UK recording artist, songwriter, performer. 
Six albums & various single releases:

Accidental
Gronland 
Epic
Dampfzentrale 
Sunday Best
Mercury 
Everest 

Songwriter. Indie. Experimental Pop. Electronica. Folktronica. Avant Pop. Anti-Pop. Psychedelia. Psychedelic Folk.

People's Potential Unlimited (PPU) is a very special record label in DC known for discovering and reissuing some of the weirdest and best ultra-rare boogie, funk, and other dance music from the 70s, 80s, 90s as well as a new generation of beat-makers who draw inspiration from these strange worlds of sound.

Started by music fiend Andrew Morgan and operated out of his basement, PPU’s is a world that re-imagines funk as outsider art and cosmic-boogie as a modern variant of folk music. What would it be like if your school janitor made rap music in the broom closet or if someone in middle management still nursed a dream of being the next El Debarge? The label’s roster includes Robbie M., Dwight Sykes, Evans Pyramid, George Franklin Smallwood, Uku Kuut—names found on demo tapes abandoned to time, or else unearthed online. But PPU also pushes the present into the future. Newest members of the PPU family include DC favorite sons Beautiful Swimmers,  Dreamcastmoe, King Pari, PPU VHS Video mulcher Luke Wyatt, LA beathead Benedek, Vancouver space cadets Pender Street Steppers and Miami sound machine Mickey de Grand IV. There's a palpable scent of both mustiness and freshness to be found in all of PPU's grooves though, the smell of funk from a parallel dimension.

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

A podcast about culture, politics, and our crumbling world. Hosted by Luke Savage and Will Sloan.

Exclusive subscriber-only episodes: https://www.patreon.com/michaelandus/overview

Moogfest is the synthesis of music, art and technology.

Since 2004, Moogfest has brought together artists, futurist thinkers, inventors, entrepreneurs, designers, engineers, scientists, and musicians.

By day, Moogfest is a platform for conversation and experimentation. This mind-expanding conference attracts creative and technology professionals for three days of participatory programming in Durham, North Carolina. Each evening, 

Moogfest presents cutting edge music in venues throughout the city. Performing artists include early pioneers in electronic music, alongside pop and avant garde 
experimentalists of today.  

Moogfest is a tribute to Dr. Robert Moog and the profound influence his inventions have had on how we hear the world. Over the last sixty years, Bob Moog and Moog Music have pioneered the analog synthesizer and other technology tools for artists. This exchange between engineer and musician is celebrated with a unique festival format where the creative process is understood as a collaboration among 
many people, across time and space, in commerce and culture.

saying concrete facts since 2016

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demos/songs/recordings by jesse miller

jessewilliammiller@gmail.com

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