Paul Amlehn - Direction, Compositional System, Compositional Strategies, Catalyst Texts and Vocals for Musicians, Catalyst Texts and Vocals and Music for Julie Dupraz, Reverse-Scream Vocal (Inhaling Rather Than Exhaling Through the Vocal Cords), Unconscious On-the-Fly Mixing for First Two-Thirds of Composition, Conscious Mixing for Final Third of Composition, Editing, Production
Reinier Van Houdt - Piano, Bass, Radios, Synths, Computers
Susan Stenger - Field Recordings of Bees and Starlings, Alto Flute, Baritone 
Guitar, Organ, French Horn, Incorporation of Paul Amlehn's Reverse-Scream Vocal Into the Composition
Robin Storey - Mini Grand Piano, Electronics
Julie Dupraz - Text, French Spoken Vocal
Pierrick Drochmans - Sound Design
Nick Wilson - Audio Engineering and Production on First Two-Thirds of Composition
Laura Schuler - Live and Studio Violin
Isambard Khroustaliov - Real-Time Manipulations of Laura Schuler's Violin, Electronics
David Lynch - Visual Art

Mother (Wading through the Shoals of Time Possessed by an Inverted Love)

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

TRYING TO KEEP IT REAL IN THE FAKEST WAY POSSIBLE 
 
PURPLE JESUS STANDING BY I'm All 6's And 7's
Hey everyone! Welcome to my repost page! Please send me your music so we can all enjoy! everyone is welcome,  This is the site were we all come together and listen and rock the fuck out!
Check ME Being Basic On The YouTubes


WE ARE READY TO BELIEVE YOU

All Hurtfull Junez & The Hate catz tracks Are Free For Down Load
@user-170387368
Get Em While They Are Hot N Stinky

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

"No elevators to Eden".

Composer, lyricist, published poet, sound artist, improviser, recording artist. Since 1998.

Also known as @ajkaufmann.

formulaic conformity and convention the sworn enemy of creation

My name is Paul Amlehn. I am an artist working in the mediums of literature, music, visual art, theater, opera, dance, performance art, and film.

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries, including Exquisite Corpse, the California Quarterly, Poetry Salzburg Review, and Evergreen Review.

My paintings, photographs, music, and video art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, and Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, 58th, and 60th Venice Biennales.

On my music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), Jamie Saft (Iggy Pop), Susan Stenger (John Cale), Leo Abrahams (Brian Eno), Michael Blair (Tom Waits), David Van Tieghem (Laurie Anderson), Michael Johnson (Joy Division), Mick Harvey (Nick Cave and the Bad Seeds), Joe Gore (PJ Harvey), Terry Edwards (Tindersticks), Mick Rossi (Leonard Cohen), Jem Finer (The Pogues), Mark Egan (Arcadia), Dieter Moebius (Cluster), Jess Stewart (Psychic TV), Eberhard Kranemann (Kraftwerk), Thomas Stern (Einsturzende Neubauten), Stephen Mallinder (Cabaret Voltaire), Susan Alcorn, Suzanne Ciani, Keiron Melling (The Fall), Julia Kent (Antony and the Johnsons), Laurent Petitgand (Wim Wenders), Jen Baker (Werner Herzog), John King (Merce Cunningham Dance Company), Robert Black (Bang on a Can All-Stars), Frank Cassara (Steve Reich and Musicians), Andy Findon (Michael Nyman Group), Mick Rossi (Philip Glass Ensemble), David Crowell (Philip Glass Ensemble), Melanie Russell (Philip Glass Ensemble), Eleanor Sandresky (Philip Glass Ensemble), Frank Cassara (Philip Glass Ensemble), Andrew Sterman (Philip Glass Ensemble), Joan Jeanrenaud (Kronos Quartet), and many others.

On my film and video art projects I have collaborated with actors, actresses, singers, and dancers, including Philippe Nahon (Gaspar Noe), Artur Barciś (Krzysztof Kieślowski), Anne Louise Hassing (Lars von Trier), Kate Moran (Peter Greenaway), Kate Fisher (Robert Wilson), Elisa Lasowski (David Cronenberg), Pamela Flores (Alejandro Jodorowsky), Stefania Casini (Andy Warhol), and many others.

