The last movement of the String Quartet No. 22 "No Rest For The Righteous" (2025), with fugue and chaconne (both present in many of former 21 string quartets) and other elements, phase shifting metre abusing motifs, simultaneity of layers, invertible counterpoints, contrasts and surprises, modal or chromatic language, "romantic" expression tensions in building of culminations, and formal "strategy" of recurring episodes.

Pawel Strzelecki: 4. "Until The End" (Finale) [String Quartet No. 22 "No Rest For The Righteous" (20

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poemes (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

🎶 About My Music – DestKorn

My music tells stories – without words, but full of emotion.
It’s shaped by melancholy, quiet strength, and cinematic depth.
With a blend of piano, strings, subtle electronics, and expressive vocals, I create soundscapes that move, reflect, and offer space for personal thought.

Every composition is a personal expression, crafted by hand using professional virtual instruments (VSTs), real elements, and a strong sense of intuition. I compose with care and intention – every note is placed with purpose. For certain textures, I occasionally use modern tools like ACE Studio, but always as a subtle enhancement within a framework I’ve entirely composed myself.

The creative vision, the musical structure, and the emotion – they are 100% mine.
I believe in music that sounds real because it is real.

Thank you for listening – and for feeling.

– DestKorn 🎶❤️🎶

هر نغمه‌ای که از دل برخیزد، بر دل نشیند
(Every melody that rises from the heart, touches the heart.)

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of these tracks is strictly prohibited and will be prosecuted under applicable law.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

it is by standing on the shoulders of giants.

Pawel Strzelecki: 4. "Until The End" (Finale) [String Quartet No. 22 "No Rest For The Righteous" (20

Pawel Strzelecki, Ph.D.