Born in the Faroe Islands, Eivør’s early musical forays were steeped in Faroese musical traditions. Now residing in Denmark, her music covers a wide musical and emotional range, with themes of love, loss, memory, freedom and nature. She remains a voice unique in its intimacy, its effortless virtuosity and range of colours, evident from her first recording all the way through to her ninth and tenth albums, Bridges and Slør both released in 2015.

Published by A&G Songs Ltd Worldwide Exc. GSA, Scandinavia, Norway, Sweden, Finland, Denmark, Iceland, Greenland, Faroe Islands.

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Trøllabundin

Salt

Trobar De Morte - The Song Of The Stones

Heavily inspired by Irish music, Anúna's "Jerusalem" and my own choral background I wrote this piece:

The Flowers In The Wind

A flower painted crimson red
like the blood on the snowy dunes
Placed upon your grave in the meadow
Quiet like the flowers in the wind

My true love had fallen in battle
a sword pierced through the heart
and a gunshot heard by his fellows
a bang in the quiet on the fields.

Lilies in the valley - scent sweet
but their smell won't reach me
For my love had fallen in battle
I remain quiet in the wind.

A handkerchief clenched in his hand
as his comrades took him home
they had told me he fought bravely
my true love in the fields.

I looked at his pale blue face,
and the bloodstains on his clothes
I kissed his forehead and said my goodbyes
Quiet like the flowers in the wind.

// Wrote it quickly, one take recordings.

The Flowers In The Wind

Slør

Trobar de Morte -Yufe: The End Of The Darkness [Reverie]

Larva

Is It Cold Outside

"Next is “L’Homme Arme” which again is led by the strings of the band which are then joined by the percussion of Filip Tomanek before the flute of Miss Bastlova fills out the sound and the rhythm guitar-sound and roaring vocal of Stepan Honc join the mix. I mentioned earlier that in places there is an essence of Jethro Tull’s instrumental work about this recording and it is here that those comparisons are most telling. The combination of Pavlina’s flute and Stefan’s guitar echo the work of Messrs Anderson and Barre unconsciously before a brief vocal from Pavlina over Filip’s percussion brings the number to a very tasteful bridge before we rock back into full band territory for the coda."
-Darren Hirst, livejournal.com


06 - L'Homme Arme

Godtfolk

Jenta ho gjekk seg

Mann og mening

Deo’s Erotas

06 - L'Homme Arme

PerKelt

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