The last movement of the String Quartet No. 3 (2019).

Pawel Strzelecki: 4. Finale [String Quartet No. 3 (2019)].

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Thanks for visiting. 
What's new:  I have completed my violin sonata. It is posted first in line to your left.  My new symphony, "Symphony for Chamber Orchestra," is posted and waiting for you.  rjb

Scores and parts for many of my works are available from my publisher Creative Spirit Music Publications. Go to  https://www.creativespiritonline.com and select "Robert John Brooks." There, you can also follow the score while listening to a recording.

My music is fully notated and is intended for live performance by live musicians.

After completing my doctorate in composition in 1979 from UNT, I took 30 years off from composing to join the computer software revolution as a software engineer.  In 2010 I began composing again and have not stopped. So, I find myself beginning (restarting?) a composition career rather late in life...but that's OK.  Most of the works posted here were written since 2010. 

Thanks for visiting.

MY NAME IS:
JAKE
....




.
'IT KEEPS MY HANDS BUSY'

Folk-Rock with Acoustic and Electric guitars, Rock music.

Notes on Delivery

The Budding enthusiast that comes, by design or chance, to discover this collection shall, upon Preliminary Survey of its Contents, find him or herself confronted by divers  ‘Fulsome Bloomings, Abandoned Airs and Declamations’, all, indeed, allegedly composed by Messrs Drust & Erskine. 

It is, however, to be Anticipated that the fledgeling aesthete may, whilst hopefully being familiar with the general Thrust of this or that Song, find him or herself Uncertain as how best to approach the True Form of the Musical Pieces, and, moreover, how best to discern the Melody and Intonation: indeed, how to Discover, and consequently Interpret, the Leitmotif. 

Be then reassur'd that the Composers are devotees of Cantabile, and each Song in this canon has been thoroughly Mulled Over and Subjected to Rigorous and Demanding attentions. By this Means, Songs, that may, upon Inspection of the grounds upon which they were first Inspired having revealed a requirement for overly-exacting Polytonality or Interval that may Induce a certain Reticence, have subsequently been Hammer'd into a Shape that Messrs Drust and Erskine aver is Deliverable by one Mode or another. 

Accordingly, Messrs D & E press you oil your lung, fill your chest, loosen your tongue, and hold forth in as fulsome a voice as your maker may have designed for you, and relish every nuance of counterpoint, every flourish and every roundelay here afforded for your delectation.

Pawel Strzelecki: 4. Finale [String Quartet No. 3 (2019)].

Pawel Strzelecki, Ph.D.