excellent blues tune and great lyric/story

Shock the Algorithm

Brand new track and first for 2025. Song called "Universe fuzzing"
Taken from my upcoming full length synthwave album (2025) that will be called "Ultraviolet Cosmos".

youtube link: https://youtu.be/16y888BdiZI?si=rikRzRdc4swOOSyx
----------------------------------------------------
lyrics:
Feel the heat while you're moving around
Feel the beat while you're turning around

there's no wheels for stoping, only thin air poppin


Feel the warmth of the grinding machine
feel the heat from the earth beneath

there's no time machine to revert it, only the future u gotta face it


See these raylights that are flashing, all these memories are crushin' 
all these voices are buzzin' the whole universe is fuzzin'


Read the signs for the future unfold, 
learn from the past and let your dreams on hold

there's no logical planning, only sane present that is running.
--------------------------------------------------------------
(p) & (c) 2025.

Universe Fuzzing

Our first attempt at a folk-rock epic. This was a lot of fun to write and record - it represents the warm front where our musical influences and what we individually bring to songwriting meet straight down the middle.
Influences for this one include: Lynyrd Skynyrd, Low, Fleetwood Mac, American Analog Set and others. Hope you enjoy! 🎸🎻🤘🏽

Eclipse

I Don't Wannabe (Your 51st State) - Pop/Rock Version

Mr. President, a moment if you please
We used to be like brothers now you're coming after me
Mm-hmm we fought together, died together too
And I can't believe this nightmare is all because of you
So let me say to USA as nicely as I can
To leave it along and let us just be friends
Talkin' 'bout my home, my true North, Strong & Free
And like the song says, baby, We Stand On Guard for Thee

I don't
I don't wanna
Don't wannabe
I don't wannabe your 51st state, no
I don't
I don't wanna
Don't wannabe
Don't wannabe your 51st state now

Friends like us gotta find a way
To make things right for the USA
Friends and family across the border
It's elbows up when we get in the corner
Where we live is happy home
Reaching for something that ain't your own
We understand you want to grow
Our advice, just leave it alone

I don't
I don't wanna
Don't wannabe
I don't wannabe your 51st state, no
I don't
I don't wanna
Don't wanna
Don't wannabe your 51st state now

Cover Art: Cheetah Girl

All rights reserved

I Don't Wannabe (Your 51st State) [Pop/Rock]

I Don't Wannabe (Your 51st State) - Pop/Rock REMIX

memories

Written, arranged and produced by DAVIDE ANGELINI
Vocals & instruments: DAVIDE ANGELINI
Album: SYMPHONY FOR A NEW GENERATION
Originally (p)&(c) 2014 Davide Angelini
This remaster (p)&(c) 2023 Davide Angelini

Lyrics:

TAKE MY HAND
Do you remember when
  everything was so natural?...
..To sit close on the sand..
..Air coming from the sea made us feel so alive.

Do you remember when
  we stood back to the waves,
  observing the lights of the town?
The warm of the night made us feel so in love.

What did it matter what they could think about 
  us?
We felt so strong against all
It was only enough looking us in the eyes.

Take my hand I will be fine
This time I think we'll be so good
So take my hand I will be fine
Remind...believe...
We'll find our way again

Do you remember when
  everything was so natural?..
..to sit close on the sand..
..Air coming from the sea made us feel so alive.

If now our bond is weak may be is my fault,
  and so I say you I'm sorry.
Sometimes could be enough
  to stop a little looking behind
  the things we have done.

What did it matter what they could think about 
  us?
We felt so strong against all
It was only enough looking us in the eyes.

Take my hand I will be fine
This time I think we'll be so good
So take my hand I will be fine
Remind...believe...
We'll find our way again

(c) 2014 Davide Angelini

Symphony for a New Generation (2023 Remaster)

Take My Hand (2023 Remaster)

Bandcamp

TAKE MY HAND - (2023 Remaster)

Bluesinha is a cheeky little blues that tells the story of a smooth-talking hustler who underestimated the girl — and ended up getting what he deserved. But in the end, they find common ground, and desire wins out. A tale of love for lust, or maybe lust for love.

Little Blues (Bluesinha)

Listen here, my girl,
Don’t mean to play you wrong,
Hope you’ll forgive me,
But tonight I can't come along.
I got no cash on me,
No ride, no fare,
And I know you don’t
Take buses anywhere.
My vibe is rock and roll,
But your scene’s pop and gold,
It’s money...

