J.Dub is a unique and edgy presence in the Chicago house music pantheon with years of touring and genre smashing production under his belt. He’s toured North America and Europe extensively as a headlining DJ and lead vocalist for Greenskeepers as well as holding multiple residencies at clubs in Chicago, LA, Toronto, and Vancouver.  Material at the legendary Shelter nightclub, regular appearances at Red Dog, Karma, RedNoFive, and notably his Sorted night alongside DJ Heather at the iconic Smart Bar all culminated in his eventual sets at London DJ institutions Ministry of Sound, The End, and Turnmills.  Shows at Toronto’s Industry nightclub propelled him into Canadian house scene leading to tours across the country. His classic mixtapes released by Canadian imprint Blu Funk Recordings solidified his status as an underground house standout and must see live performer.  “Love On The Line”, “Vagabond”, “We Just Won't Stop”, “Through All This Stuff”, “Back and Forth”, “Master of Time”,  “Deepest Trip” and “Too Cool To Dance” are just a few of the buzz worthy vocal projects released by dance/indie labels DFA, Smash Hit, Rockstar, GKM, Farris Wheel, Homecoming and new label home Exploited. During the summer of 2008, J.Dub joined James Curd and L.A. DJ/Musician Chris Holmes in forming electro/rock/rap group Science & Industry.   This multi-talented artist has had past projects remixed by the likes of Derrick Carter, DJ Sneak, Mark Farina, Stacy Pullen, 1200 Warriors, Chuck Love, JT Donaldson, Members Only, David Duriez and Jason Hodges. Vocal projects on Exploited Recordings with longtime collaborator James Curd opened new doors including extensive radio play in the states especially on L.A.’s globally recognized KCRW. J.Dub recently relocated to the City of Angels and has taken up the mantle of Label Manager for longtime friend and fellow Chicago expatriate Mark Farina’s Great Lakes Audio Recordings imprint.

Tickets + Music + Links >>  www.SkiiTour.com 
Bookings: peter@earthtopeter.com
Our Label @Double-Black-Records
SkiiTour = @Tim-Livingstone + @Canosis
Bootleg Account  @SkiiT0ur

Contact:
gonzi.ctr@gmail.com

Bookings WORLDWIDE:
contact@electrobooking.com
Bookings BRAZIL: 
artists@dreamlab.com.br

To be a successful house music producer, you have to make tracks that DJs want to play. And, to be a good DJ, you have to play music that inspires people to move their asses. Simple in theory, but not in execution. Wally Callerio’s inherent ability to do both — and to do both well — has served him justly over the last two decades, establishing him as an artist with talent, vision and staying power in a genre that has navigated tumultuous highs, lows and growing pains in between.   

With over 30 years of experience behind the decks and in the studio under his belt, Callerio has put out a remarkable 250 original tracks and remixes on over 50 labels worldwide. Most recently, his music has been released on such respected heavyweights as Defected, Cajual, Farris Wheel Recordings, Grin Music and Sampled Recordings. In addition, Callerio has earned accolades under his alter ego moniker Poncho Warwick, consistently ranking as a top annual pick for best chillout artist on Beatport.  

In his role as Music Supervisor for “Unconscious Therapy,” a documentary released in April 2016 that chronicles the rise and evolution of house music via the lens of Frankie Knuckles and his fellow innovators, Callerio took on the crucial responsibility of​ ​ licensing and curating the film’s soundtrack.​ ​ He is also a featured artist in the documentary, alongside Mark Farina, Derrick Carter, Masters at Work and a bevy of other house icons.   

Possessed of an entrepreneurial spirit and willingness to embrace change, Callerio has earned and enjoyed enduring success as both an artist and label-owner. Los Angeles-based Dufflebag Recordings, which Callerio launched in 1998, has been churning out deep and funky grooves suffused with soulful vocals since its inception, and the label boasts an impressive roster of artists that includes Demarkus Lewis, Manjane, Alysha Kid, Corduroy Mavericks, JT Donaldson, Natural Rhythm, Ryan Truman and R&B legend Jon B. under his moniker Jah Ques.   

