DJ Booking requests:
jane@this-saturday.com

Big emotions and musical depth paired with pure danceability are the main components in Solee ́s music. His strongly recognizable and story telling productions are no secret anymore, gained several millions of streams over various music platforms and receiving heavy support by a wide range of international DJs and music lovers around the globe.

With 8 artist albums under his belt, Solee had pioneered his own distinctive sound and played as a DJ and live act at many of the best underground clubs and festivals around the world.

Driven by his inexhaustible love for electronic music, Solee started his record label „Future Romance“ in 2021 to open a new chapter after running the mighty „Parquet Recordings“ label for 15 years.

Album Discography
2024 | Solee „Goldglut“
2022 | Solee „Nothing lasts forever“
2019 | Solee „Humanoid“
2017 | Solee „What remains are the memories“
2015 | Solee „Out of nowhere“
2013 | Solee „The seven year itch“
2012 | Solee „Night shift“
2010 | Solee „Nocturnal flowers“

𝗢𝗨𝗧 𝗡𝗢𝗪
➤ AFTERHOUR SOUNDS COMPILATION VI
https://afterhour-sounds.bandcamp.com/album/afterhour-sounds-compilation-vi

___________________

𝗨𝗣𝗖𝗢𝗠𝗜𝗡𝗚 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2026
 ➤ 28/04 Odonien/Cologne
___________________

𝗣𝗔𝗦𝗧 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025
➤ 01-02/03 Südpol/Hamburg
➤ 15/03 Klunkerkranich/Berlin
➤ 30/04-01/05 Station Endlos/Halle - w. philia & SK
➤ 28.-29.05. Release Party at JK/Berlin
➤ 18-20/07 Kompaz am Fluss Festival
➤ 30/08 Klunkerkranich/Berlin
➤ 20/09 gart.n/Berlin [Solidance]
➤ 25/10 Bahnwärter Thiel/Munich 

2024
➤ 09/03 Klunkerkranich/Berlin 
➤ 31/03 Kabinett der Kuriositäten/Mainz
➤ 06/04 Beate Uwe/Berlin
➤ 04/05 Wellenwerk Open Air/Berlin w. https://soundcloud.com/3000-grad & https://soundcloud.com/sumpfkruege
➤ 25/05 Klunkerkranich/Berlin
➤ 27/07 Klunkerkranich/Berlin [House Edition]
➤ 28/07 gart.n/Berlin [Raving Beyond Borders - Solidance
➤ 28/09 w. https://soundcloud.com/sumpfkruege at Klunkerkranich/Berlin [Sumpf Edition]
➤ 04/10 Chihuahua Dockside // Göteborg, Sweden
➤ 26/10 Bahnwärter Thiel/Munich
➤ 23/11 w. https://soundcloud.com/fiasco_kollektiv at Klunkerkranich/Berlin
➤ 21/12 Kater Blau/Berlin

2023
➤ 27/10 Bahnwärter Thiel/Munich
➤ 14/10 3000Grad x Afterhour Sounds x Rave Cage at Mensch Meier/Berlin
➤ 24/09 Rebellion der Träumer x Afterhour Sounds at gART.n/Berlin
➤ 02/09 Klunkerkranich/Berlin
➤ 03/06 Afterhour Sounds x SUMPFKRÜGE at Klunkerkranich/Berlin
➤ 11/03 Klunkerkranich/Berlin
_________________

✉ 𝗖𝗢𝗡𝗧𝗔𝗖𝗧

~ Only via Mail ~

Premiere requests only:
premieren@afterhour-sounds.com

Loveletters & cooperations:
info@afterhour-sounds.com

Afterhour Sounds news:
https://t.me/afterhour_sounds
_________________

 THE GOOD, THE BAD & THE UGLY:

GOOD: Slots for our LIVE-SPECIAL series are available in the near future. Don’t hesitate to contact us via Mail. Check the playlist for more impressions. 

BAD: We don’t accept any kind of podcast request. Please be patient. Maybe we contact you  in the future. 

UGLY: Please make sure that your music fits us and our output. Randomly sending pm’s to different podcast series are not the best way to grab a spot. 
_________________

𝗙𝗔𝗠𝗜𝗟𝗬 𝗔-𝗭
■ arkadiusz. (https://soundcloud.com/arkadiusz-dmytrow) (SoundCloud/Bandcamp/TG/Events)
■ bpod (https://soundcloud.com/bpod) (IT)
■ Francesca (https://soundcloud.com/francesca_unofficial) (Events/Spotify)
■  Habikat (https://soundcloud.com/habikat) (Instagram)
■ J.WOCKENFUSS (https://soundcloud.com/jwockenfuss) (Artwork)
■ Maria Theresia von Eberg (https://soundcloud.com/maria-theresia-von-eberg) (Events)


🖤 https://soundcloud.com/msaupe

🙏 https://soundcloud.com/elektro-uwe
🙏 Max Zünkler for the lovely artwort (1 until Nr.182) 

..and to all the others like mattmosphere, gina sabatini, bonnie ford, o/y, Tony Casanova, Alma Linda, Florian El Diábolo,…



𝗕𝗜𝗢

Imagine you're at a great techno party and have just heard the last track when the DJ switches on the lights and a murmur spreads through the crowd: It's time for the afterhour!

Welcome to a world where the sun is not the enemy, but a silent witness to sleepless nights and unlimited dance floor adventures

The afterhour is more than just an extension of the night - it is a universe of its own full of quirky, heartfelt and often hilarious moments. It is the place where the music lives on, time stands still and the party community forges its strongest bonds - even if it is sometimes only perceived with half an open eye and a wry smile. 

