Areally imaginative piece ,what a super B part ,I was not expecting the blend of A and B and that's great thank you ,really enjoyable , an epic sound ,I'm intrigued to find out more about Omnia (all?) now ,I look forward to reading the novel ,thank you

It's cool music with a variety of development ❕ And it's dramatic ❕

Related tracks: Digitized Horizon

Love Ride

OK, maybe not exactly a scary Halloween theme but anything that "rattles your bones" must be frightening on some level. So, here is the WAG Halloween tune, available for free D/L, Track 3 of I Had A Vision found here: https://www.terrywigmore.com/wigmore-allen-gibbons

Rattle my Bones

Are you shaking with nerves?
Narrowly miss the swerves?
Are you glancing over your shoulder?
… roll downhill on a boulder?
Have you been stuck by a knife?
Hear vague threats to your life?
Are you para-paralysed?
Carry bricks upon your back?
Do your teeth do more than chat?

Rattle those bones

Do you have to rest a bit?
Feel your fingers lose their grip?
Wanna hear a bedtime story?
Are you no longer very sure?
Don’t buy what’s rich or poor?
Do you steal from the washing line?

Rattle my bones

Do you steal from the washing line?
Get more primitive with passing time?
Do you boat on a stinking lake?
Are you a fake?

Rattle my bones

Wigmore: Music, Production
Allen: guitars, Bass, vocals, lyrics 
(c) and (p) WAG 2024

Visions

Rattle My Bones

After 10 years of waiting i lately got my first Zappa record shipped to Zwakkonia - and i have to say that neither sheep nor donkeys do dance to that music. So i decided to make something that´s more healthy for the brain and body, called my old band of shepherds together and made something. Hope you like it.

Yocaetjawhisi

I-Kitten Staccato

R-World Goo-Goo

Montage et photographies : 
© 2024, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/q9Ncf8EWfp0

Musique :
© 2024, duo piano-guitare, titre : "Florilège", par Chartrand Saint-Louis et Albert, 2:48 min.

Florilège

"Florilège", par Chartrand Saint-Louis et Albert; Mixage, rév. et sono. par Albert [lien vidéo]

Cast of characters:

Llanpsych-- @llanpsych -- Tez – Takamine acoustic and Gibson Les Paul electric guitar, composition, lyrics, mix, and production
Mistermark-- @user-432503709 -- Mark – jaw harp and vocals     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 for voices that include bagpipes, Celtic flute, and Hammond B3, along with the bagpipe and "off with her head" outro
TexMex Shaman– @texmex-shaman –Stephen– production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision bass

This song started as a rough recorded by Tez on his acoustic and electric guitars. He also wrote the lyrics right off the bat, and introduced them to the rest of The Eclectic Collective by singing them as a rough, too. His vision for this was to create a song that sounded like it could've been recorded at Headly Grange. He also wanted it to feature instruments that wouldn't sound out of entirely out of place in Feudal Age Britain (between 1000-1600 C.E.) to carry the spirit of his lyrics.

  Tez always writes songs that are fun to learn and have cool changes, so the we all jumped in with both feet. Ken was first up with his Bonham like big, bad beat. To that, Josh added his P-bass, which he used a plectrum on, something he rarely does, trying to sound like JPJ to match his Ken's energy. JJ came along next, adding his colorful mix of raucous organ, time period relevant Celtic flute, and outro bagpipes. He did the entire outro, in fact, including the "off with her head," line, too. 

  Once the music was all laid down, Tez tapped Mark to sing the humorous lyrics. Mark came through with flying colors on the vocal performance, as always, too. Mark also added the textural, boingy-sounding jaw harp in the chorus sections.

  Now that it was all in the can, we asked Stephen to do the final mix and mastering, along with some of his typically brilliant production. It should be noted, though, that Mark also contributed significantly to the production, too, with his masterful editing skills.

  This was a really fun tune to put together, as we always have fun working on Tez's seeds. We hope you enjoy listening to this a much as we enjoyed creating it.

Original lyrics by Llanpsych:
Verse 1
Working in the fields
All summer long
Glowing like the sun
Oh so fit and strong 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove
Verse 2
Loving in the dusk
Lying in the hay
Drinking hot cider
Till the end of the day 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Feudal Woman Blues (The Eclectic Collective)

Paul Amlehn - Adaption of text, ambient and nu metal architectonics
Jason Lee - Vox
Edvard Munch - Painting

The text for the composition comes from Job 2:12 of the Bible and the original third person perspective of "him" is modified here to the first person perspective of "me".

"The people saw me coming from afar
They raised their voices and they wept
Rent their robes and sprinkled dust upon 
Their heads..."

Omnia is the central female character in my novel: "Monument to the Unimaginable."

Omnia's Song

23 - 12 - 2024

Brand new track by STA and the last for 2024. Enjoy this instrumental Synthwave retrowave track and wishing u a great Happy New Year!

Taken from my upcoming full length synthwave album (2025) that will be called "Ultraviolet Cosmos".

