[p*dis] distribution sampler for March 2016

p*dis sampler 2016.03

All songs by My bubba, written during Scandinavian winter months full of longing for warm, exotic places - except East Cave, where the lyrics come from a Slavic folk song, and Sexual Healing, by Marvin Gaye & Odell Brown. Recorded in Seahorse Sound Studios, Los Angeles, and House of Blues Studios, Encino. Produced and mixed by Noah Georgeson. Mastered 
by Golden Mastering.

Our Water Hours

Milkywhale - Birds of Paradise

Dutch legend Orlando Voorn restates his unique approach on techno! 
Terrence Dixon/Population One: "Orlando Voorn's "In My World" will be strong for album of the year 2016. Really refreshing..and already classic...."

This player introduces Orlando Voorn's fourth studio album: "In My World", due out January 25, 2016.

Info + order:
LP: http://bit.ly/InMyWorldLP
CD: http://bit.ly/InMyWorldCD
Digital: http://rushhourmusic.bandcamp.com

Orlando Voorn's sense for abstract melodies and drum programming has always acknowledged him as a master. "In My World'' restates that fact: beautiful, suspended, rich in detail... it's that high tech funk!

LP TRACKLIST (previewed here)
1. Space Age
2. Let Me Lead The Way
3. Goon (Entire Kickless) ft. Trish van Eynde
4. Anti Political
5. The Swamp
6. Predator's Cave
7. Chicago By Night
8. Turn Left Right Here

//

Follow Rush Hour via the following links:

Rush Hour Music label:
http://rushhourmusic.com
http://rushhourmusic.bandcamp.com
http://facebook.com/rushhourmusicamst...
http://twitter.com/rushhouramsterdam
http://instagram.com/rushhourrecords

Rush Hour store:
http://facebook.com/rushhourrecordstore
http://twitter.com/rushhourstore
http://www.rushhour.nl

Distribution:
http://twitter.com/RHdistribution

Orlando Voorn - In My World (RHM 017)

"High Notes" appears on La Sera's 4th full-length album, Music For Listening to Music To, available March 4, 2016. Produced by Ryan Adams.

Order the album:
Polyvinyl - http://plyvnyl.co/music_for_listening
iTunes - http://smarturl.it/musicforlistening
Bandcamp - http://plyvnyl.co/lasera-bc
Stream/download - http://lasera.lnk.to/musicforlistening 

La Sera - High Notes

port-royal - Alma M. (Arovane Amx)

Taken from "Intentions and Variations" out on Morr Music April 8th 2016.
Order the album
Anost: http://bit.ly/1TCHxWl
Bandcamp: https://mikaellind.bandcamp.com/
itunes: https://api.morrmusic.com/itunes/1086154304
Follow Mikael Lind:
 https://www.facebook.com/mikaellindmusic

Mikael Lind is a composer of experimental ambient music, currently residing in Reykjavik, Iceland. 'Intentions and Variations' is his debut for Morr Music.


Order the album

Mikael Lind:  Intentions And Variations

From the album EARS out April 1st on Western Vinyl

Order EARS
iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
March 	18 - London - Convergence Festival
March 	22 - Dublin - Button Factory w/ Battles
March 	24 - London - Electric Brixton w/ Battles
March 	25 - Paris - La Cigale w/ Battles
March 	26 - Reims - La Cartonnerie w/ Battles
March 	27 - Brussels - BRDCST Festival
March 	29 - Milan - Magazzini Generali w/ Battles
March 	30 - Rome - Spring Attitude Festival w/ Battles
March 	31 - Roncade - New Age Roncade w/ Battles
April 	01 - The Hague - Rewire Festival
April 	05 - Lausanne - Les Docks w/ Battles
April 	06 - Zurich - Rote Fabrik w/ Battles
April 	07 - Berlin - Kantine am Berghain
April 	12 - Belgrade - Resonate Festival
April 	13 - Berlin - Ableton User Group Meeting
April 	15 - Linz - Stadtwerkstatt / Kirchengasse 7
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Arthropoda"

Liquid Times (2016 Folk Wisdom/SObject) by OZmotic feat. Christian, Fennesz, Frank Bretschneider, Senking  


Liquid Times MixTape

The opening track from the upcoming release from The Star Pillow, entitled "Above"...a soundtrack to the lost astronaut, floating off into the stars through the field of space debris and meteorite chunks...

The Star Pillow, "Above"... The Long Now

Andrew Tuttle's Fantasy League on Someone Good

Andrew Tuttle - Registration

Pre-Order: bit.ly/gqomohpre 

"Like being suspended over the gravitational field of a black hole, and lovin' it" - Kode 9

“Massive, dramatic tracks!! Most of these are giving me goosebumps! A really strong presentation of the Durban sound” - Spoek Mathambo

"A great snapshot of what's happening with the Gqom sound. Dark and rolling, with a real feeling of menace and intent behind each track" - Mumdance

“Gqom Oh! is the kind of bolt from the blue that doesn’t come along every day. ” FACT Mag

“Utterly mesmeric” Boiler Room

“A perfect opportunity to investigate exactly what’s going down in one of the hottest genres around” THUMP

“Keep it playing and you might confuse its march for your own heartbeat” Pitchfork

“Genuinely without precedent” DJ Mag

“Crackling with volatile energy” The Wire

"Something fresh that gets very addictive, very quickly" Mixmag 8/10



‘The Sound of Durban Vol.1’ represents the first full length compilation collecting the sound of the suburbs and townships of Durban, South Africa known as “gqom”. The album unites many of the local young producers of this fresh genre over 15 tracks on double LP and digital (with four bonus tracks) released via the Gqom Oh! label on 29th January 2016.

