Superb modern Classical. Love the Strings sections Dueling   🎶🎶🎶🎶🎶

ABOUT THE SONG

First I tried to make a calypso song. But I was unable to do it... So I changed it into a 80's style track.

My daughter Daphné (5) wanted to sing on that song, so I recorded her.

Made with Ardour (DAW), Rosegarden (midi), Hydrogen on Ubuntu Studio. I used my voice and my guitar.

Lyrics and music by Buma.
Performed by Daphné & Buma.

LYRICS

Smiling to my kids
and hiding from the sun
But something came to me
I Was remembering

But something came to me

I will try
I will fight for that
I will try
Caribbean style will heat my frozen kind
That’s music we don’t mind
Can I try from the past ?
That’s music we don’t mind

“Ch-ch-ch-changes” in my room
Wrote this list for that man
That’s all my crowded mind
Will fight to succeed

I will try
Can I try from the past ?
That’s music we don’t mind

Avant les limules (feat. Daphné)

Short stories is my project to play simple, essential short works for piano that can arouse emotions. This is the fifth track of the series. I hope you enjoy it this and all my little stories.

Short Stories 5 Home Sweet Home (a quiet life)

A New Dawn (in a Strange Land)

Snooze

Konflikt

27 - 11 - 2024 - Tarde

The last movement of the String Quartet No. 20 (2024).

Polifonic multilayered "con fuoco" finale with silence intrapolated as music form structure factor.

Samplitude Studio's mastered sound.

Pawel Strzelecki: 3. Finale [String Quartet No. 20 "No End" (2024), 20 ca.

in the heat

alarm clock

Nocturne No.4 Op.21

Also not new sorry, originally scored to film for an assignment in 2016. Flute represents an innocent boy playing with a ball. Piano and general drama elements represent a lonely man wandering the streets (I didn't choose this).

The "climax" in the music is when the boy kicks the ball into the road and a car is coming, and a crash occurs, which the old man witnesses (without doing anything ??). The boy somehow wakes up and lives happily ever after.

Weird assignment. But hopefully you can see why I scored it the way I did.

There are extended silences between some of these parts which I shortened.

Tragedy

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poemes (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 3. Finale [String Quartet No. 20 "No End" (2024), 20 ca.

Pawel Strzelecki, Ph.D.

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