I-Witness breathes drum & bass since the start of the millennium and has been playing DJ sets since 2003. He played at numerous parties and festivals around the country (Tomorrowland, Star Warz, etc.) and abroad (UK, France, Netherlands, Germany, etc). Known for his versatile selection, he always combines different flavours, ranging from oldschool classics to the newest releases.

https://www.instagram.com/iwitness_dnb
https://www.facebook.com/iwitnessdrumnbass
https://www.facebook.com/iwitnessdnb
http://www.youtube.com/iwitnessdnb
http://www.mixcloud.com/iwitness

In How Life Works praat Fredo De Smet met ondernemers, schrijvers, technologen, vaders en moeders. Samen gaan ze op zoek naar de impact van technologie en verandering, bij mens en maatschappij.

DJ ATHOME & 1/2 OF FRONT DE CADEAUX
https://djathome.bandcamp.com/
>> BOOKING: agency@culte.be

Late Night Tales: artist-curated compilations. Night Time Stories: original artist releases.

Late Night Tales invites the world’s best artists to delve deep into their music collections to create the ultimate “late night” selection. The series includes expertly curated mixes by Bonobo, Jon Hopkins, Nightmares on Wax, Nils Frahm, David Holmes, Groove Armada, Belle & Sebastian, Friendly Fires, The Flaming Lips, Metronomy, The Cinematic Orchestra, Four Tet, and Jamiroquai.

The Night Time Stories imprint releases original artist recordings including Khruangbin, Chaouche, and Rae & Christian.

Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

contact us: frontdecadeaux@gmail.com
book us: https://culte.be/agency/front-de-cadeaux

ven., 21 juin 2019 /
Mannequin Records Nacht Xll at ​Berghain | Panorama Bar | Säule / Berlin, Germany

ven., 07 juin 2019 /
Club Nuit: Front de Cadeaux / Diana Alma / Discolowcost at ​Le Lieu Unique / Nantes / West, France

sam., 01 juin 2019 /
Nuits Sonores 2019 / Night 4 at ​Old Fagor-Brandt Factories / Lyon, France

sam., 27 avr. 2019 /
Anarchy At The Bar - Hugo Sanchez - Lola Kola at ​Coropuna / Rome, Italy

mer., 17 avr. 2019 /
Listen! Festival 2019 at ​Horta Gallery / Brussels, Belgium

sam., 23 févr. 2019 /
Megatron: Front De Cadeaux at ​Opium Club / Lithuania

sam., 19 janv. 2019 /
Liquid /w. BNJMN, Simple Symmetry, Housemeister & More at ​Salon Zur Wilden Renate / Berlin, Germany

The origins of Front de Cadeaux can be traced back to a dating site for bears, some ten years ago. After Maurizio had spotted a Felix Kubin poster on one of Ugo's pictures, the two started chatting. Very much intrigued, Ugo invited Maurizio, who lives in Brussels, to play at a festival he organised in Rome. Shortly thereafter Ugo made Maurizio a resident of his Subwoofer night, one of the first bear parties in Europa that existed outside of the mainstream bear realm.

The two bonded over food of course, over their belief that dance culture is rotting from the inside, and even more over slow, heavy electronic music. You have to picture it: a flat in Brussels, a table with empty bowls and bottles, thick smoke and these two daddy dj’s listening to stacks and stacks of UK rave and breakbeat records on 33 instead of 45 rpm. Testing how deep and sexy these garbage records sound at a pace the bears can actually follow without dropping dead – Ugo & Maurizio baptised it ‘supreme rallentato’.

During those early encounters, their decade long dj experience merged into one, just like their vision that dance culture urgently needs a revolution. To them that means playing 90 bpm in a club at 3am whilst the promoters are shitting themselves, showing everyone that the body follows the groove, and not the bpm, a capitalist and macho construct that’s making crowds go numb instead of making them dance.

Around 2013, they officially started collaborating as Front de Cadeaux, referring to the Italian way of pronouncing Front 242, the Belgian EBM legends. “Le pédé BPM” (the bpm gay), their first release, followed one year later, with a Fabrizio Mammerella remix that kind of became an anthem in some circles. It's at the same time a celebration of their love for a slower groove as it is a queer manifesto, dissociating themselves from the mainstream gay culture in big cities, dominated by a horrible attitude and bad taste both in music and style. Second single “Infodrogue” came about after the drug line Maurizio worked at, stopped operating after midnight. Backed up by a bubbling bassline, it's telling the sad tale of a junk calling in and no-one answering. The references to culture and real life are everywhere, be it in the track titles of later releases – “Ouvre ta bouche” is a joke about Kate Bush, “Cogitate” a hommage to lsd wizard John C. Lilly – or their sound, which is impregnated by psyche music, mushrooms, dub, triphop and space rock.
Coming hot on the heels of the collaboration ep with long time friend Fabrizio Mamarella earlier this year, featuring their two oldest singles appearing on vinyl for the first time, came Front de Cadeaux’ new 12” on EMET records. “We slowly rot” is a manifesto and an epistemological breakdown of standard, empty club music, for in order to reconnect with what it should be about, our whole idea of dance music has to be deconstructed. As Front de Cadeaux militantly puts it: “every act of the human being is about transformation through destruction”.

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