I’m a streetwise stray
In this crazy town,
Was a punk, Hare Krishna,
Now I sleep on the ground.
I got nowhere to go,
Got nothing to share,
No dog, no room or sofa,
No TV, not even air.
But if I steal your mint drop,
And sip your whisky on the rocks —
That's sweeter...

My vibe is rock and roll,
But your world’s pop control,
It’s money...

Now listen up, my dear,
Let me make it clear,
I don’t want your money,
Don’t care what you wear.
My folks pay my bills,
That much you should know,
Cash ain’t what I’m missing —
Just got nowhere to go.

My vibe is pure raw lust,
Your scene’s all junk and dust,
So hollow...

So come on now, my love,
Let’s not waste the night,
I’m finally gettin'
What’s been feelin' right.
You want me,
And I want you too —
Why worry 'bout the rest
When the world’s just passin' through?
Our beat is touch and heat,
Our world’s a Woodstock street —
So mellow...

And our life is tight,
Our kiss? A bolt of light —
Straight yellow.

+++++++++++++++PORTUGUES

Bluesinha é um blues canalha, que conta a história de um malandro que subestimou a garota e acabou levando o troco. Mas no final eles se entendem e o desejo prevalece. Uma história de amor ao tesão, ou tesão de amor.

Bluesinha

 
Escute aqui menina,
Eu não quero te enganar,
Vê se me desculpa, 
Mas hoje não vai dar...
Não tenho dinheiro, 
Tô sem condução,
Sei também que você 
Não é de pegar buzão.
Minha balada é rock,
Mas seu mundo é pop,
Dinheiro...
Eu sou bicho urbano, 
Dessa cidade louca,
Já fui punk, Hare Krishna
Hoje eu durmo numa moita
Não tenho pra onde ir
Nada à oferecer
Cachorro, quarto ou sala,
Nem banheiro nem tv.
Mas se eu te serro um drops,
Seu whisk on-the-rocks
Primeiro...
Minha balada é rock,
Mas seu mundo é pop,
Dinheiro...

Então preste atenção,
Vou te explicar meu bem,
Não quero sua grana,
Nem saber o que Tú tem,
Minha família é quem me banca,
Você deve saber
A mim não falta grana,
O que me falta é quem comer.
Minha balada é fuck
Mas seu mundo é junkie
Fuleiro...
Então venha meu amor,
Não vamos perder tempo
Agora eu to sacando,
O que está acontecendo
Você me quer, 
Eu te quero também,
Pra que saber do resto 
Se o mundo vai ou vem
Nossa balada é o toque
Nosso mundo Woodstok
Inteiro...
Mas nossa vida é top,
Nosso beijo e um choque!
E meio....

Little Blues (Bluesinha)

Sea Of Love

Demotrack...Thoughts of a seeker... contemplative, naturebound, a  short conversation with the inner self!
Hubert Stytz:          Music
Pee Gee       :          Lyrics

Good To Know

I´ve always been a seeker
A  lonesome seeker after truth
I´m a believer now
And I believe in youth 

Farewell to all those temptors
The preachers of hot air
I´m no longer worried
Cos I ...I ...don´t care

It´s true I´m getting older
But I´m still young at mind
And it´s good..to know

As I row down the river
Sliding down real slow
Sweet memories appear
And it´s good...so good..to know...

Good to know

Don Quichotte à Dulcinée is a song cycle by Maurice Ravel based on the story of Don Quixote. It was composed between the years of 1932 and 1933. The text was written by the librettist Paul Morand.

Piano by Helen Roberts

Lyrics

Chanson Romanesque

Si vous me disiez que la terre
À tant tourner vous offensa,
Je lui dépêcherais Pança:
Vous la verriez fixe et se taire.

Si vous me disiez que l'ennui
Vous vient du ciel trop fleuri d'astres,
Déchirant les divins cadastres,
Je faucherais d'un coup la nuit.

Si vous me disiez que l'espace
Ainsi vidé ne vous plaît point,
Chevalier dieu, la lance au poing.
J'étoilerais le vent qui passe.

Mais si vous disiez que mon sang
Est plus à moi qu'à vous, ma Dame,
Je blêmirais dessous le blâme
Et je mourrais, vous bénissant.

