#guitar #bass #Trance #dnb #beats #keys #deepbass #headphones #weekend #trip 120 bpm Enjoy friends  #Headphones please #Like #Share repeat

80s Trancespirit

Words and music K Gennery

For my Nan, Emily Adelaide Francis 1903-1972
Mother of 15 
Grandmother to 24
intro voice, my 93 year old Mum, talking about her Mum.....Emily.

While on my own i find myself lost in the past
maybe i should step back and leave well alone
For there you are ready to receive me
feel safe and warm wrapped in the arms of emily

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

you were gone in a blink of an eye
i should have come and whispered goodbye
 i was young but it doesnt ease the hurting
age is not an excuse its all i have

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

emily

Emily

Music to a mad few day's I spent down in that London!

Video - 
https://www.facebook.com/100010267027026/videos/1351389461879942

Chaos In Nowhere City

This composition is an old traditional Finnish folksong. It is mostly known as a very popular christmas song.
I played it with my 8	-string Electric guitar. Middle section is pure improvisation. 

No Onkos Tullut Kesä.wav

Buffy Crush

mix and waves, electro, pop, and differents arrangements

Oh I Wish

Cognitive Dissonance

Side by Side 

There’s no end to where we start
Side by side no fall apart 
In silence we can hear 
Side by side 
Side by side 

I have moods you do too 
Side by side we move on through 
Both our worlds are on spin
Side by side 
Side by side 

Change track switch back do this but not that 
Go away come here not there where have you gone?
That’s right but wrong to slow you don’t really know 
Keep up that’s good but I don’t want it now 

Let’s hang out not do anything 
Side by side just sharing space 
Safe in our everything 
Side by side 
Side by side 

We sit tight in between 
Side by side not quite seen 
Hide away it’s our favourite thing 
Side by side 
Side by side 

Change track switch back do this but not that 
Go away come here not there where have you gone?
That’s right but wrong to slow you don’t really know 
Keep up that’s good but I don’t want it now 

Change track switch back do this but not that 
Go away come here not there where have you gone?
That’s right but wrong to slow you don’t really know 
Keep up that’s good but I don’t want it now 

Just undo what’s tightly screwed 
Side by side unwind renew 
Have the light warm down on dim
Side by side 
Side by side

Doing things in parallel
Side by side only we can tell 
When nothing is something 
Side by side 
Side by side

Change track switch back do this but not that 
Go away come here not there where have you gone?
That’s right but wrong to slow you don’t really know 
Keep up that’s good but I don’t want it now

Side by Side

View To Another Kill (2017) Anthology CD1 Track 06

Ed Sheeran - Castle on the Hill [Piano Cover]

“Vemos la luz del atardecer anaranjada y violeta porque llega demasiado cansada de luchar contra el espacio y el tiempo”
“We see the light of the sunset as orange and violet because it arrives too tired from fighting against space and time”
(Albert Einstein)

La luz del atardecer

compo20241205 (La luz del atardecer)

Reflection on the Romantic epoch.
No. 9 in the cycle of 12 Preludes for Piano (2007).
Bartlomiej Kominek - piano. Live concert recording, Warsaw, Concert Hall of the F. Chopin Academy of Music, 20th of April 2009.

Pawel Strzelecki: 9. Prelude in G# (Espressivo) [12 Preludes for Piano (2007)].

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 9. Prelude in G# (Espressivo) [12 Preludes for Piano (2007)].

Pawel Strzelecki, Ph.D.