Started this first playlist of Interbay tracks to celebrate Spooky Week 2024.  All of the tracks in this playlist are on the "dark side" of the sounds that Interbay generates--it could be dark post-punk, witch house, darkwave, goth rock, dark industrial, dark techno, etc.  

Could be good background music for a Halloween party.  

This playlist will be added to (even if it isn't Spooky Week) whenever tracks on the dark side of Interbay get posted.

The Dark Side of Interbay (we have cookies!)

KNAS 24’ - RICHTANNER®, SANTO, HEDSPIN AND THUGLI

Retro synths, occasional acid basslines, spoken word vocals by Thomas Eleven, military radio chatter...all to tell a story about first contact gone badly.  It is a bit long--I was going for a mood.

"Unprepared" by Interbay *SoundCloud Exclusive*

Darkworld.  The most miserable place on earth.  Every ride is the Haunted Mansion.  And, over the speakers throughout the park is this Interbay track.  It's sorta goth, sorta indie, definitely post-punk...with nods to OMD, Prince and 50's sci-fi...all drenched in reverb, with synthesizers and neuro basses for all.  Why?  Because we like you!  M-O-U-S-E!

"Darkworld" by Interbay *SoundCloud Exclusive*

HEDSPIN

POP IT PARTY BREAK (FREE DOWNLOAD)

As you can tell by the tags, I didn't really know the best way to describe this track--though, especially if you're of a certain age, you'll know what this is when you hear it.  

Oooooh, it's sorta spooky!  

(At the same time, there are elements of this track that sound, somehow, like "flying".  Maybe a better song title would have been "Broomstick?"  

If you take the time to explore the tracks posted to this page, you'll find a variety of styles and conceits--a veritable bouillabaisse of various flavors of dance music, mutated pop, indie rock, and darkness (not always all in one song, of course.)  

This particular track features a vocal part buried deep in the mix--your ears will try to search for it...which, I think ratchets up the tension and dread a bit.  

...but, like the ghost in the window of the picture, it's not THAT scary.  

If you're interested in the creative process, this song came together because yesterday, I heard Morrissey's "Everyday is Like Sunday" on Sirius/XM's First Wave.  And from that...came this (which sounds absolutely NOTHING like Moz's song.  I think the only element I can pinpoint is the tom tom build out of the intro, which is shared by both songs.)  

Hope this amuses you.  A follow gets a follow back.  More to come!

"Haunting" by Interbay *SoundCloud Exclusive*

We got a fresh cooked banger for festival season from @therealrichtanner, @thugli, @hedspin, and @wearesanto! 

Tap in now and show some love.

Free Download

Here you got my edit of this new track for free download.

Thank you for the support!

Follow me for more upcoming edits & original music soon.

Boogie Wonderland (Santeo Baile Edit)

We had a long drive yesterday--from Dickinson ND to Missoula MT.  Part of that time was listening to FirstWave on SiriusXM...and the Slugmonstrocity played "All Night Long" by Peter Murphy.  

I think you can hear the influence of that track on THIS Interbay track.  Obviously, I wasn't trying to recreate a Peter Murphy song...but I took inspiration from it, in tempo, some of the sound design, and the general spooky vibe.  

It all fell together pretty quickly here in the Motel 6 in Missoula--and, though I had another song ready to drop today...I've called an audible, and you're getting "Whispers" instead.  

The track is a vibe more than anything else.  There's no coherent plot, there's precious little song structure, and musically, it is pretty restrained.  

But...this track excels in projecting a mood.  Might be good on a Halloween playlist, just saying.  

I should be home again tomorrow evening and I've got to imagine that things will quickly fall back into place, rather than these strange early morning posts...you'll be able to catch new tracks here around midday from now on.  

"Whispers" by Interbay *SoundCloud Exclusive*

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...if an Interbay album is ever made from these SoundCloud Exclusives, it certainly feels that THIS song should follow yesterday's track--without intending to, I made tracks that fit rather well together.  

"Alone in the Dark" (the first of these SoundCloud Exclusives to be given more than one word for its title) carries on the moodiness from "Interlude" and turns it into an epic and dark alternative rock track.  

(A good comparison might be The Cure "A Night Like This" or maybe even Echo & The Bunnymen's "The Killing Moon"--not THAT good, of course, but it is in that style.)  

I've also justified the "Electronic" tag with a lot of underlying synths, processed drums and effects.  (If they had a "Dark Wave" tag for the main genre options, I'd have picked that, I think.)

