On the occasion of the passing of Jon Hassell.

Fanfare (for Jon)

GRFTPS010
@sonaura - Again Begin
limited edition cassette / digital - now on bandcamp
https://giraffetapes.bandcamp.com/album/again-begin

Again Begin

A2. Sonaura - Slipping On The Flesh Jacket [GRFTPS010]

A path

De Profundis

https://anjicheung.bandcamp.com/album/terma

Terma

Decan Of Clear Light

foggy

Track title: I Caught A Glimps Of The Sea Trough The Leafy Boughs Of The Pines (excerpt)

Kim Myhr & Australian Art Orchestra announce new album due for release on April 17: Vesper 

Recorded live as part of the Melbourne International Jazz Festival in June 2018, 'Vesper' is guitarist/composer Kim Myhr’s collaboration with the world-renowned Australian Art Orchestra, led by Peter Knight. A long-form, immersive work consisting of three movements that add up to a combined running time of just under one hour, it further demonstrates Myhr’s masterly command of complex musical resources and extended duration. ‘Vesper’ - which means “evening” in classical Latin - also reunites Myhr with drummer and percussionist Tony Buck, of Australia’s legendary improv trio The Necks. Buck was one of the three guest drummers featured on Myhr’s acclaimed Hubro recording ‘You | me’, shortlisted for the 2018 Nordic Music Prize alongside Bjørk and Susanne Sundfør.

"I had been thinking for a while to do a night piece”, Kim Myhr says about the genesis of ‘Vesper'. "The music I’ve listened to the most, and which is perhaps the closest to me, is the music that I listen to in the hour before going to bed, when the tempo is a bit slower, and the expectations of the day are fading. Daniel Lanois talked about how they recorded Bob Dylan’s 'Oh Mercy' only in the night-time, because musicians tend to be more patient and relaxed then, and even play a few bpms slower. Although this is a nice idea, I was more focused on the music itself rather than the methodology. What interested me was the private spaces of night time, when the listener knows that nothing more will happen for the rest of the day. It’s an embracing and immersive space, where we can be at our most private and intimate.”

The music for ‘Vesper’ is embracing and immersive too, with an associative, dream-like quality that fits the night-time context to perfection. While each of the three movements could be said to follow its own internal logic and sense of development, capable of functioning as stand alone pieces if required, the overall span of the composition as a whole is suitably epic. The range of sounds is equally vast, from Kim Myhr’s own electric 12-string guitar with its special tunings, to the incredibly versatile resources of the ensemble - actually a septet for this date, but sounding far larger. Live instrumental parts for brass, woodwind, strings and percussion are complemented by re-processing from Joe Talia on Revox tape deck and electronics, with Peter Knight covering electronics and hammered dulcimer as well as trumpet. Combined with Tony Buck’s maelstrom of percussion, the overall effect is thrillingly intense, with each mounting climax coming close to a sensory overload, while quieter stretches can seem to roll by timelessly in a somnambulant haze.

Kim Myhr & Australian Art Orchestra: I Caught A Glimpse Of The Sea Through The... (Excerpt)

Folk music from another dimension by singular artist Kaboom Karavan and his new album "The Log and the Leeway", following a 6 year journey of personal exploration and drastic change. 

"The Log and the Leeway" is released 17th of July 2020 and features amongst others a bizarre cover painting by John Lurie (of The Lounge Lizards). It also comes with a 16 page booklet of musical illustrations by Walter Doogh & Erik K Skodvin that more or less connects and confuses the stories behind the record.

Red and Black LP editions.

The Log and the Leeway

Kaboom Karavan - Silk Skin Armor

Picture disc edition of 300 copies

Maja S. K. Ratkje is at the forefront of the musical avant-garde. Her music is bold, original and it is meant for sharing. At its heart lies Ratkje’s own voice, an open door to her individual musicianship and a constant tool for realigning her work with natural expressions and human truths.

On Mara, layers of vocals overlap and layer their way through the reverberant woodwork of an early baroque parish in Austria. At times slow and beautiful, other times frantic and sinister, this live recording is full of depth, passion and life. 

Live-recording at Pfarrkirche, Lockenhaus at Kammermusikfest Lockenhaus July 9, 2018. 

Recorded and mixed by Peter Laenger and Andreas Ruge from Tritonus Musikproduktion.
Mastered by Maja S. K. Ratkje at Svartskog 2019.

All music created and performed in real-time by Maja S. K. Ratkje, except sung parts from the Norwegian traditional Hanen sten på stabburshella and the American traditional Mining for Gold. 

Maja is using voice processing software created by Øyvind Brandtsegg. 

www.ratkje.com

Fanfare (for Jon)

Andrew Pekler