For Callerio, house music still holds just as much untapped potential as it did when he first cut his teeth on the genre in the early nineties — and he’s never been one to rest on his laurels when his passion is at stake and opportunity abounds. “I don’t try to predict the future of house, I try to give it my imagination and push with my music,” Callerio says. “I try to inspire people into making and playing the right stuff.” That drive and openness have kept Callerio prolific, relevant and on top of his game — and better still, are a promise of many good things yet to come.   

https://drop-music.bandcamp.com/

DJ’s, Producers and label owners, Andy Riley and Laurence Ritchie (AKA Inland Knights) have created a brand name that most House heads have heard of.  Whether you like it deep , tech or more funky – when you think about Drop Music or Inland Knights a certain style of House comes to mind that is uniquely their own. Andy and Laurence’s reach is global, and their label’s continue to produce some of the finest House music 15 years after they started back in the UK, within Nottingham's party scene.

Andy and Laurence  met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade sound system from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilized with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties(which were most weekends), and their club nights became local institutions that ran for years with packed dancefloors. Into their 21st year, Smokescreen are still going strong and are still hosting quality club nights and parties in and around the Midlands.

By ’98 Laurence and Andy had made the inevitable step into production and the same year their fledgling label, Drop Music, was born. With the release of ‘Inland Knights vol 1’ , Riley and Ritchie undertook a busy schedule to write tracks for Drop  (almost all of the early output was Inland knights, despite many monikers). Drop Music has gone on to become one of the most highly regarded House labels in recent years (with 80 plus releases to date), and Inland Knights have gone on to become one of the most respected and prolific production outfits in the House community, carving a unique and distinctive House sound, and regularly taking on remix and Ep duties for fellow labels and producers. Highlights include the acclaimed ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations and remixes for NRK and Om Records, three Ep's on 2020 Vision, Inland Knights first full length album entitled ‘Creative Spaces’, and more recently, Inland Knights album to mark 10 years of Drop Music entitled ‘Dust till Dawn’, not to mention countless Ep's on other labels over the years and a 30-minute live mix on Radio 1’s ‘Essential Selection’ show. More recently, the pair released 'Inland Bytes', a retrospective look at Inland Knights career so far.

Currently, as well as remix, production and label commitments, the pair maintain a busy international Dj schedule which takes them further and further afield as their reputation grows. Bookings have included regular slots at UK clubbing institutions such as Fabric, The End, The Egg, The Cross, Turnmills, Shindig, Back 2 Basics,  Sanky's, Chibuku Shake Shake, Ministry Of Sound, Cargo, Déjà Vu, The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Most weekends Inland Knights can be found DJ'ing up and down the UK or Europe with regular international tours a permanent fixture in their Diaries.

Follow Us On:
Soundcloud http://soundcloud.com/inland-knights
Twitter         https://twitter.com/#!/Inland_Knights
Facebook     https://www.facebook.com/inland.knights
Band Camp https://drop-music.bandcamp.com/

For Bookings Please Contact:  
Paul@elitemm.co.uk (Worldwide)
shannon@aptentertainment.com (Americas)

Support Links: https://linktr.ee/underdogyyc

Bookings: Underdogyycmusic@gmail.com

New release: Got Two Feet, Freddy J and Underdog
https://create.ffm.to/got2feet

All My Freaks, Freddy J and Underdog. 
hypeddit.com/freddyjunderdog-allmyfreaks


A Calgary native, the Underdog has been shaping the electronic music landscape for 17 years. Not just a music producer, he's also into crafting branded gear and metal artwork such as the @WhipitWoodsThrone . His artistry reflects a deep rooted dedication to the creative process, embodying the true spirit of the 'Underdog'. With a repertoire spanning Breaks to Big Bass and DNB to Chill Euphoric tunes, he knows how to cater to diverse audiences. As the brain behind the successful No Fucks Given mix series, Underdog brings the best of Bass House, Tech House, G House, Brazilian House, Brazilian Bass, Brazilian Bassline and all forms of dirty house beats to thousands of listeners worldwide. Through the music he shares a message of unity and undying passion for music. Our collective love for music will never die and nor will the Underdogs!

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To learn more about Miguel Migs, visit his website at: www.miguelmigs.com

To submit a demo for consideration to Salted Music @saltedmusic, send to: contact@saltedmusic.com. 
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Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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