Reflection on the Romantic epoch.
No. 9 in the cycle of 12 Preludes for Piano (2007).
Bartlomiej Kominek - piano. Live concert recording, Warsaw, Concert Hall of the F. Chopin Academy of Music, 20th of April 2009.

Pawel Strzelecki: 9. Prelude in G# (Espressivo) [12 Preludes for Piano (2007)].

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door. You can find us here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

musical noise for the circumspect!
aka a guy with a couple pedals.

*Thank you all for your kind support*

Happy 2025

At age thirteen I discovered my love for music and wrote my ﬁrst two songs, “Hair” and “Beauty Queen.” Being a girly-girl, I wrote happy pop songs about pretty things but eventually dove into exploring different styles of music. I even got a karaoke machine to practice singing. I was discovering all types of music but my heart belonged to pop. I was sixteen with a dream of music and fame.
Some years later, I got into a studio to learn about recording and production. I worked with a guy named Milton in the Bronx, NY. He taught me almost everything I know. At our first session he had me write and arrange a song in 30 minutes. We recorded it the same night. He couldn’t believe I had never recorded before. Since then I have worked with several other producers, which was a great way to get different input to shape my unique style.
My drive to make music and eventually get signed, led to the completion of my first EP, Genesis, which debuted September 16 ‘08. I wrote and co-produced all of the songs and even feature my Japanese language skills in a track called “Ride it (Sore ni Notte).” Genesis spawned four singles and three music videos. My music and videos have been featured on various Radio, internet and television outlets including: Blogtalk Radio, UCLA Radio, KTU.com, Z100.com, Toronto TV and WPIX morning news.
I am heavily influenced by: Rihanna, Gwen Stefani, Mariah Carey, Madonna, Pink, Cyndi Lauper,Kylie Minogue, and Robyn. My style of music is a blend of pop and electro dance beats. I love unique sounding and catchy rhythms.
I released my second EP, “Femme Fatale,” in late 2010. My video for my second single, “Shadow Dancer,” was one of the 1st 3D Music Videos. My third EP, “Model behavior was released 2014 and my most recent work, "Holograms" in 2019. I have performed at venues such as: NJ Bears Stadium, Pianos, The Bitter End, Tokyo Japan, Rainbow Bar, Poisson Rouge and the NYC Marathon. I have also been nominated  for best pop female  in the 2016 LDM Music awards.  Besides my music, I keep busy by writing for other artists, licensing, dancing, acting and modeling. I have also been involved in charity works especially helping children with foundations such as Songs of Love and Tunes for Tots. I am constantly evolving and discovering the world through music and want to share the experience.

Sais Steely Dan keyboardist Jim Beard… “Congratulations on a marvelous album JOrdon!”.

Albany’s WXET Dave Michaels sais “ JOrdon your Pixie Dust album is a masterpiece!”.

Hello magical entity... Thank you for visiting..

Three names I go by are JOrdon, Jae Ordon and Mascot’s Distance,(which I use everywhere such as Spotify, Apple, etc.).

I've written music for Taye Diggs, Ian Gillan of Deep Purple, Pete Yorn, the Gorillaz Dan the Automator, John Spencer Blues explosion’s Russel Simons and Bed Bath and Beyond.  In summer of 2022 my recording Life Whispers On was #7 on Canada’s Cashbox Radio.  Currently finishing up a musical called Humane.


I'm playing all the instruments on many tunes, ones I'm not are…Brian Allen of Lori McKenna, Christopher Cross and Robben Ford on Bass, Michael McDonald's horn section, in addition to Yutaka Uchida playing drums on some tunes and Laurent Medelgi on guitar, also Danny Zanker and Joe Bearclaw Burcaw playing bass.
Thank you for listening to my Vegan, Folk-Jazz-Rock recordings…

Hi, I'm Rob.

I'm a singer, well you figured that out by yourself if you listened to my music....
I'm also Welsh, so what can I do?

I love music, so listening to all the great talent here on SoundCloud - whether it's raw or refined - is an immense pleasure. Thank you all for that.

I hope you get some joy out of listening to me.

Due to some health issues I'm not always capable to listen to your music, interact as much as I'd like to or reply to your comments in a timely manner. It doesn't alter the appreciation I feel for each and every one of you. Please bear with me.

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

Composer / Search for a success. I am a classical composer with a rocker soul. [https://youtu.be/EkjJRjnzag0]

Pawel Strzelecki: 9. Prelude in G# (Espressivo) [12 Preludes for Piano (2007)].

Pawel Strzelecki, Ph.D.