reflect on how, and why things have been done in a certain way. I further believe this manner adds up to the human touch and uniqueness of those melodies - the stories I try to tell expand in fortuity.
I perceive it as a chance to look down at my own thinking processes. 

Headphones recommended =)

For Ilaria (Sheet music)

Patryk Muszyński

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