New Horizons - Concerto for Trumpet and Chamber Orchestra (2022)
Dedicated to John Wallace CBE with the hugest gratitude and admiration and warmest affection
Bede Williams (solo Trumpet [Trumpet in C, Piccolo Trumpet & Flugelhorn])
St Andrews Chamber Orchestra
Michael Downes (conductor)
Recording of World Premiere, 12 March 2025, Laidlaw Music Centre, University of St Andrews, Scotland
Recording made by Fife College
Film of complete concert available on YouTube: https://www.youtube.com/watch?v=_uCzykyfmH4&t=7s

I was about to move country, to new horizons, and this work grew out of a shorter earlier work as a result. The short piece I wrote for Alison Balsom and the London Chamber Orchestra in celebration of the LCO’s 100th birthday had much further to go. It does so in this concerto. Cast in a single movement but in an almost symmetrical form of seven sections, complete with a cadenza, the work was composed between England and Italy, as I was travelling backwards and forwards from country to country. It strikes a new path in its style, and is, dare I say it, more ‘open’ in its musical language. I have no doubt that the openness of the Italian people and the landscape I knew I would be moving to had an impact on the music’s overall impression. And, of course, being a trumpeter, I wanted to write a solo concerto that responded to the instrument I know most of all, and reflect many of the works and styles I have worked with as a trumpeter. The soloist plays three different trumpets, a standard trumpet in Bb or C, a piccolo trumpet and flugelhorn, which has the most mellow and beguiling of sonorities. 
This work and this performance are dedicated to John Wallace, who was mentor and guide to Bede Williams and to me, and who has done so much to improve the lives of so many through his immense gifts and incredible generosity of spirit. 
© Paul Max Edlin 2025

New Horizons (2022) - live premiere

Why talk about yourself...when you can talk about Mozart?

Paul Max Edlin's music is published by Composers Edition. 

Paul Max Edlin, 2016/2017 Composer in Residence for the London Chamber Orchestra, has a career that combines composing with higher education, artistic direction and performing.  

His works have been performed by many leading artists including Alison Balsom, Arditti Quartet, Britten Sinfonia, David Campbell, Cantus Ansambl, Dame Sarah Connolly, Dame Evelyn Glennie, Rolf Hind, Johannes Möller, London Chamber Orchestra, London Sinfonietta, Olga Pasiecznik, Psappha, Silesian Quartet, Southbank Sinfonia, Gabriella Swallow, John Wallace and The Wallace Collection and Bede Williams. 

He studied with Edwin Roxburgh, Richard Blackford and Joseph Horowitz (Royal College of Music) and Michael Finnissy (University of Sussex). He has won many prizes including Premio Internazionale Ancona, Harriet Cohen Memorial Award and United Music Publishers Prize. His music explores symbolism and often derives its inspiration from extra musical material. From the mid 80’s to mid 90’s many works were inspired by the art and architecture of South-East Asia, especially Indochina. From 2000 onward symbolism of a wider range of sources guided his music, from the chiastic structures of J.S. Bach to the writings of Gabriel García Márquez and Federico García Lorca and visual work of Frida Kahlo.

Paul Max Edlin is former Director of Music at Queen Mary University of London. He was Artistic Director of Deal Music & Arts (formerly Deal Festival) from 2004 to 2021, Sounds New (2007 to 2013), Director of International Composer Pyramid (2008-2013) and was founding Chair of the Board of Trustees of Ora Singers. He is current Executive Chair of W.E. International Music Festival, which brings eastern and western cultures together.  From 2012 to 2013 he was President of the Independent Society of Musicians (ISM), the UK's leading association for professional musicians.

I work as a scientist for a living & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

I'll follow you back when SC lifts the follower limit (!)
Loving listening to everyone's music on here :-))))))))))