Nightly Ghosts

Bloom

"Halo Bias" is a solo piano piece that captures the mysterious and intricate nature of cosmic phenomena. The composition opens with a soft, resonant motif, evoking the vastness of space and the subtle beauty of dark matter halos. The initial theme is ethereal and contemplative, inviting the listener into a realm of quiet wonder.

As the piece unfolds, it introduces more complex harmonies and rhythmic patterns, mimicking the gravitational clustering and the dynamic interplay of celestial bodies. The music crescendos and decrescendos, creating waves of tension and release, much like the ebb and flow of cosmic structures forming and evolving.

The middle section features a series of cascading arpeggios, symbolizing the intricate dance of galaxies within dark matter halos. These arpeggios are both delicate and powerful, highlighting the contrast between the immense scale of the universe and the fine details of its underlying patterns.

Towards the end, the piece returns to its initial motif, but with a richer and fuller texture, reflecting the growth and complexity of the structures over time. The final notes fade gently, leaving a lingering sense of awe and curiosity about the vast cosmos. "Halo Bias" is a musical journey through the cosmos, blending scientific inspiration with artistic expression to create a deeply moving and contemplative experience.

Halo Bias - Francesco Adornetto

The Last Waltz

Babe i'm gonna leave you  🎹 - Led Zeppelin / Piano cover (remaster 2025).

Where the Druids of Ashenvale Tread

The last movement of the String Quartet No. 22 "No Rest For The Righteous" (2025), with fugue and chaconne (both present in many of former 21 string quartets) and other elements, phase shifting metre abusing motifs, simultaneity of layers, invertible counterpoints, contrasts and surprises, modal or chromatic language, "romantic" expression tensions in building of culminations, and formal "strategy" of recurring episodes.

Pawel Strzelecki: 4. "Until The End" (Finale) [String Quartet No. 22 "No Rest For The Righteous" (20

122 - A Feather On Iron

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

Unsettling Whispers portrays the arrival of Loufric Vertere and Luci at the imposing black castle, where they are welcomed with banquets and sweet words. At first glance, everything seems grand and inviting, yet something feels wrong in the air. Whispers move through the corridors, and behind the flattery, a silent intrigue begins to take shape.

While Luci senses echoes of dangers she once faced, manipulation, enchantment, the slow poisoning of the will, Vertere begins to yield to promises of power and revenge, spoken softly into his ear. The castle, steeped in tales of betrayal, becomes a stage where ambition, memory, and seduction intertwine. The whispers grow louder, and each note reveals more of the inevitable fall of a man who has already lost everything, and now may lose himself.

Unsettling Whispers

Album inspired by Vivaldi, as if he was accompanied by Mozart, Beethoven and Bach.

When Seasons Collide – A Concerto of Masters Part VII

Watershed

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poemes (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 4. "Until The End" (Finale) [String Quartet No. 22 "No Rest For The Righteous" (20

Pawel Strzelecki, Ph.D.