Self taught composer, producer and DJ
Booking / Contact: torjefs@gmail.com

Profile pics: David Dundas

1997

Dj Booking & Inquiries : lesyeuxorange@gmail.com

Next ==> 13/09@ La  Rotonde Stalingrad, Paris
               26/09@ Burger Disco Club, Athens 
               27/09@ Rokfor, Patras
               04/10@ La Démarrante, Annecy
               18/10@ Boom Boom Villette
               31/10@ La Rotonde Stalingrad
               13/12@ La Rotonde Stalingrad


Past Gigs : 
Paris => Cabaret Sauvage, Trabendo, Rex Club, Badaboum, La Java, Mazette, La Machine du Moulin Rouge, La Prairie Du Canal, Petit Bain, Nexus, La Madrague Festival, Palais de Tokyo, La Rotonde Stalingrad, Silencio, ZigZag, La Clairiere, Wanderlust, Nuits Fauves, Double Vie, Pamela, Virage,  Le Monseigneur etc...

France => Calvi On The Rocks, Cabourg Mon Amour, We Love Green, Sarcus Festival, Tres cool Festival-Deauville, Highfive Festival-Annecy, Briques Rouges Festival-Lille, Bains Numeriques Festival-Enghien, Macadam Nantes x2, Lieu Unique Nantes, Le Sucre Lyon x3, Le Terminal Lyon, Le Petit Salon Lyon, Iboat Bordeaux x3, Chapiteau Marseille, 1988 Live Club Rennes, Gare Saint Sauveur Lille x2, Ostra Nancy, Grenoble Campus, La Bobine Grenoble, Angers, Nuit Blanche Saint Denis etcetc...

Europe => London x4 , Manchester x3, Leeds x2, Edinburgh, Berlin x3, Hamburg, Freiburg, Amsterdam, Helsinki, Stockholm x2, Copenhagen, Geneve x4, Lausanne, Neuchatel, Zurich x4, Bern, Lucern, Madrid x2, Ronda, Barcelona x3, Porto, Prague, Skopje, Milan, Rome, Liege, Istanbul, Budapest, Sofia, Bucharest x2, Vilnius x2, Palanga, Belgrade, Zagreb, Warsaw, Saint Petersburg, Moscow etc...
RoTW ==> Mexico City x2, Guadalajara, Leon, Merida, San Miguel De Allende, Queretaro etc...

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

i'm into it all
https://yaeji.com

general inquiries/mgmt: info@yaeji.nyc

contact : alex@clashlion.com

My debut album 'Consciousness As A State Of Matter' is out now on Phantasy.
Stream or download: https://lnk.to/TERRPHLP23

Terr is the exciting musical project of Daniela Caldellas, the Berlin-based DJ/producer and label owner, who grew up in Brazil’s Belo Horizonte.

Her music experiences come from a long time - after spending her earlier years playing guitar in several punk bands, she decided to learn the basics of computer music to be able to express more complex ideas - “Electronic music allowed me to bring to life the sounds that I had in my mind,” she says. She became a studio addict, investing in analog synths and effects to work on her sonic experiments. 

Terr was born in 2016 as her first solo project. Its name stems from the 1970’s film “Fantastic Planet”: Terr is the name of the main human character. The debut release, a three-track EP titled Burn the Past, landed on Scuba’s Hotflush Recordings, followed in early 2017 with Misantropicalia — which extended Terr's musical horizons. 2018 saw the release of two solid EP’s on both Permanent Vacation and Correspondant, respectively. 

In 2019 Terr began her fruitful partnership with Phantasy Records - “I have always been a fan of the label and of Erol Alkan. I really like the way the label is focused more on the artistic and experimental side of electronic music. That's the kind of label and philosophy that attracts me and makes me want to work on something." Two EPs were released that year: the acclaimed Tale of Devotion and Energy Sync - which was the soundtrack for Moschino’s Fall Winter 2020 Fashion Show. Now Terr makes a triumphant return to Phantasy with a deeply dreamy new single, Wings of Time, complimented by a momentous remix from Tornado Wallace. 

Caldellas has set up her own label Clash Lion, alongside Shall Ocin and Daniel Watts. The label broke through instantly with the first release seeing Maetrik’s resurgence in a number of years. Since then the label has seen numerous artists pass through the gates including ANNA, Man Power and many more. In 2018 Caldellas released Dust on Clash Lion with remixes from Curses, Cardopusher and fellow label founder Daniel Watts. Throughout her career, Terr also did a bunch of killer remixes for artists like Tiga on Turbo Records, Rüfüs do Sol on Warner Music, and Ora the Molecule on Mute Records, among others. 

At the moment Terr's working on new EPs and an album for 2022 - “I am working on different things at the moment, I think I would be too bored if I had to work on the same style over and over,” she smiles. “I am doing some stuff that’s more "epic" and dance-floor-oriented as well as some romantic breakbeat and reshaped electro. I am really excited with the new stuff.” As for her inspiration, she has a huge myriad of influences: from Grunge to Electroclash through classic Disco, Philip Glass, The Knife, Leonard Cohen, acid house, techno, Brazilian popular music, movies and books - “I believe that ideas are waves of energy flowing through the cosmos and artists are like antennas. I try to keep myself and my senses wide open to welcome them”.

MANAGEMENT / GENERAL REQUESTS
silvi@chaosinorder.de

BOOKING REQUESTS 
amelielens@WMEAgency.com

BOOKING REQUESTS North/South America
ferry.rais@CAA.com

NEWS:
https://linktr.ee/amelie.lens

Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.

Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe.

Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode.

Amelie has been focused on her signature sound, emphasised by the use of her own vocals. She wants to capture audiences that may not always be there for techno but feel connected after discovering something new.

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Flish is following