Youtube: https://youtu.be/dVYJo3nVTPw

#2025 #happynewyear #Digitizedhorizon #synthwave #retrowave #synthwave
#retrowave
#outrun
#darkwave
#cyberpunk
#80s
#80sMusic
#retrowavemusic
#synthwavemusic
#newretrowave
#futurefunk
#synthwavebeats
#retrowavevibes
#synthwavemusic
#retrowavemusic
#synthwave2024
#synthwavemix
#synthwaveradio
#synthwaveforgamers
#synthwaveforstudy
#synthwavedriving
#synthwavecyberpunk
#retrowavemovies
#bestsynthwave
#newsynthwave
#synthwaverelax
#synthwaveworkout

Digitized Horizon

https://youtu.be/XsBKUPcoe1U?si=iUkpXtgilrOHu7qp

Quintessential Embrace

Hold You

TINOS - ΤΗΝΟΣ

The third track from my Echoes From The Wastelands EP!

Guitars used:
Yamaha Revstar Standard 
Gibson Les Paul Studio 
Fender Precision Bass 

Synth:
Arturia Microfreak 

Novation Launchkey 49 MK3 midi keyboard 

Plugins used:
Tonex - Mesa Boogie and Orange amp captures
NDSP Darkglass Ultra
Line 6 Helix Native 
Spitfire Audio Labs Cassette 
Toontrack EZ Keys Upright Piano
EZ Drummer 3 Dark Industrial 

Cover photo generated by A.I. 

Corrosion

Shambien - Remember who you are

written may 2012 by andrew salvner (aka pretzels malone, lil' spaceman)
remix of "realistic lasers of gold" by pretzels malone

the words:
Lil’ spaceman steals your music
Lil’ spaceman’s here to abuse it
Gonna chop it down, loop it and reuse it
Gonna lead us to the promised land 

It’s a looped six seconds of realistic lasers of gold
Remember the song about the girl who didn’t do what she was told
Well, it’s about to get old,
so I’m going to step out quick, before the beat goes cold.

I’ll throw a high five up and then I’ll move it
You gotta move faster....space blaster
Unless your after disaster
Keep your eyes on the master
Talking faster and faster
Preacher preachin’ like a pastor


lil' spaceman steals your music

01 - Spitfire Audio - LCOT + AG
02 - Native Instruments - Piano Felt

Piano + Guitar Pad

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

My name is Paul Amlehn. I am an artist working in the mediums of literature, music, visual art, theater, opera, dance, performance art, and film.

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries, including Exquisite Corpse, the California Quarterly, Poetry Salzburg Review, and Evergreen Review.

My paintings, photographs, music, and video art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, and Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, 58th, and 60th Venice Biennales.

On my music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), Jamie Saft (Iggy Pop), Susan Stenger (John Cale), Leo Abrahams (Brian Eno), Michael Blair (Tom Waits), David Van Tieghem (Laurie Anderson), Michael Johnson (Joy Division), Joe Gore (PJ Harvey), Terry Edwards (Tindersticks), Mick Rossi (Leonard Cohen), Jem Finer (The Pogues), Kate St John (Van Morrison), Mark Egan (Arcadia), Eberhard Kranemann (Kraftwerk), Reinier van Houdt (Current 93), Thomas Stern (Einsturzende Neubauten), Paul Barker (Ministry), Stephen Thrower (Coil), Jessica Stewart (Psychic TV), Colin Potter (Nurse With Wound), Ches Smith (Mr. Bungle), Stephen Mallinder (Cabaret Voltaire), Susan Alcorn, Suzanne Ciani, Keiron Melling (The Fall), Julia Kent (Antony and the Johnsons), Mick Harvey (Nick Cave and the Bad Seeds), Laurent Petitgand (Wim Wenders), Jen Baker (Werner Herzog), Phil Minton (Matthew Barney), Jim Pugliese (New York City Ballet), John King (Merce Cunningham Dance Company), Robert Black (Bang on a Can All-Stars), Frank Cassara (Steve Reich and Musicians), William Winant (Terry Riley), Andy Findon (Michael Nyman Group), Andrew Sterman (Philip Glass Ensemble), Jeff Zeigler (Kronos Quartet), and many others.

On my film and video art projects I have collaborated with actors, actresses, singers, and dancers, including Philippe Nahon (Gaspar Noe), Artur Barciś (Krzysztof Kieślowski), Anne Louise Hassing (Lars von Trier), Kate Moran (Peter Greenaway), Kate Fisher (Robert Wilson), Elisa Lasowski (David Cronenberg), Pamela Flores (Alejandro Jodorowsky), Stefania Casini (Andy Warhol), and many others.

I am currently working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am also presently working on an album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist, musician, and filmmaker David Lynch.

At the end of 2024, I worked on several re-creation compositions which utilzed sonic elements from pre-existing songs by Brian Eno and David Byrne, Nine Inch Nails, and Grimes, from their albums "My Life in the Bush of Ghosts," Ghosts I-IV," and "Miss Anthropocene, combined with new music by myself and other musicians.

I'm presently working on a new music recording project. Musicians taking part in this project are: Stan Harrison (Talking Heads), Ben Somers (Seal), Jarboe (Swans), Ghazi Barakat (Pharoah Chromium), Rob Burns (David Gilmour), Nicholas Currie (Momus),  Peter Hess (Philip Glass Ensemble), and others.

Soli Deo gloria.

Omnia's Song

Paul Amlehn 3

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