Sweet & Soulful

Seasons Change

Syntaleta --- Obsession

Paploviante - Trust In Love ❤️❤️❤️

Trust In Love ❤️❤️❤️  -  Paploviante

Trust In Love ❤️❤️❤️ - Paploviante

Paploviante --- Trust In Love ❤️❤️❤️

LOU6 , Lillithe --- ALL THE SAME GAME , Paploviante --- Trust In Love ❤️❤️❤️

WHEN I RELATE TO THE WORLD

I Hear The Day Has Come

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

And I Love Her ～slide To End（Instrumental cover,The Beatles）--- * WINTER 2019/2020 *

&copy;Junzo KOWASHI
Chord(simple)
intro
Dm │Dm  │Dm │Dm │
Gm │Gm  │Dm │Dm │
A# │A      │Dm │Dm │

（Ａ）
Dm │Dm  │Dm │Dm │
Dm │Dm  │Dm │Dm │
Gm │Gm  │Gm │Gm │
Dm │Dm  │Dm │Dm │
A#  │A#  │A     │A    │
Dm │Dm │Dm  │Dm │

Beyond The Dust (Etude for Minor Blues : Dm)

The inimitable Annie Smart and I cover one of the twentieth century's most poignant "love's lost" songs by Johnny Mathis and Deniece Williams.
Much thanks to Annie for rendering such  touching vocals on this our first collaboration together. 
Please be sure to visit her exquisite body of work at https://soundcloud.com/annie-smart-1.
Visit the works of Ver2xif(Martin Jones at:https://soundcloud.com/ver2xif
It is our pleasure to present to you,  "Too Much, Too Little, Too Late"

Too Much, Too Little, Too Late with Annie Smart

Please welcome to join Syntaleta community on https://www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Show your support

Obsession

Burning me like Fire
Music and Bass Paploviante 2019
Vocals and Lyrics: www.Ghosthack.de (Victory)
Artwork Paploviante with Swift Publisher 5

Burning Me Like Fire - 😎😎😎 - Paploviante

THIS IS A MAQUETTE, the real song will be a lot more developped.

Vocals: DanleMiel simultaneoously translates a Kabbalah morning lesson(to french) by  Rav Laitman / Bnei Baruch. 2012 for kab.tv  - intertwined with Hebrew, English, French.

LE ZOHAR

ALL THE SAME GAME
Vocals: LOU6 - Ian Greaves
https://soundcloud.com/lou6-224024339/vocal-88-bpm-the-game-deconstructed
https://soundcloud.com/ipg1
Music, Arrangement and Production: Lillithe

ALL THE SAME GAME   LOU6 / Lillithe

BOMB MUSIC PRESENTS A FIRE TRACK WITH THE AMAZING FRAWSTAKWA
TALE OF AN EMCEE Feat. FRAWSTAKWA
(ROCKIN' THA MIC)
Communicate with us here: https://www.wowapp.com/w/thespeakerbreaker/Jason-Hines
Frawstakwa tells a little story of life in the World of an emcee
A Bomb Music & Sirobosi Frawstakwa creation.
Bomb Music & Frawstakwa are the members of the hiphop/rap group THE WAY IT IS (see link below to check out our music!)
FRAWSTAKWA: Lyrics, vocals and artwork
BOMB MUSIC: Beat, piano arrangement, mixing, production, mastering
SCRATCHES: DEX.T.
---------------------------------------------------------------------------------------------------
FRAWSTAKWA: https://soundcloud.com/frawstakwa-for-you
THESPEAKERBREAKER:  https://soundcloud.com/thespeakerbreaker
THE WAY IT IS:  https://soundcloud.com/thewayitishiphop
https://www.wowapp.com/w/thespeakerbreaker/Jason-Hines

TALE OF AN EMCEE

Tale Of An Emcee (Ft. FRAWSTAKWA)

Made In Berlin...….recording: Berlin.... 12-8/18-8- 2019

Made In Berlin

Under The Trees Of A Cityheart(Berlin Serenade)

Under The Trees Of A City Heart (Berlin Serenade)**FREM

Music & Lyrics: Jan Schonander

Standup bass, Trumpet, Baritone Sax, Mix & Mastering: Damon of tZDIQ https://soundcloud.com/tzdiq
Guitar: Davy Vance https://soundcloud.com/skub1955
Vocal, Piano, Stinger Bass, 7-piece Brass Section, Trombone, Drum Programming: Jan Schonander https://soundcloud.com/thegats

Huge thanks to Damon and Davy!

