Name: ERNO - TV Lounge - January 2017 by paxahau
Duration: 2 h 20 min 15 s
Description: Slow Jams co-founder and Paxahau resident, ERNO (@ernotheinferno)opening set for Carl Craig at TV Lounge on January 14, 2017.

Tracklist:

Fernando Falcão - Memoria das Aguas
Pulse Emitter - Void Engine 1
Uun - Junkspace
Inox Trax - Sound Effects
Franz Jager - Lana Hunts (VIL Club Edit)
Robert Hood - Ignite A War
Hardcell & Grindvik - Silver (Hardcell Remix)
Sibilant - Screecher Creature
Overland - NASA
1800 Haightstreet - Permafrost
Pelada - Desatado
Vinicius Honorio - Heartbeat (Alex Bau Repaint)
Andre Kronert - Tenth Street Rag
dj ESP Woody McBride vs. John Frank - The Pitch of Madness
Clouds - T12
Sound Associates - Jackknife (Len Faki edit)
Subjected - Thtswhtwnt
Merino - Como Desaparacer
Lonefront - 19
Furtive - Crossfire
Russell E.L. Butler - Maggots
Are:gone - 721.2
Tarker - Enhanced
Jaq Attaque - Martian Immigration (Raw Mix)
Free Range - The Grey Goose
Paul Bailey - Battery Girl
Blacknecks - Don’t Say Goodbye
Frankie Vega & Gabriel Palomo - The Tempest
Decks - Fractured
Keanu Raves - Secret Base Aesthetic
Fjaak - Bassani
Alphaconda - Hey Mami
LSDXOXO - Mutant Exotic (D.Dan Remix)

JS Alvarez- minimal detroit

Intellephunk, Enemy Records and Kajunga Records invited me to play the Kajunga World stage at The Great Beyond 2023.  This is my Sunday morning 9:30 am set of chilled electronics with dub and acid emphasis.

DJ Screendoor live at Kajunga World / The Great Beyond 2023

Photo by Justin Aulis Long
https://soundcloud.com/justin-aulis-long
Justin Aulis Long is a sonic sorcerer, urban Homeric poet, and cosmic wanderer that exists within the liminal spaces where light meets dark. Long is the offspring of a gorgon, conceived within a brick and mortar labyrinth while surrounded by the supernatural electronic voices of angelic forces.

While engaging in themes of the uncanny and erotic, Long opens thresholds which lead to psychedelic realms during communal dance gatherings. Applications of sonic alchemy during ritual action generate vibrant forces created through collective effervescence, causing a bubbling over of ecstatic energy leading to rapture. During the rite, incantations are expressed through fusing a swarm of aural fragments composed from diverse temperaments by way of a personal and singular technique.Sacred objects (records), selector’s tools (turntables and mixer), body, spirit, harmonic and discordant voices unify and become one - The Soft Machine.

During a ritual performance, phonic collages are created intuitively on sight, sigils are aurally direct with specific intent, and offerings are bestowed before an alter, all charged by an engine of chaos. Time and space unravels while normality ruptures and disintegrates as foundational structures of the status quo are dismantled through intensive executions, founded in the practices surrounding musical selection.

RND 088 - Justin Aulis Long

Annie Hall, una de nuestras artistas más reconocidas a nivel internacional, se estrena en nuestra serie de podcasts con un Mix en el que el electro y los ritmos rotos mandan. 

Tracklist:
1.	Maara- Tranquil Lust Mommy 
2.	Reedale Rise - Drifwood 
3.	Bufo Bufo - Noctilucent 
4.	Versalife - Luminous Idle State 
5.	Brainwaltzera - Evening Narcomnastics 
6.	Transparent Sound - Reminisance
7.	 Synth Alien - Pahkum Koschitzkym 
8.	 Conforce - Charlatan 
9.	 Moy - Metreon Cascade 
10.	 Robert James - 888 
11.	 Dj Mell G - beyond 70 
12.	 Bufo Bufo - chimera 
13.	 Dj Overdose - time I get nasty 
14.	 Ben pest - 8 Octavial 
15.	 Rico casazza - Caldo 
16.	 Room - Saigg Techno Sport ( The Deserter Remix)