The result of Rome-based DJ and musician Nan Kolè teaming up with South Africa-based Lerato Phiri, the Gqom Oh! label was set up to highlight the music and artists of Durban, the often overlooked cradle of the new South African sound. Speaking to The FADER in October this year, Kolè says of Phiri “Thanks to her work the artists I was interested in had greater trust in a stranger who contacted them from Italy to promote a kind of music that even South African promoters don't want to promote or to enter the club.”

Derived from an onomatopoeic Zulu word signifying a drum, “gqom” - in the local slang - “iz da sound u get wen u drop a rock on tiles”. This extraordinary, apocalyptic bass music encompasses many influences. Each polyrhythmic track draws on the darker side of electronic music, hip hop, soundsystem culture, kwaito, UK funky and deep tribal African vibrations. As Kolè puts it: “You can feel the troubled history of South Africa. It’s riot music." Tied to a specific dance called bhenga, gqom happens in a DIY-oriented universe, grafting organic and homemade samples on sourced software to create this wholly unique sound. The label’s greater aim is to invest in much needed technology to help build a local creative infrastructure.

‘The Sound of Durban Vol.1’ features a host of local talent including Julz Da DeeJay, Cruel Boyz, Citizen Boy and Formation Boyz. This compilation was preceded by a 12” EP release in summer 2015 described by Hyponik as “thunderous prime time music” and Complex said “it surely won't be long until clubs across the UK are shaken by this new South African sound”. Resident Advisor’s review mentioned “these three tracks muster up a hulking sound out of very few elements, and they do it without coming off macho or alienating—an achievement on its own”.

South Africa is a unique case in the African continent, a place of the soul that has no equal: so strongly western and so deeply African at the same time. With its mix of ethnic tradition and urban tension it has been a cradle of cultural phenomena. In its own way it is a country of great wealth, particularly rich of contradictions, yet 20 years after the end of apartheid little appears to have changed for the millions of black people that live in its notorious townships. It is from this background that innovations are continually being injected into the living body of the local music culture. The heartbeat of Durban is gqom. 

Dj Mabheko - Syagwaba (704 Gqomu)

Pre-Order: bit.ly/gqomohpre  
"Like being suspended over the gravitational field of a black hole, and lovin' it" - Kode 9

“Massive, dramatic tracks!! Most of these are giving me goosebumps! A really strong presentation of the Durban sound” - Spoek Mathambo

"A great snapshot of what's happening with the Gqom sound. Dark and rolling, with a real feeling of menace and intent behind each track" - Mumdance

“Gqom Oh! is the kind of bolt from the blue that doesn’t come along every day. ” FACT Mag

“Utterly mesmeric” Boiler Room

“A perfect opportunity to investigate exactly what’s going down in one of the hottest genres around” THUMP

“Keep it playing and you might confuse its march for your own heartbeat” Pitchfork

“Genuinely without precedent” DJ Mag

“Crackling with volatile energy” The Wire

"Something fresh that gets very addictive, very quickly" Mixmag 8/10



‘The Sound of Durban Vol.1’ represents the first full length compilation collecting the sound of the suburbs and townships of Durban, South Africa known as “gqom”. The album unites many of the local young producers of this fresh genre over 15 tracks on double LP and digital (with four bonus tracks) released via the Gqom Oh! label on 29th January 2016.

The result of Rome-based DJ and musician Nan Kolè teaming up with South Africa-based Lerato Phiri, the Gqom Oh! label was set up to highlight the music and artists of Durban, the often overlooked cradle of the new South African sound. Speaking to The FADER in October this year, Kolè says of Phiri “Thanks to her work the artists I was interested in had greater trust in a stranger who contacted them from Italy to promote a kind of music that even South African promoters don't want to promote or to enter the club.”

Derived from an onomatopoeic Zulu word signifying a drum, “gqom” - in the local slang - “iz da sound u get wen u drop a rock on tiles”. This extraordinary, apocalyptic bass music encompasses many influences. Each polyrhythmic track draws on the darker side of electronic music, hip hop, soundsystem culture, kwaito, UK funky and deep tribal African vibrations. As Kolè puts it: “You can feel the troubled history of South Africa. It’s riot music." Tied to a specific dance called bhenga, gqom happens in a DIY-oriented universe, grafting organic and homemade samples on sourced software to create this wholly unique sound. The label’s greater aim is to invest in much needed technology to help build a local creative infrastructure.