This one has been sitting in The Vault a little longer than most of these SoundCloud Exclusives (many of which were created the day before they were posted.)  This one, I wanted to hold on to...to wait until the right time to drop it.  

Now seems like the right time--and I have some of you to thank for that!

I was deciding between dropping this today or a more Electronic/Dance/Club banger--and my choice was going to be based on how "Interlude" did yesterday.  

As I said in the description text for "Interlude", when I stray too far from electronic dance music, those tracks get far fewer plays--like in the single digits.   

(Certainly neither "Zagreb" nor "Selfishly deserved their fate...and the earliest posts low play counts are because I hadn't figured out any way to promote my new channel yet.)  

I didn't want to have two straight songs underperform.  So, I made a promise that if "Interlude" did better than I was expecting--even though it is as far as I've ever posted from a club track (so far)--specifically, if it would get 50 plays at the time I'd post today's track...I would pick "Alone in the Dark" as today's post, but if it didn't (and I expected it wouldn't), I had another track lined up and ready to go (which will certainly get posted here, just...later).  

I was delightfully surprised to see 123 yellow ribbons 'round the old oak tree!  (Ancient reference there...it got 123 plays, which is far more than single digits and more than twice as much as the 50 target.)  

So, thank you, random people who listen to my music but never like, repost, share, or follow.  Though all of those things would be quite nice, obviously, I still appreciate those of you who can't be bothered.  

I hope you like my choice today--I think it is a particularly good one.  (Let me know if you agree!)

"Alone in the Dark" *SoundCloud Exclusive*

JOGA POR CIMA x SENTA MENTIROSA (DJ SZ e DJ Erik JP) MC Flavinho e MC GW"

In 1988, Bill Drummond (who along with Jimmy Cauty, were The Justified Ancients of Mu Mu, also known as The JAMMS...and later, The KLF) produced a book called "The Manual:  How To Have a Number One The Easy Way."  This described the process by which, under yet another name, The Timelords, they had produced the track "Doctorin' The Tardis" which was a novelty dance track full of samples (at the high point of the "cut and paste" trend that also included M/A/R/R/S "Pump Up The Volume", Coldcut "Doctorin' The House", Bomb The Bass "Beat Dis"...and other club classics) that did, indeed, hit #1 on the UK and New Zealand charts (and was top ten in a few other countries--and, sigh, nearly completely ignored by the mainstream here in the US.)  

"Doctorin' The Tardis" was crafted out of hard club beats mixed with Gary (the disgraced) Glitter's "Rock & Roll pt II" beat, samples of Daleks, Harry Enfield's Loadsamoney character, parts of The Sweet's "Blockbuster", a vocal drop from a Steve Walsh track...and the Doctor Who theme.  Throw all that in a blender and you get a #1 hit.  (It was such a blockheadedly brilliant idea, that Bill and Jimmy credited the song to a car--Ford Timelord--and even got the CAR to be interviewed about "their" song.  (Have you figured out that I love all the crazy stuff those guys got into?) )  

The book, cheekily, described their process and encouraged others to do the same.  At least one hit track--"Bring Me Edelweiss" by an Austrian act calling themselves Edelweiss--is claimed to have followed The Manual for their track (this could be apocryphal.)  For that song, they based their melody on Abba's "S.O.S.", included samples from Run-DMC and Falco--and some regionally appropriate yodeling.  They sent this track to #1 in six countries, it hit #5 in the UK.  And, again...sigh, nearly completely ignored by US radio...though it was memorably played on MTV a lot--back when they actually played music videos--and it was a big hit in the clubs.  

I happen to own an original copy of The Manual.  

I'm not saying I followed The Manual in making today's Interbay track, "Hunger Mechanism," but the end result definitely reminds me of "Doctorin' The Tardis" and "Bring Me Edelweiss."  (Your mileage may vary.)    

It's a club track with some recognizable-to-some-people samples.  If you might be into that, give this track a listen, a like, a repost, a share, a comment, put it on a playlist...and follow this page for more Interbay tracks, every single day (so far!).

"Hunger Mechanism" *SoundCloud Exclusive*

Post-punk, dance, indie, electronic, and mutant pop in various styles (seriously!)--new tracks being posted daily (every day for over a year, so far!)

Interbay is the new project of Peter Greyy (previously of Cremation Dance and DangerScience), based out of Seattle and Phantom Laboratories West.