Check;
ANNIE HALL
https://www.facebook.com/anniehallmusic
https://www.instagram.com/anniehallmusic/
https://soundcloud.com/anniehallmusic

MIX: Annie Hall x Beatburguer

New York party Merge is often described as a queer techno extravaganza. Over the past two years, it's built a loyal community from the ground up while integrating everything from high-energy trance to disorienting acid into its rave repertoire. Resident Clarisa Kimskii has played a defining role in the collective's growth, largely thanks to the ultra-kinetic and rhythmic pace of her DJ sets.

Time and time again, the Washington DC native has demonstrated her ability to lock in dancers through captivating and hypnotic selections across various sub-styles of techno. There are tribal, witchy cuts. Jacking, Detroit-style funk. Psychedelic, DJ Nobu-style grooves and austere sounds that nod to Sandwell District. It's the kind of range that explains why Kimskii has been booked worldwide many years over, and more and more as of late. Her deep understanding of techno's myriad flavours come from two decades of industry experience as well as esoteric productions on labels like Mysteries Of The Deep and L.A.G. (her own short-lived, underrated, essential techno platform).

Kimskii's long time in the techno scene, her experience and her expertise is expressed in full form on her RA Podcast Moving from industrial grit to gentle transcendence to heady acid, the mix feels free, fluid but also remarkably precise, just like Kimskii herself.

@kimskii

Read more at https://ra.co/podcast/901

RA podcast

RA.901 Clarisa Kimskii

For this edition of The Bunker Podcast we're releasing @otodojo's live set from their album release party at The Bunker in April.

artist video explanation accompaniment:
https://youtu.be/h-xMUetPiTg?si=9qj-4DNHj2dHUBtT

artist statement:

In February 2023 I focused on developing a new live set for my debut with @thebunkerny for an album release, named one of the best releases of 2023 by @mixmag-1. I trained the set with performances at Bossa Nova Civic Club with Perfect Party Look Book and at Forest City Lodge with Microtones in Ithaca.

Maybe describing this can help you process some live set ideas.

My previous approach to delivering this material live (originally at The Long Count Cycle, then at Technically Yeah) was using stems as a bedrock and improvisation on top. Even though this worked fine, it got a bit stale for me and I wanted to be as satisfied as a listener when a groove sets in. So I decided to go fully based on MIDI information and instruments, with an added challenge that my CPU can’t take too much of a load, so I needed to make sure I disabled certain instruments before bringing others in. A disclaimer is that I am not fully endorsing all of the equipment in this list, there are some caveats that I’m happy to discuss.

In Ableton I created custom instruments through stock plugins like operator, collision, wavetable - these instruments are divided into ones I cycle through and ones that are constant throughout the set.

The constant ones exist in instrument racks and are freely interchangeable through chains - all of the parameters are mapped to the same knobs on my Novation Launch Control XL enabling me to wash through several instruments running varying sounds. I also have stored macro variations for those instruments in case I need some sound immediately without menu diving (like 1/16 note hi hats).

The cycled instruments instruments are mostly from my tracks in Amphibious / Aural Spirits that are all controlled by four channels on my Xone K1. Initially I tried using Tip by K-Devices and Map-8 to disable a swath of devices (thanks One Child Policy for the tip!). Yet I found that the CPU load was comparable with just leaving the devices on and simply stopping clips. This made for a much better workflow.

I slowly progress through the cycled instruments while improvising with the constant instruments and the main drums / accenting discussed below.

My iPad is running Werkbench by Karl Scholz @karlalamusic, a sequencer sampler app that can easily form interesting polyrhythms and is great for anything sample-related, like live accenting, bass lines, drums, etc.

For the main drums I didn’t want to be too focused on sequencing as it takes up a lot of time, so I just wanted to scroll through patterns that I generate beforehand. I opted to use a modified version of Instant Haus by @alexkid which stores drum patterns for four-five instruments. Modifying this was a bit challenging as it is difficult to determine what kind of patterns I think can stay interesting over an hour time period. This is playing Smackos 808 Simulator by @legowelt-official as well as other custom drum instruments.

