She sought love from the same woman over and over again and was rejected each time. Her answer is always the same whether she proposes the first time, the second time, or the third time. No!
"Then why did we always enjoy chatting so well?" And why does the feeling of my long-gone love never fade away?

No matter how many times I propose, her answer is no! (263)

Thank You so much for over 1400 plays! ❤️

This time, I return to the realm of fantasy, where my characters, upon arriving in the North, found themselves in the dwarven mines. There, they are to meet with the Dwarf King's son, who will task them with aiding in uncovering the mystery surrounding his father's death, slain in a goblin ambush. However, before this occurs, they take part in a funeral ceremony.

To craft this piece, I utilized only the free VSTi's by ProjectSAM @projectsam: Free Orchestra 1 and 2. I've begun working on it 2 months ago... It's one of my over 30 projects in development ;)

Thanks goes to my friends and test drivers: kavvka @grzegorzkawka and Alexander Stratonov @ephtrackx

Picture generated by me in Leonardo.ai

Funeral of the Dwarven King

El derrotado, Ariel en Bicicleta

Snow*Omen/Velvet Something Superdark collaboration based on Henry  Purcell,  Dido and Aeneas: When I am laid in Earth (Dido's Lament). Music: Snow Omen @snow_omen (recording of a live performance, voice Y.A., electric guitar VSS). Added noise, mixing and production: VSS. All sounds Snow*Omen & VSS. Image: VSS.

When I am laid, am laid in earth, May my wrongs create
No trouble, no trouble in thy breast;
Remember me, remember me, but ah! forget my fate.
Remember me, but ah! forget my fate.

Laid In Earth

String Swing Thing. Great art by Adrian Perez Acosta.

See you in a bit

Third upload from the album "The Thing in my Head Smiled," consisting of thematically interlinked songs (with full details of the "gimmick" to be explained when full album is uploaded and assembled)

The Thing in my Head Smiled

24 4 21

Through the tear_02

Theme from Schindler’s List (One Take Reflection)

Music is memory, and memory is life.
In this one-take reflection on the Theme from Schindler’s List, I allowed the music to unfold like a fragile thread between worlds — echoing with oriental whispers and Eastern European roots.
It is a conversation between sorrow and hope, a reminder that even in the quietest moments, the soul still speaks.
No retakes. Just feeling, breath, and the timeless language of the heart.

Thank you for listening and traveling through it with me.

Schindler's List Remake

The third movement of the String Quartet No. 22 "No Rest" (2025).

Pawel Strzelecki: 3. Smooth Adagio [String Quartet No. 22 "No Rest For The Righteous" (2025)].

Echoes Across The Plain

Recorded on April 16, 2025 at the National Music Centre in Calgary AB.

https://vimeo.com/1095340636

Beach Song (feat. Astralis Quartet)

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poemes (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 3. Smooth Adagio [String Quartet No. 22 "No Rest For The Righteous" (2025)].

Pawel Strzelecki, Ph.D.