playing wavetables/waveshapers... some interesting moments.

more testing of multi-track recording at 96khz v 48khz


idea sketch ES 13.19b2

Experimental sound designer, and classically trained violinist. I feel that it’s important that music should not just be heard, but experienced. I try to use instruments, sampled field recordings and frequencies in an unorthodox context. Headphones will help you in hearing and experiencing all the subtle nuances of each piece…enjoy.

Carson Day is a San Francisco Native and has been gigging around the city for over 10 years.  His interest in music started at a young age when he began studying violin at the age of 6.  At the age of 12, Carson was exposed to electronic dance music and he began to DJ underground rave events.  Never one to abandone his passions, Carson studied recording and audio arts in College to advance his career as an electronic musician.  Currently, Carson works full time for Dave Smith Instruments and releases music under various monikers.

Philadelphia-based artist/writer/illustrator who has a music problem.
DanceRobotDance.com
I make these tracks with a variety of tools and intentions. Sometimes the idea is to laugh, sometimes to dance, sometimes to shut up and just listen. Tools include a modular synth, various software, an OP-1, a couple of guitars, turntable, stompboxes, ukuleles, an accordion and an alto sax. 
https://dance-robot-dance.bandcamp.com/

instruction sheet for the proper use of dimension n music – an accurate circumscription of effects and fiction:

you’re now leaving the sober sector. please ensure to be alone during the opening procedure of the data container. lock the door in case of strong neighbour infestion, install bear traps and spring guns. put under a waterproof, scratchproof and biteproof matting to reduce personnel or property damage. read-out the data container by a capable data/acoustic converting device and turn volume up to maximum. don’t hold back! no canting humility! it could be your last one! do not hesitate, if any resonances of your environment occurred. connect loose furniture parts via unsolvable methods like glueing, brazing, riveting or welding. thereby the resonance frequency should sink underneath the hearable spectrum to infra sonic range. use massive doses of psychopharmaca, if panic attacks do appear. infrasonic is deadly in less cases. cardiac arrhythmia is not only harmless, but welcome. you’ve got a right to clench. don’t care for leaking body fluids - it's not a reason to be ashamed - everything is excusable! cancel all your dates. this one is only for you. an optimal sound result can only be achieved by the high performance bass speaker ‚berta droelf‘.
it's made up of a corner bathtub body, a 12 hundredweight heavy duty industrial magnet and a 20 squarefeet membrane, made of finest goat leather.
attention! dimension n can bear traces of bach and peanuts, cleans hardest clichee dirt, is toxic to reproduction and might cause allergies to cheap techno.

- no risk, no art
- don't believe the hype (public enemy)
- once and only once (hunts+thomas)
- pay to win 
- live and let live (schiller)
- the ground is the limit
- diy - machs dir selbst (hartmut)
- no future war gestern (kassierer)
- zu viel ist nicht genug
- prinzip hoffnung (bloch)
- scheitern als chance (schlingensief)
- raus aus der opferrolle und rein ins täterprinzip (bastologe)
- vertrauen sie mir - ich weiß, was ich tue (sledge hammer)

sound designer.  synthesizer patcher.  experimental electronic musings.  synthnerd.  occasionally producer of rock albums.

avid listener of new,old, inbetween n future things.

idea sketch ES 13.19b2

peff