The Unnamable
concerto for orchestra, celesta, crotales and baritone
May - October 2022
Matthew Lee Knowles

"Lies, lies, mine was not to know, nor to judge, nor to rail, but to go"
-Samuel Beckett, The Unnamable (1953)

SCORE
https://www.scribd.com/document/612052358/The-Unnamable

The Unnamable (2022)

Radio frequency bouncing/shortwave noise, and modular synths

crosstalk

The live album is finally here and we have TONS of bonus studio tracks!! WEeeee! Buy the album now on Bandcamp! https://malldad.bandcamp.com/album/all-2gether-far-apart

The third movement of the String Quartet No. 22 "No Rest" (2025).

Pawel Strzelecki: 3. Smooth Adagio [String Quartet No. 22 "No Rest For The Righteous" (2025)].

With my friends Mico N. Aquino and Yvonne-Nikola Fontaine we wrote a new piece every day!
Here are my submissions to the project and you can follow the links here to see all the videos with scores :-))))))))))))))))

https://www.youtube.com/@AnatoArchives/videos
https://www.youtube.com/@MicoAquinoComposer/videos
https://www.youtube.com/@MatthewLeeKnowles/videos

DAY THREE: PINK SKIES ABOVE A PINK PIANO

This episode features music made by Naviar's community inspired by Yatsuka Ishihara’s poem “pulling light / from the other world . . . / the Milky Way”.

Tracklist:

windspace · Otherworldly Light https://soundcloud.com/windspace/otherworldly-light
Benn DeMole · Pulling Light https://soundcloud.com/benn-demole/pulling-light-naviarhaiku601
Night Note · pulling light from the other world https://soundcloud.com/mmastalka/pulling-light-from-the-other-world-naviarhaiku-601
Ed Mundio · By the Light Of The Milky Way https://soundcloud.com/edmundio1/by-the-light-of-the-milky-way-naviarhaiku-601
Tuonela · Light from another world https://soundcloud.com/tuonela-1/light-from-another-world


Credits:

music intro: “This ruined house”by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku

Support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #377 – Pulling light – Wednesday 23rd July 2025

Sketch no. 10; relieved

The Antelope

METAMORPH, это - состояние души и постоянных изменений. Саморефлексия и склонность героя искать неизведанные миры, в которых он раньше не бывал или переживал в своих мыслях. 

Атмосферный и экспериментальный альбом погрузит слушателя в светлые/мрачные, но одновременно красивые и мелодичные трэки. Это также история становления главного героя, много смыслов и ощущений, которые передаются в этой музыке.

DILOREN inst: https://www.instagram.com/d_diloren

DILOREN tg: https://t.me/ja3b4l

альбом есть так же на всех площадках: https://vauremusic.band.link/dZE4N

last moment.

Music by ɅƉﺍꝚﺍɅNƠ
ArtWork by ɅƉﺍꝚﺍɅNƠ


This track is downloadable

BEYOND BELIEF

01 - Spitfire Audio - Alev Lenz 3 - I Know You Will
02 - Spitfire Audio - Eric Whitacre Choir - Tutti - All In One - Dynamic Swell OOH
03 - Spitfire Audio - Eric Whitacre Choir - Evo Grid - Bass - Dynamic Movements
04 - Spitfire Audio - Albion - NEO - Brunel Loops - Suspended in Space

Palette Of Voices

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 3. Smooth Adagio [String Quartet No. 22 "No Rest For The Righteous" (2025)].

Pawel Strzelecki, Ph.D.