Over 10 years we host our famous podcast series. Which started as an small idea of some Afterhour nerds developed over the years to something special for us ♥️

In the beginning, we focused on finding and supporting (un)known artists through blog posts, reposts and podcast contributions. Gradually, we expanded our sections to include live recordings and premieres. In-house releases and events were not long in coming. 

Join us and dive into the world of Afterhour Sounds. https://t.me/afterhour_sounds  🌈 🎵 🪩

Broadcasting from the heart of Amsterdam since 2012, DHA has evolved from the deeper side of the musical spectrum into a platform for all things electronic. We convert new audiences and reinforce old ones through carefully curated music and editorial selections, remaining one of the most engaging and informative platforms today. DHA is internationally known, but locally felt, offering content meant to inform, discover, and highlight.

Check us out on:

Closing Sounds is a media channel with a limitless soundscape melting several influences from all over the world and thriving to share uniqueness in each release.

Our belief is that the fusion of styles and arts with various inspirations always generates exceptional experiences, providing a new palette of sensations and thoughts.

Our aim is to be a free creative place outside of the conventional realm. 

Cause Closing Sounds is all about that feeling that spreads all over the crowd... When that very last sound, beyond time and space, takes them into a journey that nothing could explain but music.  

Our vision is to  recreate that same feeling through every single sound we share.

Welcome to your community, welcome to Closing sounds

Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

Creatives at @Sumoverhistoriesrecords
For world wide bookings please contact:
alex@neptunemusic.net & sari@neptunemusic.net
Americas: 
polina@jackmode.com

Mathew Jonson is a phenomenon in electronic music. For nearly 40 years he has forged a sound instantly recognisable on the dance floor – often copied but impossible to imitate. Raw, analogue, and alive, he is a master of real-time performance who shapes drum machines and synthesisers into unforgettable journeys, making every show a one-off experience. From underground clubs to sold-out concert halls and collaborations with orchestras, Jonson’s name guarantees a performance of rare intensity and musicality.

His career took off in the early 2000s with influential releases on Perlon, Kompakt, M_nus, Cocoon, and ITISWHATITIS Recordings, a label where he released his very first record in 2001 and which he later acquired. Anthems like "Marionette" and "Decompression" established him as a producer of rare vision, while his live sets quickly became must-see events, consistently ranked among Resident Advisor’s top acts. During this period he was voted Best International Producer twice in Germany’s Groove Magazine, a testament to his impact on the European techno landscape, and went on to appear on the covers of DJ Mag, Groove, Synmag, and other leading publications. Unlike many, Jonson avoids the use of samples for melodic content, instead writing, performing, mixing and producing everything himself – even contributing his own voice and percussion – giving his music a depth and identity that is entirely his own.

Jonson’s discography spans era-defining singles and albums across labels like Crosstown Rebels and Fabric, where his "Fabric 84" mix captured the spirit of his live sets with unreleased edits and classics performed in real time. His two solo studio albums, "Agents Of Time" (2010, Wagon Repair) and "Her Blurry Pictures" (2013, Crosstown Rebels), expanded his scope even further – balancing intricate dance floor energy with explorations of deeper, more introspective sounds. He is currently working on his third studio album, a collaborative project featuring many artists living in Lisbon, where he now resides. His remix work is equally renowned, covering a wide spectrum of electronic music’s most influential figures. He has reimagined The Chemical Brothers ("Believe", "The Boxer"), Moby ("Slipping Away"), Cybotron ("Clear"), Kevin Saunderson ("Good Life"), Plastikman ("Plastique"), VCMG – Vince Clarke & Martin Gore ("Single Blip"), Goldie ("Redemption"), Josh Wink ("Higher State of Consciousness"), The Martinez Brothers ("No Pop"), Rone ("Nouveau Monde"), Joseph Capriati ("Love Changed Me"), Stephan Bodzin ("Tron"), and Alan Fitzpatrick ("Something Wonderful"), as well as crossover work with Nelly Furtado. These remixes underline his rare ability to bridge underground innovation with mainstream resonance.

He has also expanded beyond the club and festival circuit, collaborating with the Zurich Tonhalle Orchestra and performing a sold-out show at the Berlin Philharmonie with Cobblestone Jazz. With that group, Jonson recorded two albums for the iconic !K7 label, further cementing their reputation as one of electronic music’s most respected live acts. Another landmark moment came with "Cinemix": a world premiere performance of a newly composed soundtrack for the silent film "Faust", created live by Jonson alongside Tyger Dhula, Danuel Tate, and Hrdvsion.

Beyond performance, Jonson has continued to innovate. In 2019 he launched Freedom Engine and its debut album "A Box Full Of Magic", followed by the creation of the Freedom Engine Academy – an educational platform built with handpicked mentors to pass on knowledge and foster collaboration. Now preparing to launch its 5th annual edition in 2026, the Academy has become a vital space for nurturing the next generation of electronic musicians.

Now, 25 years since his debut "New Identity" and nearly 40 years since first making electronic music, Jonson is preparing to celebrate a milestone anniversary in his career. Represented in Europe by LittleBig, his current projects include Freedom Engine, his collaboration with Âme, and his ongoing solo work as Mathew Jonson. A pioneer, a mentor, and an artist in constant motion, Mathew Jonson continues to shape the future of electronic music with every performance and release.

Katermukke isn’t just a label; it’s an evolving sonic odyssey. Each release adds to its dynamic narrative, showcasing a relentless quest for musical innovation. The label seamlessly blends diverse electronic genres—from the hypnotic depths of melodic house and the driving pulse of techno to the dreamy realms of electronica and the infectious beats of indie dance.

Founded in 2011 by the visionary Dirty Doering and Sascha Cawa, Katermukke emerged from Berlin’s vibrant electronic scene as a sanctuary where music breaks boundaries and invites endless exploration.

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