‘The Sound of Durban Vol.1’ features a host of local talent including Julz Da DeeJay, Cruel Boyz, Citizen Boy and Formation Boyz. This compilation was preceded by a 12” EP release in summer 2015 described by Hyponik as “thunderous prime time music” and Complex said “it surely won't be long until clubs across the UK are shaken by this new South African sound”. Resident Advisor’s review mentioned “these three tracks muster up a hulking sound out of very few elements, and they do it without coming off macho or alienating—an achievement on its own”.

South Africa is a unique case in the African continent, a place of the soul that has no equal: so strongly western and so deeply African at the same time. With its mix of ethnic tradition and urban tension it has been a cradle of cultural phenomena. In its own way it is a country of great wealth, particularly rich of contradictions, yet 20 years after the end of apartheid little appears to have changed for the millions of black people that live in its notorious townships. It is from this background that innovations are continually being injected into the living body of the local music culture. The heartbeat of Durban is gqom. 

TLC Fam - Skim Sam (dbn dance)

Jürgen Karg’s career in music began in the 1960s as bass player for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five year period. His efforts culminated in the “Elektronische Mythen” LP, a mighty opus of experimental music which reveals new aspects every time it is played.

Jürgen Karg "Elektronische Mythen" (1977) snippets - reissue out June 17, 2016

THREE GUITARISTS, THREE GENRATIONS, ONE ALBUM TOGETHER: Günter Schickert, Jochen Arbeit (Die Haut, Einstürzende Neubauten, Automat) and Dirk Dresselhaus (Schneider TM) are three renowned Berlin guitarists. They epitomize three generations of experimental musicians: Schickert personifies the Krautrock of the 1970s, Arbeit 1980s post-punk and Dresselhaus the neo-electronica of the 2000s decade. Their artist approaches may differ on account of their diverse musical backgrounds, yet what they do have in common is a fundamental interest in developing the guitar as a sound object, seeking out unusual structures and harmonies. They now present the results of their explorations and ideas on a joint album. Out April 29, 2016

Arbeit Schickert Schneider - 38°

From the album EARS released April 1st 2016 on Western Vinyl

iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Existence In The Unfurling"

Extract from upcoming album "Running To The Moon"
PRE-ORDER NOW and download this track TODAY !
https://lnk.to/smokeyjoeandthekid

FRANCE : Out March 25th on Banzaï Lab Records.
WORLDWIDE : Out May 6th

Follow us : https://www.facebook.com/smokeyjoeandthekid
Twitter : https://twitter.com/smokeyjoethekid

SMOKEY JOE & THE KID - Please Come Home

In 1981 the Düsseldorf band Die Krupps (Jürgen Engler, Bernward Malaka, Ralf Dörper) released a seminal album which wrote its own chapter in the history of music: the “Stahlwerksinfonie” (Steelworks Symphony) was a near thirty-minute musical monolith of metal and guitar sounds with scattergun saxophone and shouts, held together by a monotonic bass line and stoic beat. The “Stahlwerksinfonie” proved a worldwide sensation, a nucleus of EBM and industrial rock. It stood as a direct descendent of Cluster's early works, although Krupps mastermind Jürgen Engler was as yet unfamiliar with the output of his purported antescedents. 
35 years later, a new version is upon us: the “Stahlwerkrequiem”, recorded with Engler's kindred spirits Mani Neumeier (Guru Guru), Jean-Hervé Peron and Zappi Diermaier (Faust), Pyrolator (Der Plan) and US postrock musician Scott Telles. 
Out June 24, 2016. CD/vinyl/digital
http://www.bureau-b.com/Krupps.php

Die Krupps – Stahlwerkrequiem (snippets) Out June 24, 2016

2007-2008 / hakobune (SRCD055)

the straight road *sense of place (u-cover records)
pastoral 463 *sense of place (u-cover records)
waiting offshore *sense of place (u-cover records)
the july skies followed us here *wandering toward what was unsaid (u-cover records)
and the sunlight transcends *wandering toward what was unsaid (u-cover records)
realization at dusk *wandering toward what was unsaid (u-cover records)
melting reminiscence *melting reminiscence (waterscape records)
yukidaruma *melting reminiscence (waterscape records)
fleeting reference *we left the window open sometimes (symbolic interaction)
nullity and rumination *we left the window open sometimes (symbolic interaction)
sothis *split with david tagg (install)

produce : Takahiro Yorifuji
mastering : Ken'ichi Itoi
photo : Fábio Petry
art direction : Ken'ichi Itoi

the july skies followed us here / hakobune

Taken from the album Transliaciya, released on Preserved Sound April 1, 2016. Check out the album at: https://preservedsound.bandcamp.com/album/transliaciya

Twenty-six – Ales Tsurko

Svavar Knútur and Marketa Irglova sing together on the opening track of Svavar's new album Ölduslóð (way of the waves). Album coming out end of August or beginning of september.

Baby Would You Marry Me - (Feat. Marketa Irglova)

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



p*dis sampler 2016.03

pdis_inpartmaint