Ô Dulcinée.

English

Romantic song

Were you to tell that the earth
Offended you with so much turning,
I'd dispatch Panza to deal with it:
You'd see it still and silenced.

Were you to tell me that you are wearied
By a sky too studded with stars -
Tearing the divine order asunder,
I'd scythe the night with a single blow.

Were you to tell me that space itself,
Thus denuded was not to your taste -
As a god-like knight, with lance in hand,
I'd sow the fleeting wind with stars.

But were you to tell me that my blood
Is more mine, my Lady, than your own,
I'd pale at the admonishment
And, blessing you, would die.

O Dulcinea.


Artwork by Zurab Martiashvili

Chanson Romanesque (Don Quichotte à Dulcinée - Maurice Ravel - with Helen Roberts)

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, Ibanez electric guitar, beats, composition, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Fender Acoustasonic acoustic guitar and e-bow
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
electric wah guitar
Cgmaness – @hiddenhands-760647700 – Chris – vocals, vocal harmonies, and lyrics
This song began its life as a skeleton of beats and synth created by Terry, who also added some crunchy electric guitar hits to it, too. Terry is a very skilled electronic music producer, and frequent collaborator with Stephen for a project they call Texas Tea. It's worth going to check out their other collabs, as well as Terry's solo projects on his and Stephen's page. 
  Even though Terry and Stephen work together frequently, Terry approached Josh with a couple of ideas, and Josh picked this one, so Terry started the project and invited the rest of the band to join in.
 Stephen was the lead off hitter for this one, though, adding his magical and heavily processed acoustic guitar to the bridge in the middle, as well as textural guitar in the entire first half. He also added a couple of cool lines with his e-bow, which he used on his guitar. Ken was next up to bat, adding his always thrilling drums to compliment Terry's beats. Josh went to work next, now that he had a solid beat to work with, added his low-frequency five string fretless bass to it. Tez batted clean up, adding his thrillling Gilmore-esque guitar solo to the end of it. 
  Then, once the music was all finished, we turned it over to Chris so he could add his amazing, psychedelic vocals delivering his original lyrics throughout.
  Once we had everything recorded, we turned it over to Terry to mix, as it was his song to begin with. Terry is an excellent producer with a great ear. Stephen, who is our trained mixer gave him some key advice along the way, too, though.
  This is Eclectic Collective's third song with Terry, and we're always thrilled when he has something to offer us. He's a wonderful collaborator with tons of great songs on his page, that are all worth checking out. We hope you enjoy listening to this as much as we enjoyed creating it.
  Oh, and it's worth mentioning that three of us on this have birthdays this week, too. Chris' was first, on Wednesday, Terry's was Thursday, and Josh's is Friday (today). So, this is an extra special celebratory song for all three of us. We're all so very grateful for our SoundCloud community, friends, and musical family. We appreciate all of you!
Original lyrics by Cgmaness:

Lost in inner space,
questions interlace,
often they're erased.
amnesia's saving grace.
...
Many rising up,
What do you think it means?
Anything at all?
Anything?
....................
Wonder if you feel,
any of this truth?
Root systems occur,
we are one from birth.
we are one.
....
Slow to realize,
something is in the skies.
I cannot be wise.
We are lied to.
Realize, it's all a ruse.
but, we ripple on.
we ripple on.
we are one.
...
And that's when we fell back into,
a very familiar feel.
but I know.
Just pinholes,
just pinholes. 
....
Many rising up,
what do you think it means?
....
Sometimes we have to let go!

Koala Tea (Eclectic Collective with Tea R. Sea)

Romantic〔Lylics by Romi   Composed by Romi   Arrenged by Romi , Red＆Blue〕

https://open.spotify.com/intl-fr/album/10sxiy3Ds20LZwmXCscjae
https://music.apple.com/us/album/funny-days-ep/1822802207
https://www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg

recorded in Area 52 Studio, Saugerties New York   
Steve Rust on Bass, Harvey Sorgen on Drums, Olivia Siegel Keyboards     Barbara Browning Vocals & Cello   Imre L. Vocals, Guitars, Hammond organ

"FUNNY DAYS" EP MEDLEY TEASER (see description for links)

Night Train to Lisboa pt.IV

In 2018, I did a SoundCloud collaboration with @clive-hawkins after one of his tracks inspired me to write lyrics over his haunting instrumental 'After the Bomb'.

