Trust in Love
Music and Bass: Paploviante 2019
Vocals: www.Ghosthack.de
Artwork Paploviante with Swift Publisher 5

Trust In Love   ❤️❤️❤️

Welcome

https://soundcloud.com/tengos-trail/sealed-off

Sealed Off - Tengo's Trail - Sunday Jam-Collab

Music, lyrics, vocal & acoustic guitar : Dave
Drums, bass, acoustic guitars & mix : PJ Project

Friday Night Lovers, W/ UK Man

Angel eyes, Angel eyes
I'm the man that's followed you around
Caroline, Angel eyes
You look so much better now your bound

Paid the price, paid the price
Your angel looks and beauty caught my eye
Your angels eyes, angel eyes
I don't intend to hurt you but I might

Paid the price Caroline
You look so much better now your bound
Angel eyes, angel eyes
I'm the man that's followed you around

Stalking Caroline

Just "Takin' It Easy" while playing Breedlove Acoustic-Electric and decided to record Instrumental SongShot. Eagles-inspired insanity. ;-) For anyone that enjoys creating and sharing music, have fun and keep it real. Do your best, even when it's just sharing a simple contemporaneous mix of a song sketch or idea. Some will like it, some won't, so what? Next. Life is short. Be true to yourself. Nothing wrong with "promoting" certain projects and songs, but we all know Numbers are simply 'Just Numbers' and don't, necessarily, always define success on SoundCloud....or anywhere else, really. Mostly all depends upon what we each define as "Success" for each of us. ;-) Cont'd Best Wishes to all! Thanks to anyone that listens and shares their comments. Always genuinely appreciated. "YOLO KOKO"!....As Quincy Jones used to say, You Only Live Once.....Keep On Keeping' On! :D))))

Sunny Beaches Abound

JamEagles AcoustaTronic SongShot

JamEagles AcoustaTronic - Original SongShot

A cover of the Alev Lenz song Laura for the Spitfire recompose competition

Laura (Alev Lenz Cover)

Flight of Time is composed and recorded by Jane Johnson.

Flight Of Time

The project is a collaboration with Jan Exner @exner from 2016. We divided the poem "Aufbruch" into six parts. With music and sounds Jan created a fascinating acoustic imagery. Lets go ⇢

Jan Exner : Guitar / Synths / Mix / Production
Karin Tarabochia: Text / Voice / Image



Aufbruch
1 
Aufbruch! Was war, fällt ab. Knöpf’ meinen Kragen auf.
 Zieh’ die Weste aus, an der noch Land hängt. Warte ab.  
Was klammert, saugt, in Zaum hält, bröckelt und springt. 
Mein Schneckenloch, mein Honigfuß, mein Schritt ins Leere  
und endlich Fall, Bruch, Sturz … und Landen!

Departure. What was, falls off. Unbutton my collar.
Take off the vest with land still hanging on it. Wait.
What clings, sucks, bridles, (now) crumbles and cracks.
My snail hole, my honey foot, my step into the void …
And finally fall, break, plunge ... and landing!

2 
Neubeginn verschieben, unendlich lang?
 Das Ende aufzäumen, und den Anfang aufspüren? 
Erfüllung vorwegnehmen?
 
Postpone a new beginning, infinitely long? 
Bridling the end and tracking down the beginning? 
Anticipate fulfillment?

3 
Schnipp’ die Leine durch, lass Haus und Hof 
und was ich schuf, rollt durch den Kopf. 
Dreh' mich aus dem Schleiertanz.
Spann' meinem Wagen andere Pferde –  
höher geht’s und weiter!
Sonnenfahrt!  Der Täuschung abschwören - 
Wütend platzt mein Innerstes und gibt frei: 
Anemone, Traumpferd, das ein Holzbein schwingt.
 Am goldenen Wagen im Sturmwind treiben –  
den Füßen fehlt Boden, den Händen fehl'n Sprossen. 
Nichts da, nur Lederhaut an Sohlen und Schwielen.

Snap the leash, leave house and yard
and what I created rolls through my head.
Turn me out of the veil dance.
Bring other horses to my carriage -
Higher it goes and further! Sun trip!
Renounce deception -
Enraged my innermost bursts and releases:
Anemone, dream horse swinging a wooden leg.
Floating on the golden chariot in the storm
and the feet are missing ground, the hands are missing rungs,
nothing there, just leather skin on the soles and calluses.

4
Träume meinen Flusslauf vom Anfang zum Ende
und schwimme zurück, dorthin wo ich bin.  
Fisch sein! Springen! Am Ufer lachen sie
und manchmal hält das Fischmaul die Trommel an  
und hört Sirenen singen.

Dream my river from the beginning to the end
and swim back to where I am.
Being fish. Leaping. On the bank they laugh.
Sometimes the fish's mouth stops the drum,
hears sirens singing.

5 
Wir müssen diesen Platz verlassen,
so schnell wie möglich unsern Kopf vergessen,
 der benommen Geschichten schwatzt, vergisst.  
An Scheiben rinnen Tränen. 
Was befürchtet war, wird wahr, vergeht.  
Am Weg besteht, was ist.

Mich nicht messen an anderen, mich nicht missen! 
Nicht verkaufen, dem Anderssein weglaufen!  
Mich am Fluss einfinden, wer ich war, wer ich bin,
im Zwischenraum die Zwischenfrau. 
Den Mädchentraum beenden,
den Zeitraum größer drehen und kleiner,
 Schritte sehen, die fest am Boden.
Ich war weg und komme wieder.

We have to leave this place,
as soon as possible forget our head 
who gossips stupid stories and forgets. 
Tears run down the panes. 
What was feared will come true and pass. 
On the way persists what is.

Not compete with others, not miss me,
not sell myself, nor run away from being different.
Find myself by the river, who I was, who I am,
in the interspace the interwoman.
End the girl's dream, turn the period bigger and smaller,
See footsteps firmly on the ground. 
I was gone and I'll be back.

6 
Lass’ mich nicht hängen und bis zum letzten Tag warten, 
bis ich mein Blut abgebe und mein Gesicht sich ins Tuch drückt.
Nicht bücken und suchen, mich zwischen Spuren verfluchen. 
Das Ziel sehen, nahe bei mir:  
Ich bin Traube. Ich bin Straße. Ich bin Mensch.

Not leave me hanging, waiting until the last day,
until I give up my blood and press my face into the cloth.
Not bend down and search, curse myself between tracks.
See the goal, close to me: I am grape, I am street, I'm human.

4 Träume meinen Flusslauf (eXner / Augenmerk)

Composed for Naviar Haiku #358.

More on Naviar Haiku:
 https://www.naviarrecords.com/about/naviar-haiku/

Close My Eyes

Close My Eyes - Naviarhaiku358

Herbie Hancock is one of my greatest musical inspirations, a giant of the 20th Century and still going strong.  This original composition Raindrops, is a look back at his playing in the mid '60s, when he was in his early 20s and playing and recording with the second legendary Miles Davis Quintet.  The ensemble was exploring modal jazz, pushing the boundaries of jazz harmony, taking things in and out of scales using chromatic dissonance, and setting the bar as high as it has ever been.  In this band, Herbie often used extended single note soloing, similar to Miles' trumpet or Wayne Shorter's tenor saxophone, creating a mood and image similar to Impressionism in art.  

Thanks as always for your generous time listening, for your comments and for your shares.  Be well and safe - it's a dangerous time across the world.

Raindrops

COMPOSER - PRODUCER - MUSICIAN
I PLAY BASS GUITAR AND DRUMS
IN THE BAND „4NO1“
(ALL STYLES, SINCE 1992)