Here is a cover version of the song "Edie" originally done by The Cult  that Gerald Joseph Gardiner and I both worked on!  This track means a lot, because I am a huge fan of Edie Sedgwick and thought it would be fitting since my daughter is named after her :) 

Hope you enjoy it! I have lots of fun doing this! :D 

Elle xo 



EDIE (Ciao Baby!) by The Cult (Cover)

SLAPPER - Ghosts Again (Midnight Cut 2023) (DEPECHE MODE Cover)

Assemblage 23 - The Last Mistake (Dominatrix Remix)

02 - Assemblage 23 - The Last Mistake (Dominatrix Remix)

“The track sits right at the crossroads of electronica, EDM, and synthwave, with a vibe that calls to mind late-night journeys and shifting digital landscapes.

The rhythm is built on a tight, pulsing grid, with patterns that evolve slowly, keeping a steady and purposeful tension. The kicks are dry and sharp, while the secondary percussion adds depth and energy without weighing down the structure. The synth takes center stage: layered, modulated, and rich in texture, it paints a soundscape that swings between analog nostalgia and futuristic momentum. Synthetic harmonies weave together with minimal melodic lines, crafting a suspended, cinematic atmosphere” [PARKETTCHANNEL.IT 🇮🇹]

“Great sound, the creative elements are really interesting and create an exciting combination and dynamic! We also really like the uplifting vibes!” [LILA Playlists 🇨🇭]

“Everything sounds rhythmic, well mixed and the artist is imaginative.” [Melodik Records 🇧🇪]

“really liking the snappy and punchy vibe to the song, the instrument selection is cool. particularly liking the lead!” [Rogue VHS 🇬🇧]

“The track definitely has a lot of power” [Midnight Dance Music 🇦🇷]

AUTONOMOUS CODE

Pulse and Prelude bridges two eras — the soul of a piano concerto and the heartbeat of neon circuitry. It opens with a fragile, echoing piano motif, as if born in a candlelit concert hall, before the pulse of analog synths rises beneath it — glowing, electric, alive. The song moves between elegance and urgency, where classical harmony collides with retro rhythm, and every note feels suspended between memory and motion. It’s both a dance and a dream — a prelude to something infinite, carried by the pulse of light itself.

Pulse and Prelude

The Maiden of Madness

The Secret Remixes Vol. 1

Depeche Mode - Stories Of Old ('99 Extended Mix)

A cover version of Chronologie Part 4 (from the 1993 album "Chronologie") by Jean-Michel Jarre. Arranged, performed and produced by Paul Howard in the Cambourne Soul studio.

Sounds from Roland JV1010, Korg Krome and Korg Electribe.

Recorded and mixed with Cubase Pro 8.

Chronologie Part 4 (Jean-Michel Jarre Cover)

My performance of Oxygene Part 6 by Jean-Michel Jarre

Oxygene Part 6 (Jean-Michel Jarre Cover)

Oxygene Part 4 (Jean-Michel Jarre Cover)

Produced by Curtis Salgado 
Mixed by Sandy Solomon 
Recorded at: Ultratone Studios, Studio City, CA,  
Engineered by Johnny Lee Schell Rock House Recording, Nashville, TN,  
Engineered by Kevin McKendree Greaseland Studios, San Jose, CA,  Engineered by Kid Andersen 

Additional recording at:  
Falcon Studios, Portland, OR,  
engineered by Dennis Carter Dockside Studio, Maurice, LA,  engineered by Justin Tocket 
Mastered by Reuben Cohen at Lurssen Mastering, Los Angeles, CA Photos by Jessica Keaveny Packaging design by Kevin Niemiec  

Special thanks to: Randy Fennell, Johnny Lee Schell, Kevin McKendree, Kid Anderson, Mike Crider, Kathy Goranson, Suzanne Dominique, Dave Duncan, Mike Finnigan, Michael Bard, Wendy and Philip Salgado, Tracy Arrington RIP.  

Curtis Salgado plays Hohner Harmonicas customized by Joe Filisko  Management: Shane Tappendorf, 
Odaglas LLC, odaglasllc@gmail.com  

Booking: Intrepid Artists, 
staff@intrepidartists.com, (704) 358-4777

Damage Control

Curtis Salgado - Precious Time

Composer and arranger based in Cambridgeshire. Arrangements, cover versions and original works for various ensembles.

Chronologie Part 4 (Jean-Michel Jarre Cover)

PaulHoward