Clive had posted the line "let us not forget the consequences............of unleashing weapons of mass destruction!", and that comment, coupled with listening to his moody track, had me writing the complete lyrics inspired by his music in about 1.5 hours.

In 2025, I am currently working with accomplished keyboard player and Prog Rock enthusiast @Dee-Zee (Dave Zeitlin), to create an Ethno-Prog album 'Beyond the Veiled Horizon'. 

https://soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

So when I recently re-heard the old collaboration I wondered if Dave's keyboard wizardry could add a whole new dimension to the lyrics. The message in the lyrics has perhaps has even more urgency in 2025. 

The Doomsday Clock currently stands at 89 seconds to midnight. 
https://thebulletin.org/doomsday-clock/2025-statement/

Using Clive's harmonic rhythm that inspired the melody, that inspired the lyrics, I basically gave Dave a blank slate to see what he could come up with as parts. As usual he delivered some amazing ideas and playing and this left me re-assembling this Redux version of the collaboration. Once again, I made use of the Alto vocal talents of 'Mrs Bouzouki' in a vocal harmony section and as part of some harmony stacks. Towards the end, the additional female backing lines are from the Soundiron 'Voices of Gaia' collection featuring the vocal talents of Linda Strawberry.

I feel the addition of a church organ really added to the track. As a result I removed a choir part I added in the original collaboration and added some low strings to add some weight to the bottom end in places. Besides piano, Dave also added some synth pads to keep things interesting during what is quite a long track. I hope that people can hear why I enjoy working with Dee Zee. I think he's done a fantastic job with this track.

I decided to keep my original vocal takes from 2018 but I feel the track has benefited from my improved mixing and production techniques. 

I feel that once again this track is a great example of how music can be created using the SoundCloud platform. A collaboration can build on a collaboration to create something bigger than the sum of the parts. Thanks @clive-hawkins for being the catalyst for this and @dee-zee for your compositional skill and playing. 

As a follow-up to this song you can watch this movie on the Internet Archive, produced in 1969 about the Hiroshima-Nagasaki bombs of 1945. Some of the imagery is not for the faint-hearted.

archive.org/details/hiroshimanagasakiaugust1945
=======================================================
Lyrics

After The Bomb - P Goodrich 22/01/2018

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Just What Have We Done

Dead Streets, Dead Lives
Dead Seas, Dark Skies
We've Gone, Too Far
Ohhhh We've Lost It All

(C)
And The People Cried As One
With The Firing Of A Gun
Too Late For Second Thoughts
Too Late For All Of Us

No Race, No Faith,
No News, No Lies
Past Ways, Past Lives
They're Over and Done

Dark Days, Dark Times
Dark Deeds, Dark Minds
No Hope, All Gone
We've Nowhere To Run

C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

(organ instrumental)

No Rest, No Sleep
No Love, Just Hate
Dull Hearts, Dead Minds
The Future It’s Gone

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Oh What Have We Done

(C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

One World, One Tribe
(Ad Lib)
We’ve Nowhere To Run
(Final Whispered) After The Bomb ... After The Bomb

After The Bomb - Redux 2025 (89 Seconds To Midnight)

New album featuring songs from long ago that have found their way into stellar re-creation. The Gnome, Meristolis, has us flipping through genres like the colors in a Skittles bag. We hope you like at least one song. The Holworks' Mission is to provide wholesome original music to be enjoyed by anyone for a lifetime. Hit us up. We need you, you, you, you, and you!

Turn Out the Lights

Brand New track on the Rocks! Summer 2025 and let it roll with my brand new track called "I Keep Protecting my Soul".

(p) & (c) 2025, STA.

lyrics:
I keep protecting my soul
There's nothing more sacred than my soul
I keep protecting my soul
The body dies, it's eternal the soul

Clear is conscience, i am free i am alive
Sleeping in peace not with fear with opened one eye
I never harmed anyone, don't owe a dime
i am keep paving with gold this road so up high. 



I Keep Protecting my Soul

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

The man who sold the world. YouTube: https://youtube.com/playlist?list=PLEaJAo9vVf60TYKOAhXahWnbkWi3RvvFs&si=NKf5MUNhsyGqH4Yp

Little Blues (Bluesinha)

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