Prod. Ein Music
I Love The 90s! (Hip Hop Beat Instrumental)
I didn't experience the 90s like you, but despite the evolution of music, I will always have them in my blood.. 
If you like my music, I just made spotify! 
For subscribe here 
https://open.spotify.com/artist/3UKvM2M0fR3bN1e8nP7KpA?si=z5tSJX0sTHStaintlH5baA 🧡
I hope you like it!!
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I Love The 90s! (Hip Hop Beat Instrumental)

Ein Rap - I Love The 90s! (Hip Hop Beat Instrumental)

I had the pleasant surprise to receive a piano piece by Raphael Muhr (Paint-Germain) I thought it was very nice and fun to play, adding my own accompaniment, which Raphael was happy with...
I hope you will enjoy listening as much as I did playing it...

To listen to more of his beautiful music..
https://on.soundcloud.com/Tf3yE

Art picture by oscar-ivan-esquivel-arteaga on unsplash

Bagatelle Für Klavier By Raphael Muhr

Gonna Rock The World

Presenting
"Not Me" 
Lyrics from Madonna's song She's Not Me
Vocals
Music produced by me 
Produced in the ARAPA Music Studio
Sydney - Australia

Not Me

Original Score inspired by the Alan Moore collection of short stories

The Improbably Complex High-Energy State

I made it for a great music colleague (BENNY) 

Tony's™: Infinities.mp3

... my little didge jam. Fact, a piece of milk pipe from agriculture, 151 cm long, diameter outside 41 mm, the sound picked up with a clip microphone. ... experimental use ;-) ... and very much fun !
....................... Sometimes you have to play your way out ;-)

Extended Milk Pipe Didge Free Style Jam

Dans les boucles de voix qu'on utilise, on trouve souvent de belles voix parlant de l'amour, mais comme si l'amour était de la guimauve!! Alors j'ai pris un peu le contrepied dans ce track!
 PAROLES
Mon sucre d’orge, mon roudoudou,
 Mon ours en peluche, mon Teddy Bear
Alors l’amour c’est ça ?
 L’amour c’est ça, tu crois ?
 L’amour c’est ça, on l’aime,
 Comme un chou à la crème ?

Laisse les bonbons sucrés
 Aux amours de confiseurs
L’amour c’est pas une tasse de thé, l’amour
 C’est la flamme du cœur

 L’amour c’est la passion
 L’amour , c’est sans raison
Laisse l’amour t’emporter
 Comme une vague déferlante
 L’amour c’est pas les bêtises de Cambrai, l’amour,
 C’est de la lave brulante !

 L’amour c’est sans limite
 L’amour, c’est tout tout de suite
 L’amour ça dynamite
L’amour, ça va trop vite ! 

 Laisse à l’ange l’innocence
 Laisse à l’enfant l’insouciance
 Laisse au sage la prudence
 Laisse l’amour mener la danse !
___________________________________________________________
My candy cane, my roudoudou,
 Mon ours en peluche, My Teddy Bear
So that's what love is?
 That's what love is, do you think?
 Love is that, we love it,
 Like a cream puff?

Leaves the candy sweet
 To the loves of confectioners
Love is not a cup of tea, love
 It is the flame of the heart

 Love is passion
 Love is for no reason
Let love carry you away
 Like a breaking wave
 Love is not the candies of Cambrai, love,
 It's hot lava!

 Love is limitless
 Love is right away
 Love is dynamite
Love goes too fast! 

 Leave innocence to the angel
 Leaves the child carefree
 Leave prudence to the wise
 Let love lead the way!





l'amour n'est pas un bonbon

ambient @1 "Soliloquy"
A spontaneous piano improvisation —
a quiet soliloquy recorded in a single take.

There’s no plan, no structure.
Just sound, memory, and silence breathing together.

A small appendix to the ambient series —
fragments of thought that never made it into words.

ambient @

Soliloquy

ambient @1 "Soliloquy"

This composition is dedicated to a lovely friend Dominique Briand here on Soundcloud, Dominique has been fighting off cancer over the last year, and is now on the long road of recovery......I wish her well....

To listen to her songs please follow this link https://soundcloud.com/dominiquebriand

A video link is here
https://youtu.be/IzA5XXws0QM

Thank you for listening.....

Les chemins du temps

Reflection on the Romantic epoch.
No. 9 in the cycle of 12 Preludes for Piano (2007).
Bartlomiej Kominek - piano. Live concert recording, Warsaw, Concert Hall of the F. Chopin Academy of Music, 20th of April 2009.

Pawel Strzelecki: 9. Prelude in G# (Espressivo) [12 Preludes for Piano (2007)].

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 9. Prelude in G# (Espressivo) [12 Preludes for Piano (2007)].

Pawel Strzelecki, Ph.D.