songs that would kill your grandparents

rented starship ★₊˚﹟🪐 '

💭💭💭

Lawrence - Illuminated (Kettenkarussell Remix)

SHIFT GEAR

orphaned deejay selek 2006-2008

dmx acid test

From:  Leon Vynehall ‎– Butterflies 
http://www.discogs.com/Leon-Vynehall-Butterflies/release/5841952

Leon Vynehall ‎– Butterflies

D.K.denz & Upperclass - Departure To Earth

Pomegranate Skies is a new album from me exploring sonic themes of heaven and hell, dualities, split identities, and chaos. The music in this album is a reflection of the ever-constant existential chaos in my mind, reflecting a musical journey through all the different influences and inspirations of genres and electronic music eras throughout my life but also a nod to the amorphous weight of divine weirdness that inspires my music. Music that is reflecting a split identity, music in between cultures. Music that is both good and evil, both sensical and non sensical, both angelic and hellish, secular and divine. Music to give you visions of geographic wonders that don’t really exist. The absurdism of everything from Earth but also of Heaven. Music that doesn’t follow tropes but also sounds familiar. It makes you want to laugh and cry; the in betweenness of everything. Music that makes you want to reach up and taste the pomegranates growing in the skies.

@sepehr-a

Music by Sepehr Alimagham Tabari
Mastered by Nik Kozub
Physically distributed by One Eye Witness

Pomegranate Skies

Sepehr - Pomegranate Skies (GARM07) [Clips Continuous]

Shake / In The Mood

In The Mood (Extended)

Objekt launches his new label, Kapsela, with a 10-year anniversary reissue of his lauded production ‘Ganzfeld’. An ambitious, evocative electro/IDM epic with cavernous drums and a riotously funky bass solo, Ganzfeld was initially released in 2014 on Leisure System as the B-side of Hypnagogia, a split EP with Detroit electro pioneers Dopplereffekt. It quickly garnered critical acclaim (including Track Of The Year by Resident Advisor) and amassed a cult following despite clocking in at 147bpm, a relatively unwieldy tempo for most DJs at the time. Given the seismic shifts in tempo and genre that have taken place in the 10 years since and the emergence of a new generation of producers with whom Ganzfeld’s influence has resonated, 2024 seemed like the perfect moment for a re-release.

Commissioning remixes for the first time, Objekt enlists Djrum, who delivers a jaw-dropping 10-minute rendition which weaves through multiple genres and tempos with the cinematic flair of a short film score. Milan’s Piezo contributes a taut, prickly interpretation that builds tension at 80bpm before exploding into a cathartic double-time closer. Finally, US ambient artist Ulla fully deconstructs the original into a serene, undulating lullaby.

Objekt - Ganzfeld (Djrum Remix)

Pearson Sound returns to his Hessle Audio label with Which Way Is Up, a 4 track EP showcasing a range of textures and tempos with soundsystem pressure as the anchor. The 808-laced 'Hornet' kicks things off with a sound palette inspired as much by '80s Miami as '10s London. 'Twister' dials up the energy with a jagged lead and scattered breakbeats pulling in opposing directions, while the steppers pulse of 'Slingshot' evokes formative experiences at Subdub in Leeds. The EP is brought to a close with the blissed out title track 'Which Way Is Up', whose arpeggios dance around each other until they fizzle to breaking point.
credits

Which Way Is Up

Which Way Is Upt

Which Way Is Up [EP Preview]

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops.
Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape.
Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

BANDCAMP

Helena Hauff - Humanoid Fruit

Title track from my new EP on Live At Robert Johnson out Jan 15th!

Vinyl here : http://bit.ly/1mNYtgA.

Secrets & Lies

We Laugh, We Scream

Freak Dub

video https://www.youtube.com/watch?v=NUeCD9Pm4Ko

shop my drumkits: http://upperclasslofi.sellfy.store