Berlin-based British composer
www.rebeccasaunders.net

Critiqued as “a cellist of power and grace” (The Guardian) and possessing “mature artistry and willingness to go to the brink,” Seth Parker Woods has established a reputation as a versatile artist straddling several genres. Outside of solo performances, he has performed with the Chineke! Orchestra (UK), Ictus Ensemble (Brussels, BE), Ensemble L’Arsenal (IT), zone Experimental (CH) Basel Sinfonietta (CH), New York City Ballet, Ensemble LPR and Orchestra of St. Luke's (US). A fierce advocate for contemporary arts, he has collaborated and worked with a wide range of artists ranging from the likes of Louis Andreessen, Elliott Carter, Heinz Holliger, Helmut Lachenmann,
and Liza Lim to Peter Gabriel, Sting, Lou Reed, Dame Shirley Bassey, Rachael Yamagata, as well as visual artists Vanessa Beecroft, Aldo Tambellini, Jack Early and Adam Pendleton.

Holding a Ph.D. from the University of Huddersfield, his principal teachers were Thomas Demenga, Lucas Fels, Frederik Zlotkin, and Daniel Morganstern. In recent years he has given talks, workshops and performances at Royal Albert Hall (BBC Proms), Musée d’art Moderne et Contemporain (FR), Le Poisson Rouge and the Bohemian National Hall (USA), Cafe OTO (London, UK), Huddersfield Contemporary Music Festival (UK), Klang Festival (Durham, UK),
INTER/ actions Symposium (Wales), ICMC-SMS Conference (Athens, GR), NIME Conference (London), Sound and Body Festival (Lille, Brussels), Instalakcje Festival (PL), Virginia Tech, La Salle College (Singapore), and FINDARS (Malaysia) amongst others. Recent awards and acknowledgements include Artist of the Month for Musical America, an Earle Brown/ Morton
Feldman Foundation Grant (USA), McGill University- CIRMMT/IDMIL Visiting Researcher Residency (CA), Centre Intermondes Artist Residency (FR), Francis Chagrin Award (UK), Concours [Re]connaissance- Premiere Prix (FR) and the Paul Sacher Stiftung Research Scholarship(CH).

With music described as “evocative” by The New York Times, Canadian-born Vivian Fung has distinguished herself as a composer with a powerful compositional voice, whose music often merges Western forms with non-Western influences such as Balinese and Javanese gamelan and folk songs from minority regions of China.

Freelance composer and arranger.

To contact me directly about music licensing, commissions, or getting original music for your next project, email me at comqoser@gmail.com

Recognized for her versatile and innovative performing and composing, Nathalie Joachim is “an edgy multi-genre performance artist who has long been pushing boundaries with her flute.” (The Washington Post) Critics hail the Brooklyn born, Haitian-American artist for creating “a unique blend of classical music, hip-hop, electronic programming and soulful vocals reminiscent of neo-R&B stars like Erykah Badu.” (The Wall Street Journal) Ms. Joachim was recently appointed flutist of the four- time Grammy winning contemporary chamber ensemble, eighth blackbird. She is also co-founder of the critically acclaimed urban art pop duo, Flutronix, known for bringing their ingenuity and technical prowess to stages world-wide. Other performance experience showcases an impressive range, including featured appearances with Miguel Zenón, Vampire Weekend, the International Contemporary Ensemble, Richard Reed Parry and Dan Deacon.

Ms. Joachim is a former faculty member of The Juilliard School’s Music Advancement Program (MAP) and is regularly engaged by elite educational institutions nationwide. This season, she joins the Perlman Music Program Summer Music School as Director of Contemporary Music. Notable commissions of her composition work include Land Bridge, an evening-length score for Helen Simoneau Danse (2016), Ulysses in 3, a collaboration with Ulysses Owens, Jr. as part of Park Avenue Armory’s Under Construction program (2015), as well as a piece for solo cello written for Amanda Gookin of PUBLIQuartet (2017). Ms. Joachim is the only person to have successfully completed the MAP, Pre-College, and College Division programs at The Juilliard School. She received her graduate degree education at The New School in audio production and sound design.

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