The second movement of the Sonata for Alto Flute and Piano (2024).

Pawel Strzelecki: 2. A Song Without Words No. 2 [Sonata for Alto Flute and Piano (2024)].

Hello - Thank you very much for visiting my soundcloud page!!! 
I sing, play piano/keys, write and produce.

I am so grateful and honored by every listen, like, comment, follow, and album purchase from this wonderful community of creators. 

I DO NOT use any AI  for anything I create. If I get left behind, so be it.

© ℗ By Brenda Doss/ Hello Trees (BMI)

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

mar(vocal,lyrics ,compose,programming)
msq(compose,programming)
https://botanicalai.bandcamp.com/
https://www.youtube.com/channel/UCKiu6Zr_bwdfOlW7fXDY6bw
https://youtu.be/9WP1phpuKII
https://twitter.com/botanicalmar

"Thoughts and actions are the building blocks that create your life. So, Kreate."
_Calyx Kre 


Calyx Kre: Seventh Octave Coloratura Soprano Opera Singer.🪽✨🩷

Calyx Kre has studied Recording Arts and Development, Ableton Music, Music Marketing. Basics Of Astrology and Advanced Astrology. 

Calyx Kre has Sensory Integration Disorder, Autism, Epilepsy and Generalized Anxiety Disorder (she is ten years behind in physical, emotional and intellectual development), that she has turned struggle into strength.

🎤 7-Octave Coloratura Soprano
Opera ✕ Pop ✕ Hip Hop
💖 Cameo Requests
🎶 Cover Remix Requests: $15–$30
🔮 Birth Chart, Tarot & Oracle Readings – $11.11
🤝 Brand Deals
✨ Stream Music by Calyx Kre

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Welcome to my creative corner. These are song sketches, hoping to write an unknown classic or two. I'm enjoying this virtual open mic. I will listen to your stuff. All original lo-fi demos here recorded on a hand held ZOOM H1, go to YouTube for lots of covers. THANKS FOR LISTENING!

Any kind of music is supported in return follow this account and repost tracks by https://soundcloud.com/maxmuzik-1 Then  MESSAGE me to get a repost.
IMPORTANT those who follow and then unfollow me after their music get reposted I won't be available to repost their Tracks again!

Music is my passion there's nothing else to say, I mainly repost Jazz and Blues Tracks sometime Pop, I am not particularly interested in House Techno Hip Pop,etc.

Massimo Primiero is an amateur songwriter, arranger, composer with NO use of A.I. in making music from Turin-Italy, please for all those people that has got to do with paid promotion service DO NOT write to me.
Thanks for listening

If you wanna have support for your music please go to my secondary account on soundcloud https://soundcloud.com/massimo-primiero
MESSAGE me to that account and I'll support your music.

Pawel Strzelecki: 2. A Song Without Words No. 2 [Sonata for Alto Flute and Piano (2024)].

Pawel Strzelecki, Ph.D.