For acid lines I am using a Roland TB03 on lend from Indy Nyles and sequencing the 303 with Sting by Iftah Gabbai  as well as his Microtuner device coupled with note echos (I believe this is the most CPU intensive part of the set).I am using Ableton Push as a means to do miscellaneous control and Jaw Harp / Mic for some added organic-ness.

I am running all of this through an Apollo Twin Duo and Allen & Heath Xone 96 at the club.

The Bunker Podcast 227

The Bunker Podcast 227: Otodojo

almost 2 hours of off the cuff music. made up on the spot. acid, techno, house and even electro occasionally. jacking, thumping, deep and funky.  
its impromptu and live...sometimes you gamble and lose...sometimes you win big. 

that how the game works.

recorded live at GREEN MACHINE in Chicago, Illinois USA on September 17th 2023 from 19:00 - 21:00 (7-9 pm)

theres no trackless because I made these "songs" up right there on the spot. thats how live music works.
thanks to the green machine crew for a great event! and to clay at braid records, sam sassmouth and Patrick who all also played superb sets. 

big thanks to sassmouth for the live jam between our sets! that isn't included here, since I didn't want to infringe on her zone. but maybe well post that up as well!

Shawn Rudiman At Green Machine Chicago 09 - 17 - 23

"Always notice whatever is happening in the background." The acclaimed producer and composer discusses the art of meaningful listening and his latest LP, Silencio.

Moritz von Oswald's legacy as one of the trailblazers of contemporary techno precedes him. The artist's initial claim to fame was his involvement in the duo Basic Channel with Mark Ernestus, a project that formed the dub techno canon in the '90s and is still a primary reference point for many, if not most, modern producers. He was also at the helm of the famous cutting and pressing plant Dubplates and Mastering in Berlin, which has become a home for countless artists over the years.

But on this occasion, Oswald sat down to discuss a more recent project: his LP Silencio on Tresor Records, which came out in November. He talked with RA's senior producer, Chloe Lula, about his lifelong love of  jazz, tapestry, French film, Southern Italian opera and music from Central Asia. He also reflects on his production process—an endless exploration of drama and dynamics. Oswald is fascinated with reducing sound to its most basic elements and broadening the capacity of what the ear can perceive. Most importantly, he's a critical listener, and in the final moments of the episode, he imparts wisdom on how he's learned to keep a conscious ear open to the world around him. Check out the episode in full.

EX.690 Moritz Von Oswald

Neptunian Influence, Sixty-Two | Featuring @shawn-rudiman

To open Neptunian Influence's 2024 storm season, we present to you Shawn Rudiman's closing electro live set from last year's Detroit Brunch. Whether you experienced the pulsating energy firsthand and are eager to relive this masterful creation, or you're curious to hear what the rave was all about, we are so thankful to have this relic in time recorded and the opportunity to share it with you, especially as we reflect on our past events in Detroit and prepare for Neptunian Influence: Detroit Brunch Journey's End. We hope to see you on Saturday, May 25, 2024 as we accelerate to the finish line. 

Shawn Rudiman is a national treasure and we're honored to have featured him at Neptunian Influence: Detroit Brunch 2023 and now on the NI mix series. 

SUPPORT: https://shawnrudimanmusic.bandcamp.com/
https://www.discogs.com/artist/18588-Shawn-Rudiman

Meet you in the Great Dark Spot <3

NI62 | Shawn Rudiman

"I’ve been contacted regarding this mix. It wasn’t recorded at Tresor in 1998 as I and others had assumed, but rather it’s a retrospective mix done in 2010 with what Silent would have played had he played there back in ’98. A mix in the style of if you will. Apologies for the confusion." 
https://www.nts.live/shows/silent-servant/episodes/silent-servant-10th-january-2024

Silent Servant Presents: Optimistic Decay 100124

Slow Jams co-founder and Paxahau resident, ERNO (@ernotheinferno)opening set for Carl Craig at TV Lounge on January 14, 2017.

ERNO - TV Lounge - January 2017

paxahau

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