THE MONEY

She floated across the street
Red dress slit straight up to heaven
Looked straight at me 
Flashed a pearly white smile
Blonde hair to my dreams

Aahh, she teased me then she
Strutted her way to the bus stop
Mmhh, I blushed and and then
I stumbled across the sidewalk

She said honey
You ain’t got the money
Gotta live my life
Can’t be just any man’s wife
I’ve gotta make the climb
I’m in my prime
You ain’t got a dime
Don’t waste my time

Aahh, so close and so far 
Cut short by a red light
Mmhh, so close and so far
My checkbook stuck in red

I cleaned up my dirty act
I payed up for a haircut
Every last dollar and cent
Candlelight dinner
Just to be there, with her

She said honey
You ain’t got the money
Gotta live my life
Can’t be just any man’s wife
I’ve gotta make the climb
I’m in my prime
You ain’t got a dime
Don’t waste my time

She floated across the street
10 years later straight from nowhere
She looked in my eyes
Flashed a pearly white smile
Stepped into my dreams

She said honey
I don’t need the money
Gotta live my life
Can’t be just any man’s wife

She said honey
You’re the money
Come be my life
Let me be your wife

The Money

The Money | tZDIQ, Davy Vance & TheGat(s)

Fortunately, there are many good mothers and increasingly also good fathers in the world. However, there are exceptions to this rule. In the case of fathers, these exceptions have been seen for some time and violent fathers in particular are sanctioned more quickly and the affected children are better protected from them. 
Violent mothers are still a big taboo topic. This may have something to do with the fact that they usually express their violence more covertly and subtly than violent fathers. 
The following song is based on numerous experiences of children who have become victims of maternal violence. Representative for this is a story told by a 12-year-old boy who fled from his violent mother to his father (both parents had been separated for a long time).   

Mother Violence

Glassy eyes, frightened look
Pale face, far removed from happiness

Early adult, was never a child
Was mother's slave, repressed whirlwind

His own will was broken, forbidden to resist
Every no from him was punished 
Futile pleading

Subtle, hidden and cold
Mother Violence

Neighbors all look the other way
Just hands off the dirt

Remember, moms are just sweet
Violence never comes from mothers, the fathers are the swines
Step up to the lying club, come in, let the doubt be, don't want to be Outside, otherwise you will become the swine

Locked up in the cellar, deportation arrest.
At night on the street, so scared to death

Top-Secret blows, was always to blame
Always mental torture, day-to-day turmoil

One day he broke out from home, fled to his good father
Seemed liberated, but next morning a hangover came 

Subtle, hidden and cold
Mother Violence

Outwardly quite sweet and nice, she pulled her spider's web 
Around his exile
Youth Welfare fell for her, saw only her saint`s shine

The blind choir sang: 
Only fathers can be perpetrators, mothers are so weak and small. 

Subtle, hidden and cold
Mother Violence
Subtle, hidden and cold
Mother Violence
Subtle, hidden and cold,
Mother Violence

Mother Violence

After the Harvest

This was a guitar improvisation of mine some years back.  Unfortunately my guitar playing is always subpar, so the recording was cast aside until I met Richard John.   
Knowing he is a seasoned guitarist, I sent him my file to enlist help.  Without much being said, Richard just came back in a couple of days later with a professional rework of my ragged track and with new touches as well.   This is what I'm sharing here today.

Richard, you had really lighted up my song.  Thank you so much. 

[CREDITS]
Guitars / Arrangement  :  Richard John
Music : Michael C. Lynn

Richard John is a singer/songwriter/guitarist from England who is also on Soundcloud.   Do check him out.
https://soundcloud.com/richardjohn-1

An October Morning   (feat.  Richard John)

Spanish Dream

Released by:            D Harmony Studios
Released date:       14th October, 2019
Lyrics and vocals:   Jeremy
Photo by:                  Liadurgon.12

Only You

Stämmor Före 1991

I am alive. 646 ( 1984 )  Margareta Theorin ( Margareta )

listen to me on spotify! https://open.spotify.com/artist/2lpUD7w9lZVrQHUgpkbnQ1?si=SI7d7ejSQGGTBFKrdPu0TA

Echos

Trust in Love
Music and Bass: Paploviante 2019
Vocals: www.Ghosthack.de
Artwork Paploviante with Swift Publisher 5

Trust In Love   ❤️❤️❤️

Bill Withers, legendary singer, songwriter, musician and three times Grammy Award winner passed on March 30, 2020.
The very talented Vocalatti, superb saxophonist Jorg and I collaborate to cover his 1971 hit "Ain't No Sunshine".
Lead & Background Vocals........... Vocalatti
Lead Vocals..................................... Ver2xif
Solo Saxophone............................. Jorg
Musical Backing ............................. The Jazzbacks
Hear more outstanding music of Vocalatti & Jorg at their sites:
           https://soundcloud.com/vocalatti/tracks
           
           https://soundcloud.com/joerxworx/tracks

Ain't No Sunshine by Vocalatti, Ver2xif & Jorg

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

No siempre he estado aquí (Soy imperfecto)

COMPOSER - PRODUCER - MUSICIAN
I PLAY BASS GUITAR AND DRUMS
IN THE BAND „4NO1“
(ALL STYLES, SINCE 1992)