I am currently working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am also presently working on an album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist, musician, and filmmaker David Lynch.

At the end of 2024, I worked on several re-creation compositions which utilzed sonic elements from pre-existing songs by Brian Eno and David Byrne, Nine Inch Nails, and Grimes, from their albums "My Life in the Bush of Ghosts," Ghosts I-IV," and "Miss Anthropocene, combined with new music by myself and other musicians.

Earlier this year, I collaborated with painter Gottfried Helnwein on a short film called: Epigenetic Trauma Painting No. 1.

I'm presently working on a new music recording project. Musicians who have contributed to this project thus far are: Stan Harrison (Radiohead), Bill Gilonis (The Work), Jeroen Visser (Trio Kazanchis +1), Nicholas Currie (Momus), RK Faulhaber (Nurse With Wound), Peter Hess (Philip Glass Ensemble), Hans Peter Kuhn (Robert Wilson), Audrey Chen, Max Eastley, Conrad Harris (String Noise), Pauline Kim Harris (String Noise), Jeff Zeigler (Kronos Quartet), William Klugh Connor III (The Centre for Transgressive Behaviours), Alan Splet, Ann Kroeber, and David Lynch.

Soli Deo gloria.

FREEDOM OF OPINION - FREEDOM OF THOUGHT - FREEDOM OF EXPRESSION

Some say I don't mince words. I sometimes say terrible things, as well as sweet and superfluous ones. I can love and hate, but I always maintain respect for those who love me or provoke me.

Currently, the world is changing dangerously. Those responsible are not always who we think. And those who deserve punishment are undoubtedly those who cause it, but even more so those who instigate it.

I like Americans and I like Russians. What I appreciate much less is the politics of these countries, their leaders, their underlings, and their administrations... In France, it must be admitted that things have been a real mess for the past few years, and there's nothing we can do about it. We joined the European Union, which now imposes its directives, which dark and idiotic "governors" implement without a word, since their countries are no longer sovereign.

We knew the USSR (Union of Soviet Socialist Republics)... and now we are 27 countries in the UESR (Union of European Socialist Republics).

This UESR is a monumental mistake, not the very beginning, but the one it has become, an entity that relentlessly pursues its devastating expansionism, which also allows NATO bases in the countries of the union, and which the Russians consider a direct threat. Well, I understand them!

Remember the Cuban Missile Crisis from October 14 to 27, 1962, a diplomatic and military confrontation between the United States and the Soviet Union. The Soviet Union was "too close" and represented a direct threat! It was almost the beginning of World War III, so the Soviet Union withdrew its missiles. Let the United States do the same now by withdrawing its NATO nuclear missiles, which it has deployed throughout the European Union.

The European Union promised us peace—which is, after all, why it was created—but now it wants war. It must be said that what the European Union has lacked (from the very beginning!) is a common defense, which was not the case for the former Soviet Union or even for the United States today.

The United States of Europe is like the frog that wanted to be bigger than the ox. Without a common defense, it is headed for certain doom, or it relies on NATO for its defense, but the game is no longer the same and would be much more dangerous for the entire world. This is where forced expansionism leads.

Peace on Earth to people of goodwill - ❤️🕊️🙏

Pier WILL 

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

I am a professional Doublebass player and a music Producer. I like to manipulate sound, trying to give shape to what I have in mind. Sometimes I manage, sometimes not. I'm studying sound design and the impression is always to be very far from an organic knowledge of it. 
But you know..that's the feeling we all love!!

So, thank you for stopping by and for the support!!
I'm open to collaborations so don't esitate to message me.


Ps: follow me on Instagram if you want(link below)!! There I post many ideas performing live and trying to get better with the help of people! I'll surely explore your profile too! 

Cheers!
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https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

Mother (Wading through the Shoals of Time Possessed by an Inverted Love)

Paul Amlehn 2