Pawel Strzelecki: 22 String Quartets (2001-2025).

Just stuff i'm currently listenin' to....😎  
Pay attention cuz it changes often.

Sparky Faves

Pawel Strzelecki: String Quartet No. 22 "No Rest For The Righteous" (2025), 24' ca.

String Quartets by Pawel Strzelecki (selection of movements)

Discoveries 3

The first movement of the String Quartet No. 1 (2001).
String Quartet 'Ars Longa', live recording, Warsaw, F. Chopin Academy of Music, Concert Hall, 2001.

Pawel Strzelecki: 1. Opening [String Quartet No. 1 (2001)].

The last movement of the String Quartet No. 1 (2001).
String Quartet 'Ars Longa', live recording, Warsaw, F. Chopin Academy of Music, Concert Hall, 2001.

Pawel Strzelecki: 4. Finale [String Quartet No. 1 (2001)].

The third movement of the String Quartet No. 1 (2001).

Pawel Strzelecki: 3. Adagio [String Quartet No. 1 (2001)].

The second movement of the String Quartet No. 1 (2001).
String Quartet 'Ars Longa', live recording, Warsaw, F. Chopin Academy of Music, Concert Hall, 2001.

Pawel Strzelecki: 2. Scherzo [String Quartet No. 1 (2001)].

The opening movement of the String Quartet No. 3 (2019).

Pawel Strzelecki: 1. Overture [String Quartet No. 3 (2019)].

The second movement of the String Quartet No. 3 (2019).

Pawel Strzelecki: 2. Energico [String Quartet No. 3 (2019)].

The first movement of the String Quartet No. 2 (2012).

Pawel Strzelecki: 1. Canzone [String Quartet No. 2 (2012)].

fidalgo

The first movement of the String Quartet No. 22 "No Rest" (2025).

Pawel Strzelecki: 1. Introduction [String Quartet No. 22 "No Rest For The Righteous" (2025)] .

The second movement of the String Quartet No. 22 "No Rest For The Righteous" (2025).

Pawel Strzelecki: 2. Ahead [String Quartet No. 22 "No Rest For The Righteous" (2025)].

The third movement of the String Quartet No. 22 "No Rest" (2025).

Pawel Strzelecki: 3. Smooth Adagio [String Quartet No. 22 "No Rest For The Righteous" (2025)].

The last movement of the String Quartet No. 22 "No Rest For The Righteous" (2025), with fugue and chaconne (both present in many of former 21 string quartets) and other elements, phase shifting metre abusing motifs, simultaneity of layers, invertible counterpoints, contrasts and surprises, modal or chromatic language, "romantic" expression tensions in building of culminations, and formal "strategy" of recurring episodes.

Pawel Strzelecki: 4. "Until The End" (Finale) [String Quartet No. 22 "No Rest For The Righteous" (20

'due south of the eastern peninsula' opens with a subtle bassline, weaving a foundation that anchors the hazy pads and distant melodies. Gentle reverb and delays create movement but never a rush. The rhythm is steady, unhurried, yet not static—an easy, hypnotic groove that invites the mind to wander.  Percussion and synthesized elements lend a sense of distance, as though the track is unfolding across the vast expanse of an open, tranquil landscape.

due south of the eastern peninsula

INVITO ALLE PACI (Parafrasi di 1 Cor 13, 1-8)

Come il mare è fatto di singole gocce d’acqua 
e se la metà soltanto di queste gocce fosse avvelenata, tutto il mare sarebbe avvelenato,
così la Pace Universale è costituita da piccole paci fra i singoli uomini, 
fra le singole famiglie e, se non vi sono sufficienti piccole paci, 
la Pace Universale è compromessa.

INVITATION TO PEACES (Paraphrase of 1 Corinthians 13:1-8)

Just as the sea is made up of individual drops of water, 
and if only half of these drops were poisoned, the entire sea would be poisoned,
so Universal Peace is made up of small peaces between individuals, 
between individual families, and if there are not enough small peaces, 
Universal Peace is compromised.

“Aspirate ai carismi più grandi.
Vi indicherò la via migliore.
Se parlassi la lingua degli angeli,
se cantassi stupende melodie 
e suonassi mirabili strumenti, 
ma… senza la Carità di Dio!
Nulla sarei, nulla sarei, nulla sarei, nulla sarei:
sono solo un bronzo che risuona.
Se i misteri e la scienza conoscessi
e la fede piena possedessi
e le mie sostanze dessi via,
non sono nulla, nulla sono,
se non vivo la Carità divina.
La carità è benigna.
Tutto spera nel fratello.
La Carità tutto sopporta!”

“Aspire to the greatest gifts.
I will show you the best way.
If I spoke the language of angels,
if I sang wondrous melodies,
and played wondrous instruments,
but… without the Charity of God!
I would be nothing, I would be nothing,
 I would be nothing, I would be nothing:
I am only a sounding gong.
If I knew mysteries and knowledge,
and possessed full faith,
and gave away my substance,
I am nothing, I am nothing,
if I do not live divine Charity.
Charity is kind.
It hopes for everything in its brother.
Charity endures all things!”

Invitation to Peaces (parafrase of 1 Corinthians 13:1-8)

Invitation to Peaces  (parafrase of 1 Corinthians 13:1-8)

Haikara

sky ship

Instruments: SEQUENTIAL PROPHET-10 REV.4,GLIGLI'S OVERCYCLER

Bright sunshine

A quiet learning from life itself — a Turkish lullaby sung to a spider, in gratitude for all living forms.
(Ein stilles Lernen vom Leben selbst — ein türkisches Wiegenlied, gesungen für eine Spinne, in Dankbarkeit für alles Lebendige.)

Ein stiller Moment des Lernens.
Unter der Dusche, im Licht, eine kleine Spinne —
und plötzlich kehrt ein Lied aus meiner Kindheit zurück:
ein türkisches Wiegenlied, das ich längst vergessen hatte.

Ich beginne zu singen.
Nicht für mich, sondern für sie.
Und während das Wasser fällt,
und das Lied sich erinnert,
bleibt sie. Ganz still.
Als würde sie hören.

Vielleicht war das kein Zufall.
Vielleicht war es einfach das Leben,
das sich selbst zuhört —
durch Klang, durch Wasser, durch uns.

#KAT #ArtOfLiving #PlayLife
#HaikoHarfe #Learning #Consciousness
#Presence #Nature #RespectForLife
#TurkishLullaby #QuietConnection #FrequencyMoment
#MindfulSound #PoeticLife #SoundLearning

KAT — Das Lied der Spinne (Turkish Lullaby Moment)

_DJ-H-Force remix üretim 1652

Everything by Timothy Drinks a lot of Coffee Hnatow

Headphones Please

Duality

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 3. Smooth Adagio [String Quartet No. 22 "No Rest For The Righteous" (2025)].

Pawel Strzelecki, Ph.D.